What paper painting is generally used for freehand painting

With Shengxuan. Because of the raw Xuan Xun ink, it can make the brush and ink have a feeling of unbridled ocean, which is in line with the feeling of freehand painting.

This is the usage of most painters. However, there are occasional freehand drawings made of other papers, which is a special case. If you don't have a lot of deep work, it is recommended that you don't learn it.

The characteristics of Chinese freehand painting are as follows:

1. Write God in form, and write in God's freehand;

Freehand painting focuses on expression, lyricism, and speech, while Western modern painting focuses on subjectivity, expression, and emotion, and there are quite similarities between the two in emphasizing that painting expresses the high-impact inner emotions of the creative subject.

2. Expressed with a center forward, a side forward, and a reverse forward;

The so-called "painting is born from the heart" in Chinese freehand painting refers to the use of color in freehand painting, which is fascinating, lyrical, and ever-changing, and the ever-changing brush and ink pours out the thoughts, feelings and feelings of the painter, the main body of creation;

3. Use color expressions to convey meanings, and different color feelings are full of different emotions of painters;

Under different emotions and moods, every detail of the painter's color is closely related to the painter's psychological activities. This emotional expression of the use of brush and ink is realized on two levels.

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The characters of Chinese painting are small-handed, and they are made of cooked rice paper. Xuan paper can be divided into three categories, raw Xuan, cooked Xuan, and semi-cooked Xuan. It is easy to smudge after Shengxuan is inked, and freehand Chinese paintings choose Shengxuan.

Cooked Xuan is relatively strong, and it is not easy to smudge after being painted with ink, so the Chinese painting of Gongbi chooses Familiar Xuan. Semi-cooked Xuan combines the two characteristics of raw and quiet shed Xuan and familiar Xuan, which can not only draw freehand paintings, but also be able to draw gongbi paintings, which is suitable for beginners to use paper. Shengxuan is a rice paper that has not been processed, and the water absorption of Shengxuan is very strong, and it is easy to seep ink, so Shengxuan is suitable for freehand painting, but it cannot be carefully traced on Shengxuan.

When Shengxuan paints, you can blend a large area, and according to different techniques and techniques, you can blend different effects. Shengxuan has the characteristics of strong water absorption, is the main material of calligraphy and painting paper, and can also be divided into the thinnest single Xuan, thicker single clamp, cotton, net skin, two and one clip Xuan and three layers of clamp. It is best to draw characters on cooked rice paper.

Gongbi figure painting is generally commonly used cooked rice paper, which is rice paper processed by alum, also known as alum xuan. Familiar with water, ink and color do not permeate or dissolve, can withstand layers of rendering, suitable for fine brush painting. Its varieties include Qingshui calligraphy and painting, alum sandwich, alum cotton, ice and snow Xuan, mica Xuan, cicada wing Xuan, etc.

Features of Freehand Painting:

First, freehand is freehand. This kind of spirit is focused on the expression of the artist's heart. "Spirit" is to emphasize the artist's feelings and vitality of life gushing out of his heart, or "expressing his heart" and "chanting feelings".

When making freehand paintings, it is required to be in the chest, the intention is to put the pen first, adapt to the situation, and do it in one go.

Second, freehand is to emphasize the imagery. Since painting is the expression of the mind, it must change according to the needs of its expression, not just according to the original to paint, but on the basis of life feelings, with the object, after repeated brewing in the heart, to make it a different image, become the "foreign teacher to create, the source of the heart".

Third, freehand is to emphasize the writing of its brushwork. The meaning of the brush is the "bone method with the brush", "calligraphy homology" and "pen rhyme and ink chapter" in Chinese painting. The state of freehand is most similar to calligraphy.

Writing is a certain meaning of moving the pen, directly with calligraphy to paint with a pen, everywhere you see the pen. Chinese painting advocates simplicity and attaches great importance to line modeling, so it pays great attention to the quality of lines, makes the lines expressive, grasps the strength of the brush, and penetrates the back of the paper.

Fourth, freehand painting pays attention to the change of ink color in the use of ink, and uses different ink colors such as thick, light, dry, wet, and burnt to express different objects, so that it produces a feeling of endless aftertaste, so that the brushwork produces thousands of atmospheres in the full play of ink color, and fully demonstrates the theme, artistic conception and content of freehand painting.

Fifth, the freehand should show the subjective consciousness, aesthetics, and emotional interest given by the painter to the object. Under the guidance of the freehand concept, it is necessary to emphasize objectivity and strong subjectivity; There should be both concrete depictions and abstract generalizations. In freehand painting, the painter organically expresses these factors with the help of brush and ink to reflect the objective and natural beauty, and at the same time reveal the inner world of the painter.

1. Freehand painting is the name of a painting technique, which has low requirements in the form of plastic and high requirements in lyrical expression, freehand painting pays more attention to the performance of the charm than the fine outline of the appearance, among which the small freehand tends to the realistic performance of ink painting, and the large freehand is more inclined to express their emotions in the form of ink painting.

2. Freehand painting is a form of expression of painting, both black and white ink painting and color landscape painting, freehand painting focuses on the implication of the strong affection of brush and ink, so it usually ignores the rigor of the modeling, and outlines the outline and line with a concise and rough brush, and then focuses on depicting the charm of the painting object, fully showing the connotation, which is the characteristics of freehand painting that is expressive and not reshaped.