The phenomenon of small theater drama is listed, is drama a kind of drama?

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Drama is a comprehensive art, and playwriting, directing, acting, choreography, lighting, and commentary should be said to be indispensable. What is even more indispensable is the object of receiving this art——— the audience. Of course, in Shakespeare's time, there was less of a drama element.

One of the most important reasons why drama has endured in Europe for hundreds of years is that it has cultivated generations of audiences, and the organic combination of thinking and entertainment has promoted the development of drama.

The basic characteristics of the art of drama:

First, theatricality. Ancient and modern Chinese and foreign drama performances are completed with the help of the stage, the stage has a variety of styles, the purpose is twofold: one is to benefit the actors to perform the plot, and the other is to benefit the audience from all angles.

Second, intuitiveness. Drama is first of all performed with actors' postures, movements, dialogues, monologues, etc., which directly affect the audience's visual and auditory senses; And use makeup, costumes and other means to shape the characters, so that the audience can directly appreciate the appearance characteristics of the characters in the play.

Third, comprehensiveness. Drama is a comprehensive art, which is characterized by the need and adaptation to the needs and adaptation of shaping specific artistic images on the stage and directly showing the social life scene to the audience.

Fourth, dialogue. The feature that distinguishes drama from other types of drama is that it uses a large number of stage dialogues to the frontal plot, the creation of characters and the expression of themes. There are monologues of characters, dialogues with the audience, and the content of the drama is completed in a specific time and space.

Classic repertoire of drama:

Lai Shengchuan).

1.Preface.

As a form of drama, drama has always been loved by audiences and actors. Unlike movies and TV dramas, drama allows the audience to experience the storyline and character emotions more deeply through real performances, which is also one of the charms of drama and other media.

2.Definition and characteristics of drama.

Drama is a form of drama that is mainly narrated, and its performance does not need to use technical means such as film or television, but needs to convey the storyline and character emotions through the actors' performances, lines, and costumes. Compared with other forms of drama, drama has its own unique characteristics, such as the structure of the play is more compact, the characters are more personalized, and it is more relevant to real life.

3.History and Development of Drama.

Drama, as a form of drama, originated in Europe. In the mid-19th century, European drama gradually became popular and accepted by the general public. In China, the development of drama has a different historical background.

At the beginning of the 20th century, with the introduction of Western culture, drama began to become popular in China, and a unique performance style was formed. With the continuous development and changes of Chinese society, the performance methods and creative techniques of drama have also been continuously improved and sublimated.

4.The impact and value of drama.

Drama is not only a form of entertainment, but also an art form with profound humanistic connotations. In the drama, we can see the writers, actors and directors thinking and exploring social reality and human nature. At the same time, the drama also provides a platform for the audience to think about social issues and self-awareness.

Through the viewing and performance of the drama, people can better recognize and understand themselves and the world around them.

5.The current situation and prospects of drama.

With the continuous development of the times, people's aesthetic concepts and consumption methods are also constantly changing. Drama, as an art form that inherits the Ming dynasty, is constantly adapting to the needs of contemporary society through innovation and reform. The rapid development of Internet technology and multi-form technology has also provided new opportunities and ways for the promotion of dramas and the attraction of audiences.

It is expected that in the future, drama will still maintain its unique performance style and artistic value, and play an increasingly important role in modern society.

To sum up, drama, as a form of drama with profound humanistic connotations, has always been loved and respected by people. Whether in terms of performance skills or artistic value, drama has its own unique charm and advantages. I believe that with the development of the times and the progress of society, drama will continue to be carried forward and bring more wonderful and moving works to people.

Which drama is known as a big drama + endless stream because it is eight hours long.

The drama "Dream Like a Dream" is one of the most proud works in Mr. Lai Shengchuan's life, the whole play is performed for a total of 8 hours, the first theater in the form of surrounding, the audience sits on the stage lotus pond ** area ** the whole performance. So what kind of drama is this, which can make the audience and actors so fascinated, and the 8-hour ultra-sensitive performance can't stop everyone's love.

Professional troupe plus star effect.

4 million yuan to build a small theater "store".

Xu Jingwei, the producer of the Guangzhou Repertory Theatre's "Encounter" series, will meet audiences in Yangcheng from May 4 to May 11, said that in 1982, director Lin Zhaohua first brought the small theater drama "Absolute Signal" to the stage in Beijing, which was the beginning of China's small theater drama movement. In the following years, the influence of small theater drama quietly permeated all parts of the country, leading people to attract audiences to return to the theater by adjusting the distance between audiences and actors and carrying out small-scale exploration and experimentation when the drama was in crisis and the performance of large theaters was sluggish.

