Who created Fishing Boat Singing Evening ???

"Fishing Boat Singing Evening" is a famous guzheng song. It is generally believed that this song was adapted by Lou Shuhua in the mid-thirties of this century based on the material of the ancient song "Words of Return". The title is taken from the famous sentence in Wang Bo's "Preface to the Pavilion of the Vine King" in the Tang Dynasty - "The fishing boat sings at night, and the shore of Peng Li rings the firmament; The geese were frightened, and the sound of Hengyang Zhipu was broken".

Recently, some studies have shown that this song was not created by Lou Shuhua, but was adapted by Jin Zhuonan from the folk Zheng song "Shuangban" and its evolution music "Three Rings Set of Days" and "Flowing Water Stone" that circulated in the Linqing area of Liaocheng District, Shandong. In the thirties of this century, Jin Zhuonan taught this song to Lou Shuhua, who made a great development and added the second half of the music based on the golden score, and this version quickly spread throughout the country.

The whole piece is divided into three sections.

The first section uses a slow version to play a melodious and singing melody, and with the left hand kneading, chanting and other decorative techniques, expressing the appreciation of the lakeside evening scene.

The second stanza is developed from the melody of the upper and lower octaves of the first stanza, and the two fingering techniques of pressing and kneading are combined to play the long note "fa", which makes the key change.

In the third section, a series of modulated notes are played in Allegro. It depicts the scenes of rowing, rocking and splashing, and then the music gradually accelerates, and uses various pressing and sliding methods to depict the late return of the fishing boat.

"Fishing Boat Singing Evening" depicts the poetry of the sunset and the fisherman returning with a song with a singing melody. The second half of the book uses the rising and descending melody and the change of speed and intensity of the gradual development to successfully express the enthusiastic scene of a hundred boats racing. The first half of the music and phrases, or the small clauses in the phrases mostly adopt the "duet" structure of the upper and lower responses, although the structure of the upper and lower phrases and minor clauses is not very square and symmetrical, but the up and down echoes of ** still give people a sense of regularity.

The melody of "Fishing Boat Singing Evening" is smooth and beautiful, and it has been adapted into various forms of performance, becoming one of the most popular traditional Chinese music among the masses. The electronic synthesizer performance of "Fishing Boat Singing Night" was selected as the soundtrack of "Weather Forecast" by **TV station**, at half past seven every night**.

"Fishing Boat Singing Evening", developed and compiled by Mr. Lou Shuhua from 1938 to 1939 with the ancient song "Words of Return" as the material, is an epoch-making work in the history of Chinese guzheng art, and is a famous zhenggong song recognized by the Chinese and foreign worlds. With the special structure and performance of the 13-string zheng, the five-uniform tuning string and string column instruments, it gives full play to the wonderful use of the guzheng's playing skills and sound rhyme, poetic and picturesque, and plays to the topic, breaking through the frame of Henan local style, and is a masterpiece of elegance and vulgarity.

Fishing Boat Singing Evening", by Mr. Lou Shuhua in 1938-1939, based on the ancient song "Return to the Words" as the material of the development and compilation, is an epoch-making work in the history of Chinese guzheng art, well-known at home and abroad. The music gives full play to the playing skills of the guzheng and the vocal rhyme of the pentatonic scale, and the title of the song is taken from the "Preface to the Pavilion of King Teng", "The fishing boat sings at night, and the shore of the poor Peng Li".

Book friend Helen, a translator who loves reading, loves calligraphy and **, has a yoga instructor certificate, today uses the version of Mr. Cao Zheng's notation to report to you the results of learning Guzheng for a year.

Fishing Boat Singing Evening", Mr. Lou Shuhua developed and composed on the basis of the ancient song "Words of Return", which is a representative work of Chinese guzheng and is well-known at home and abroad. The music gives full play to the playing skills of the guzheng and the sound and rhyme of the pentatonic scale, and the title of the song is taken from the poem in the "Preface to the Pavilion of King Teng": "The fishing boat sings at night, ringing the shore of the poor Peng Li".

Book friend Helen, love reading, love calligraphy and **, has a yoga instructor certificate of the translator, using Mr. Cao Zheng's version of notation, to report to you the results of learning Guzheng for a year.

Guzheng, in fact, traditionally, was originally only called "zheng". Because of the tradition and ancient, all along with the qin, the word "ancient" is run through the front. On the unearthed cultural relics, there are 13 strings, which are very similar to the guqin, but there are zhengs, that is, small parts that put the strings together.

After the founding of the People's Republic of China, this 21-string was developed, as you can see.

The first playing, like the qin, was played with bare hands, and from the two Jin Dynasty onwards, the strings were plucked using prosthetic armor of various materials. It is now recognized that it is the tortoiseshell prosthetic nail that works best.

"Fishing Boat Singing Evening" is a ** to describe the fishermen on the sparkling lake, casting nets to harvest, in the evening, with the sunset, full of the scene of returning home.

Structurally, the music uses the sound of a zither to imitate the passages of casting nets to catch fish, rowing a boat, and returning home satisfied.

Specific to the playing technique, the inheritance of the ancient Zheng song is that the right hand makes the sound, the left hand makes the rhyme, and the rhyme is used to supplement the sound. It can be said that the right hand is important, but the left hand technique is more powerful. (Demonstration).

The innovative music of the Zheng is modeled on the piano, and the left hand is played to the right side of the Zheng code. This piece, with only scratching at the end, has a similar performance.

