About the tricks of the violin! Consultation is required

You must first understand that the reason why the violin is difficult, the first point is that it is difficult in intonation, and Paganini's technique is more disgusting than the average **, I used to practice Paganini's works when I was really speechless than you, first of all, you have to have a sense of fifth, which you can know the distance between them through the composition of fifths; Secondly, check whether your finger opening is very good, if you have an octave or ten degrees, it is no problem, the hand shape of the fifth degree should not be a problem, and finally it is slow to practice fast works are to be practiced slowly Wade is the pitch, no matter what kind of fifth it is to find the right two tones After pulling the alignment and together, it will not be wrong, I haven't seen you pull, it's hard to say what your problem is, you use my method to practice first, see if it doesn't work, only ask your professional teacher.

Do you mean tuning?

After the A string is set, pull the AD string and the empty string double tone, and at the same time tune the D string, and judge whether it is tuned or not according to the harmony of the two tones. Next, pull DG, AE and ...... in turn. After the four strings are preliminarily tuned, the A note is proofread for fine-tuning, and then the above two-tone debugging ...... is repeated

In fact, if you are afraid of not being sure, you can put adhesive tape on the finger position determined by the teacher, and press it repeatedly according to the place of the adhesive tape, so as to train the fit between the fingers and the piano, and you can also practice your listening.

I mainly rely on more practice, and in order to ensure the intonation when practicing, I often use the intonation exercise instrument, pull the tone, and memorize it in my head.

PS: I am a Grade 10 student at Shanghai ** College.

You can first paste a slightly thinner white tape on the accurate position, practice repeatedly, practice the feel, practice more is a shortcut, if the hearing is good, you can listen to the teacher repeatedly first, and then take some time to repeatedly pull yourself to pull the bad place, more familiar with the sound.

Just look at my ID and you'll know ......Let's talk about it after smashing it, boy.

1. Hold the bow, hold the bow in your right hand, the tip of your thumb must be close to the spiral sleeve (arch), and hold the bow shaft with other fingers, so that the back of the hand is naturally arced.

2. Bow movement, excellent players can make a variety of sounds on the violin. As far as bowstring motion is concerned, it depends on a different combination of three factors: the speed at which the bowstring moves, the pressure of the bowstring on the string, and the point of contact between the bowstring and the string.

3. Pitch Zheng Lackingchun, the pitch produced in singing and instrument performance can be consistent with the pitch of a certain rhythm, which is called pitch. Some instruments have tonal requirements when they are made or tuned.

4. Scales, with seven solfège names (do, re, mi, fa, sol, la, si) or any one of the sound names (c, d, e, f, g, a, b), each with a different pitch.

5. Kneading the strings, kneading the strings is one of the most expressive shouting skills mastered in violin, erhu, guitar and other string instruments. Adding the appropriate string to the correct place for a phrase will sound more vivid than a phrase without a string.

6. The position of the fingers of the left hand on the fretboard is called the handle position. The handle near the head of the piano is a low handle, while the handle near the horse is a high handle. Changing from one handle to another is called a handle change.

7. Glide, portamento can make the connection between sounds rich and diverse, thus increasing the beautiful over-dressing effect. In particular, the use of portamento in combination with changing the handle is an expressive method of playing.

The violin is a highly expressive and artistic instrument that requires skill and practice to reach a high level of playing. Here are some tips for playing the violin:

1.Correct posture: Correct violin posture is key, including the position and angle of arms, wrists, fingers, body posture and direction facing, etc.

2.Fingering and bowing: Fingering refers to the movement of the fingers on the strings and requires precise position and strength; Bow technique refers to the movement of the arms and wrists, which requires the right bow force and speed to achieve different tones and effects.

3.Practice scales and tunes: Practicing scales can help violinists improve their technique and intonation, and become familiar with the pitch and transformation of strings; Practising music can help violinists improve their expressiveness and artistry in playing. <>

4.Rhythm and speed control: Rhythm refers to the beat and sense of rhythm of **, which requires the violinist to grasp the rhythm when playing; Tempo control refers to the speed and rhythm of the performance, which needs to be adjusted according to the style and repertoire of **.

In short, violin performance requires long-term practice and training, mastering the correct technique and expression, in order to achieve a high level of performance.

Hold the bow

Hold the bow in your right hand, keep the tip of your thumb close to the spiral sleeve, and hold the bow shaft with your other fingers to make the back of your hand naturally arc. The fingers need to be soft and bent. The bow shaft is located in the distal segment of the index, middle and ring fingers, the thumb is just opposite the middle finger, and the fingertips of the little finger are easily placed on the bow shaft, making it easy to adapt to the needs and move forward or backward.

Between the four fingers, they must be slightly close together, not separated.

Carry the bow

Split bow: a bow plays a note, and the tone should be drawn clean and clear; Repeating the bow: A bow plays many notes and is used in many pieces of music, and is one of the most commonly used bow methods; Tonal bow: disconnection between tones; Jumping bow: The bow hair leaves the strings.

Knead the strings

When rubbing the wrist back and forth, drive the joints of the fingers, the fingers. The touch point cannot be shifted with the kneading of the wrist. When practicing kneading the strings at your wrist, start with three fingers. Because rubbing with three fingers can make the movement more relaxed, then practice two and one fingers.

Put bits

The position of the fingers of the left hand on the fretboard is called the handle. The handle close to the headstock is the low handle, and the one close to the horse is the high handle. Changing from one position to another is called a shift.

Two-handed skills

Left-handed techniques for the violin: scales, double notes, kneading, kneading, overtones, plucking the strings with the left hand. The right-handed techniques are: connecting the bow, splitting the bow, pausing the bow, jumping the bow, wave the bow, hitting the bow, breaking the bow, plucking the string, and plucking the string with the right hand.