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Anonymous users2024-02-06"Water Margin" is a chapter hui style written in the vernacular in Chinese history. It was classified as one of the four great literary masterpieces of ancient China by later generations, and the authors were Shi Nai'an and Luo Guanzhong. The content tells the story of the green forest heroes led by Song Jiang in Liangshanbo in Shandong Province of the Northern Song Dynasty, who developed from being forced to fall into the grass until they were recruited by the imperial court to conquer the east and west.
The Water Margin, also known as the Loyal Water Margin, is known as the Legend of the Jianghu Hawkers, generally referred to as the Water Margin, and the book is stereotyped in the Ming Dynasty, which describes the peasant uprising led by the Song River in the late Northern Song Dynasty. It portrayed many heroes such as Li Kui, Wu Song, Lin Chong, Wu Lu Zhishen, etc., exposing the brutality and decay of the feudal ruling class and exposing the social contradictions at that time.
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Anonymous users2024-02-05Literature.
According to the Liangying query question bank test questions, the huge influence of "Water Margin" is mainly manifested in two aspects: social politics and (). a.Politics and respect.
b.Economy. c.
Literature. d.Military.
Answer: cLiterature.
"Water Margin" is based on the heroic story of one hundred and eight heroes led by Song Jiang in the late Northern Song Dynasty from Juyi Liangshanbo, to being recruited by the imperial court, and then to the four silver Zhengkou, destroying the rebel party, and finally being murdered by traitors.
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Anonymous users2024-02-04Water Margin" is based on (Northern Song Dynasty.
The story of Song Jiang in the last years) as the theme, which reminds the objective facts in the feudal society (the official coercion and the people rebel), and describes the historical tragedy of the inevitable failure of the peasant revolution in the feudal society.
"Water Margin" is one of China's four great masterpieces.
One of them, with the Songjiang Uprising in the late Northern Song Dynasty as the main story background, belongs to the heroic legend of the chapter hui style long story**.
The whole book describes the resistance of the heroes of Liangshan against oppression, the growth of Shuibo Liangshan and the surrender of the imperial court, and the suppression of Tian Hu, Wang Qing, and Fang La after the surrender of the imperial court.
The grand story of the political forces that resisted the Song Dynasty and finally led to a tragic defeat artistically reflects the whole process of the Songjiang Uprising in Chinese history from its occurrence, development to failure, profoundly reveals the social roots of the uprising, enthusiastically praises the resistance of the heroes of the uprising and their social ideals, and also specifically reveals the internal historical reasons for the failure of the uprising.
Throughout the text, the author stands on the side of the oppressed, praises the righteous behavior of the leaders of the peasant uprising in robbing the rich and helping the poor, eliminating violence and peace, and affirms their revolutionary spirit of daring to rebel and struggle.
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Anonymous users2024-02-03The Water Margin is the cultural work of China's feudal society, the main contradiction in the feudal society is the contradiction between the landlord class and the peasant class, the landlord class is the officials at all levels, and the biggest landlord is the emperor. However, the production relations of feudal society determine the economic system and superstructure, which means that as long as it is a feudal society, power will always belong to the landlord class, so the peasant uprising is doomed to failure, which is the reason for the failure of the heroes of Liangshan.
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Anonymous users2024-02-02The story of the Water Margin originated from the (Songjiang) uprising in the late Northern Song Dynasty, and it is generally believed that its author was a person from the late Yuan Dynasty and early Ming Dynasty (Shi Nai'an). The current popular version is the (seventy) return of the deleted (seventy) in the late Ming and early Qing dynasties (Jin Shengsi).
ps: This question should be filled in like this, but I don't think the most popular one is the seventy book, and it seems that the hundred times are also more popular, and the one hundred and twenty times are not too popular.
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