Evening view of the spring river The author s imaginary sentence

The sentence imagined by the poet of Hui Chong's evening view of the Spring River is: It is the time when the puffer fish wants to go.

Fugu wants to go upstream" borrows the characteristics of the puffer fish only going upstream when the spring river is warm, and further highlights the word "spring", which is not in the picture, and it is also difficult to reach with the brush, but the poet has succeeded in "writing the scene as in the present", injecting the breath of spring and the vitality of life into the whole picture.

Three or two peach blossoms outside the bamboo", looking at the sparse green bamboo, a few peach blossoms swaying. The peach and bamboo are contrasting, the red and green are covered, and the spring is particularly lovely. It indicates the season, pointing out the word "early".

Just after the cold of spring, it is not the time for the peach blossoms to bloom, but the infinite vitality and potential of spring have been revealed.

Original:

Evening view of the Spring River in Huichong.

Author] Su Shi [Dynasty] Song.

Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.

Artemisia is full of short reed buds, which is the time when the puffer fish wants to eat.

Translation Notes:

Outside the bamboo forest, two or three peach blossoms are in full bloom, and ducks are playing in the water, and they are the first to notice the warmth of the river in early spring. The river beach is full of artemisia, the reeds are beginning to bud, and the puffer fish is about to swim up the river from the sea.

"Hui Chong Spring River Evening Scene" writes that two or three peach blossoms are blooming outside the bamboo forest, and ducks are playing in the water, and they are the first to notice the warming of the river in early spring. The river beach is already full of artemisia, the asparagus is beginning to sprout, and the puffer fish is about to swim back into the river from the sea. We can see a vibrant scene of early spring February.

Background: bamboo, peach blossoms, artemisia, reed budsMain scene: duck 100 scenes that have not appeared: pufferfish.

Extended information: Original text of the work:

One. Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.

Artemisia is full of short reed buds, which is the time when the puffer fish wants to eat.

Second. The two returned to the Hong and wanted to break the group, and they still seemed to return to the north.

I know that there are many winds and snows in the Shuo desert, and I will wait for the half moon spring in the south of the Yangtze River.

Brief introduction of the poem: "Hui Chong's Spring River Evening Scene Two Songs" is a group of poems created by the Northern Song Dynasty writer Su Shi entitled Hui Chong's "Spring River Evening Scene".

The title of the first poem, "Duck Play", reproduces the scenery of mid-spring in the south of the Yangtze River in the original painting, and integrates the poet's reasonable imagination, which complements the original painting. The second poem is titled "Flying Geese", which integrates the feelings of the wild geese flying north, and shows the spring beauty of the south of the Yangtze River from the side.

About author:Su Shi (1037-1101) was a writer, calligrapher and painter. The word Zizhan, also known as the word and Zhong, is known as the Dongpo layman.

Han nationality, Meizhou Meishan (now Sichuan) people. Together with his father Su Xun and younger brother Su Zhedao, they are collectively known as Sansu. He was an all-rounder in literature and art.

His writing is unbridled and unbridled, clear and accessible, and Ouyang Xiu is called Ou Su, one of the eight masters of the Tang and Song dynasties.

The poems are fresh and heroic, good at using exaggerated metaphors, and have a unique style in artistic expression, and are called Su Huang together with Huang Tingjian; The word is open and open, and it has a great influence on future generations, and the version is called Su Xin with Xin Qiji; Calligraphy is good at calligraphy, regular script, can create new ideas, with the pen plump ups and downs, there is a naïve and splendid fun, and Huang Tingjian, Mi Fu, Cai Xiang and called the Song four; Painting is the same as the text, likes to make dead wood and strange stones, and advocates the same as painting. The poems have "Dongpo Seven Episodes" and so on, and the words have "Dongpo Yuefu". is also an American power foodie, and has created a delicious Dongpo meat.

Described: The peach blossoms outside the emerald green bamboo forest, the ducks playing freely in the water, and the carefree water in the pond are the first to sense the warming breath of the river in early spring. The shallow river beach was already full of artemisia and intricate growth, and the reeds were beginning to bud at the same time, and the puffer fish was about to swim up the river from the sea.

The whole poem describes the revival of all things, the arrival of spring, the emerald green bamboo and peach blossoms and the ducks by the pond together form a harmonious scene of the prophet of the plumbing duck in the spring river, and the quiet and comfortable picture lingers in my mind.

Hui Chongchun Cha Xian River Evening Scene".