Among them, the sound of rowing, using this technique of scraping, near the end, from far to near, and far, slow up and gradually faster, and then gradually slow processing method, to express the artistic conception, scratching, is the unique processing method of Zheng, other musical instruments and computer synthesis sound can not be compared.

Now, please try to follow my less mature playing to distinguish what I have said above.

The artistic conception of "Fishing Boat Singing Night": The sunset reflects the blue waves, and the fishermen who are happy are leisurely, with white sails.

The scene of drifting with the tide and returning with a full load of fishing boats.

Night is about to fall, and the last rays of sunset disappear into the sky as the night gets thicker and thicker. In the distance, the chirping of birds, the murmuring of streams and the chirping of insects can be faintly heard; On the lake waves, the light is light, giving people a lively feeling. Bamboo raft drifters on it.

Adds some color to the surface of the water. A cautious fisherman after a busy day, rowing a small oar from a distant blind spot.

Coming slowly. From time to time, ripples ripple on the surface of the water, and you can also see the reflection of the blurred wide imitation. From time to time, a few cormorants flew on the lakeside.

They play with each other and suck the nectar hard, adding a lively atmosphere to this natural landscape painting. Annihilation.

1. The meaning of the fishing boat singing evening is that in the evening scene of the setting sun, the fishing boats have returned one after another, and the water surface is singing.

2. This word comes from the "Preface to the Pavilion of King Teng", "Luoxia and the lonely crane (wù) fly together, and the autumn water grows together in the sky." The fishing boat sings at night, ringing on the shore of the poor Peng Li; The geese were frightened, and the sound of Hengyang Zhipu was broken". In the modern sense of the whole sentence, it means that in the evening, the fishing boats return home, and the cheerful songs of the fishermen spread all over the shores of Poyang Lake; In autumn, the weather is cool, the geese fly south, and when they reach the waterside of Hengyang, the sound of geese in the south is interrupted.

3, this sentence describes the fishing song of Peng Lizhi, the sound of geese in Hengyang Zhipu, thousands of miles away from the Tengwang Pavilion in Nanchang, Wang Bo obviously can't see or hear. Therefore, the author adopts the technique of fictional writing, through imagination and auditory association, thinking about thousands of miles, thinking about the eight wildernesses, and sketching a scene that is difficult for eyes and hearing to reach: under the sunset, the fishing boat slowly returns, and the cheerful singing sound comes and goes, resounding all over the shore of Poyang Lake; The autumn was cool, and the geese flew south and stayed at the waterside of Hengyang City.

As a result, a picture of a sunset fishing boat and a faint sound of geese in the autumn evening is displayed in front of our eyes.

1. Yu Nakai's creative background.

Taken from the Tang Dynasty poet Wang Bo's "Preface to the Pavilion of King Teng": "The fishing boat sings at night, ringing the shore of the poor Peng Li". The music depicts a moving picture of a fisherman returning with a song in the glow of the sunset.

One theory is that Lou Shuhua, a guzheng artist in the middle of the 30-year slow era, adapted it from the ancient song "Returning" in the Ming and Qing dynasties, and the other is that Jin Zhuonan, a Shandong guzheng artist, adapted the traditional folk song "Shuangban" and other music from his hometown in his early years. The first half of the Lou Ben, which is now widely circulated, is the same as the gold book, and the second half is unique to the Lou Ben.

2. Introduction. "Fishing Boat Singing Evening" is a Henan Zheng song with a classical style. The music depicts the beautiful scene of the sunset reflecting the blue waves, the fishermen leisurely and the fishing boats drifting away with the waves.

This piece is the most widely circulated and influential Zheng solo piece in China since the 30s of the 20th century.

Lou Shuhua's "Fishing Boat Singing Evening" is an epoch-making work in the history of Chinese guzheng art, which is developed and created by using the ancient song "Return to Come" as the material. The Vertical Call was created in 1938-1939. As soon as it came out, it ushered in a new era of zhengqu.

After more than 50 years of performance, it has been proved that it is a famous zhengqu recognized by the Chinese and foreign worlds.

"Fishing Boat Singing Evening" is an excellent traditional Zheng song recognized by the world. The title is taken from the Tang Dynasty poet Wang Bo's "Preface to the Pavilion of King Teng".

In "the fishing boat sings at night, ringing on the shore of the poor Peng Li".

However, as to who its production and its author and adaptor are, it is a "public case" in the folk music industry, and there are still inconclusive opinions. It is said that in the mid-30s of the 20th century, the guzheng artist Lou Shuhua was based on the ancient song "Return" of the Ming and Qing dynasties.

adaptation; It is also said that in the early years, Shandong guzheng artist Jin Zhuonan adapted Shandong's traditional folk song "Skiban" and its variants "Flowing Water Rushing Stone" and "Three-ring Set of Piri" and other pieces of music to guess the closed pants; In the early 80s of the 20th century, Jiang Baohai of Shandong Liaocheng Art Museum wrote that it was adapted by Jin Zhuonan based on the local folk zhengqu "Shuangban" and two small songs evolved from "Shuangban", "taught to Lou Shuhua, and Lou Shuhua adapted it slightly, and became the current score"; In 1986, guqin artist Cheng Gongliang was again in "** Small Magazine".

In the 7th issue, he wrote an article revealing that he stumbled upon an old folk music performer who was in Beijing in 1929 to learn from Lou Shuhua's teacher Wei Ziyu and record the score of "Fishing Boat Singing Evening", which made it more difficult to make a conclusion about the formation of this famous song.