Xu Jingwei said that long before "Tianhe Beauty", the Guangzhou Repertory Theatre was aware of the grim situation of the modern drama market, "We can no longer 'wait for the rabbit' to wait for the audience to enter the theater, but to take the initiative to attract the audience, how to attract it?" First of all, start with drama production. What kind of drama is produced?

I think that in addition to writing and acting in some famous novels and dramas with social ideas to adapt to the tastes of mainstream audiences, it is young people, including white-collar workers and college students, who can really bring out a strong drama atmosphere, and this special group craves fashionable and energetic things. Therefore, our small theater drama should pursue fashionable and beautiful, relaxed and lively, and make people laugh and cry, and think after laughing, which involves life, morality, emotions and other sensitive things in young people's lives. That's what we advocate for 'happy theatre', and that's what our 'Encounters' series does."

Xu Jingwei said: "The so-called 'happy drama' is best close to life. As far as I know, the original version of "If There Are N Hours Left in Life" was also starless, but the special feature of the drama is that the roles can be changed at will, and if the performance is good, you can add some artists to go down and take away the star effect; This drama chooses the theme that is closest to life, combined with thinking about the humanization of society.

...... proAlthough "Love" is not as popular as "If There Are N Hours Left in Life", it talks about truth, kindness and beauty, and it also makes the audience look intimate. "Falling in Love with My Ex-Wife" is hilarious and lighthearted. Our "Encounter" series, presented through the stage, and even with some artistic exaggeration, expresses things that everyone has personally experienced or wants to know, white-collar workers and college students come to the theater, just like watching what is happening around them, not heavy, not dogmatic, and the fashion characters in the works will cause the audience to think happily.

Xu Jingwei also revealed that ** will invest 4 million yuan to transform the No. 13 theater, which inherits the culture of Guangzhou drama, into a high-level high-tech theater with up to 390 seats and complete hardware and software facilities, and the new No. 13 theater will be built into a "specialty store" for Guangzhou drama, especially small theater drama.

Lively form: The small theater drama has a variety of styles, lively forms, and strong interaction with society, which greatly shortens the distance between art and the audience.

Flexible investment: Small theater dramas are flexible in operation, involving a wide range of themes, short production cycles, few actors, and low costs in all aspects.

From "Emerald Flower", "Leek Flower" to "Twist Flower", the whimsical plot and nonsensical characters leave a cookie-cutter impression.

Parody collage: Collage of popular phrases and popular plots just to attract attention, completely deviating from the spirit of exploration of "avant-garde theater" in small theaters.

Stars on the stage: Stars in the film and television industry may be able to save the dismal box office, but it seems too high to expect them to revive the drama.

The Small Theatre Drama Movement was first born in Europe in the late 19th and early 20th centuries, and was the product of anti-commercialization, active experimentation and exploration of Western theater. In 1982, director Lin Zhaohua put the small theater drama "Absolute Signal" on the stage of the capital for the first time, which was the beginning of the Chinese small theater drama movement. In the following years, the influence of small theater drama quietly penetrated all over the country, leading people to achieve breakthroughs and improvements in drama itself by adjusting the distance between viewing and performance, and carrying out small-scale exploration and experimentation when the drama was in crisis and the performance of the large theater was not very prosperous, so as to achieve the breakthrough and improvement of the drama itself and attract the audience to return to the theater.

In April 1989, Nanjing held the first China Small Theatre Drama Festival. This is a practical summary and theoretical exploration carried out by the dramatists to hold their positions and strive for survival under the premise of the extreme recession of the Grand Theater.

After the early 90s, the "small theater" drama began to be "revived", and the small theater drama developed rapidly in Beijing and Shanghai. In the early and late 90s, there were two "small theater" performance booms, and a group of "mature" and "small theater" art workers emerged, which improved the market situation of drama to a certain extent in the overall decline of the performing arts market, and the avant-garde drama under the banner of Meng Jinghui gradually won the recognition of the audience.

However, there are also insiders who are worried that compared with the past, today's small theater dramas tend to be humorous and entertaining, focusing on gimmicks, with "entertaining the public" as the main goal, and to a certain extent, giving up the pursuit of a higher artistic realm. However, in any case, judging from the attendance rate of 7 to 80% of small theater dramas in some big cities, the vigorous and prosperous drama of small theater dramas has played a significant role in promoting China's drama performance market.

In 2005, comedy drama began to occupy the market, and another group of young theater people began to explore ways to break through the oppressive power of the market.

Dramatists generally believe that small theaters, like museums and cafes, are spaces for social interaction outside of life and work, and can meet the spiritual needs of receiving, expressing and creating. The small theater has also become the cradle of young theater workers.