It depicts the beautiful scenery of the Spring River in early spring, the verdant bamboo forest on the riverside is dotted with two or three newly bloomed peach blossoms, the turquoise and warm river water is swimming with a few ducks playing in the water, and the artemisia is overgrown with river beaches and reeds.

Short sprouts have grown, geese in the sky.

It also began to fly north.

Hui Chong Chunjiang Evening Scene Two Songs".

Song Dynasty: Su Shi.

Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.

Artemisia is full of short reed buds, which is the pufferfish.

When you want to get on. The two returned to the Hong and wanted to break the group, and they still seemed to return to the north.

I know that there are many winds and snows in the Shuo desert, and I will wait for the half moon spring in the south of the Yangtze River.

Translation of Hui Chong's Evening View of the Spring River.

Outside the bamboo forest, there are two or three peach blossoms that have just bloomed, and the ducks are the first to know that the river will warm up in early spring. Artemisia is full of riverbanks, reeds are sprouting short shoots, and the puffer fish is about to swim up the river from the sea. The geese flying north are like the people who return to the north, reluctant to give up, and almost fall behind.

Thousands of miles away, I already know that the desert in the north is windy and snowy, and it is better to spend the spring in the south of the Yangtze River for half a month.

Hui Chong's appreciation of the two evening scenes of the Spring River.

Hui Chong Chunjiang Evening Scene Two Songs" depicts a scene of early spring, expressing the poet's praise and love for the beautiful scenery of early spring. The poem expresses a delicate and sensitive feeling, capturing the characteristics of the scenery when the seasons change, and expressing the joy and praise of early spring. The whole poem is full of spring and vitality, giving people a sense of freshness and comfort.

The evening view of the Spring River depicts a vibrant view of the riverbank in early spring and February. "Evening View of the Spring River" is a work by the Tang Dynasty poet Zhang Jiuling. The first couplet of this poem depicts the evening scene of the Spring River with lush trees, the setting sun and the setting sun, which are colorful and implicitly convey the author's joyful mood; The couplet directly expresses the author's overjoyed mood when he sees the beautiful scenery on the road; The neck couplet describes the unspeakable pleasure in it; The tail couplet reproduces the scenery of the Spring River.

There is love in the scene, there is a scene in the love, and the scenes are blended.

Zhang Jiuling and quietly known (673 740) Zishou, a naturalist, was a native of Qujiang, Shaozhou (now Shaoguan City, Guangdong). Tang Dynasty Kaiyuan Yun was a famous minister, politician, writer, poet, after the Western Han Dynasty Marquis Zhang Liang, the Western Jin Dynasty Zhuangwu County Gong Zhang Hua 14 debated the death of the grandson.

"It is when the puffer fish wants to go up" in Hui Chong's Spring River Evening Scene is the author's imagination, and the poet supplements the reality with the imaginary virtual realm, so that the originally static picture is transformed into a sound and active poetic realm.

"Huiwan Zhikai Chongchun River Evening Scene".Song Su Shi. Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.

Artemisia is full of short reed buds, which is the time when the puffer fish wants to eat.

Appreciation

The first three lines of the poem describe the scenery in Hui Chong's paintings, and the last line is the association caused by the scenery in the picture. The fierce waiter not only enters the painting, but also goes out of the painting, presenting everything that is not in the painting but is reasonable.

In the poem, the author vividly describes the scenery of the Spring River in early spring, and Su Shi buries the judgment with his meticulous and keen feelings, captures the characteristics of the scenery when the seasons change, and expresses the joy and praise of early spring.

The sentence written in Hui Chong Spring River Evening Scene is the author's imagination is:

It's when the puffer fish wants to be on it."

Although the picture does not depict the movement of the puffer fish, the poet speculates that "the puffer fish wants to go up" from the overgrown artemisia and the sprouts of the reeds, so as to draw the image of the dolphin moving up the river when the spring river is in the water, and supplementing the reality with the imaginary virtual realm.

It is through this combination of brushwork that Su Shi transforms the silent and still picture into a sound and active poetic realm. In Su Shi's eyes, this painting is no longer a flat, static picture on paper within the frame, but an ecological sense with its inner profound experience and subtle and delicate observation. The former is picturesque, the latter is realistic, the two are mixed, I don't know what is the painting and what is the real scene.

The poet's artistic association broadens the hidden world beyond the vision expressed in painting, so that the poetry and painting are perfectly combined.