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Li Qingzhao's view of "not being a family" comes from his article "Theory of Words".
The Theory of Words is the earliest article on the theory of words in the history of Chinese literature, which traces the development of words, the rise to the criticism of the veterans of the word world, and the theory of "other family" proposed by Li Qingzhao on the basis of examining the creative practice of words for hundreds of years.
A clear judgment on the style of the word and the prescriptiveness of the subject matter and theme, which puts forward the opinions and requirements of the word, including the characteristics of the word such as elegance, harmony, harmony, weight, description, and truth. Li Qingzhao maintained the artistic nature of words and the traditional style of words.
"Theory of Words" is a special chapter on words written by Li Qingzhao, and the age of creation is inferred to be before Nandu.
Li Qingzhao put forward words in the article "Theory of Words"."Don't be one"It emphasizes the distinction between words and poems, emphasizes the importance of singing words with the tune corresponding to the word plate, and systematically expounds the criteria for excellent lyrics through the evaluation of previous artists in the article "Theory of Words".
Although Li Qingzhao made a relatively systematic summary and summary of the various characteristics of words in terms of sound and form in "On Words". But there is no mention of ** that is closely related to words, and there is no systematic explanation of how to write words. Of course, we can understand that this is only a short article.
The popular lyrics at that time were less bold in the lyrics, which led to the higher evaluation of the lyricists in the text were mainly graceful, which was disgusted by the later generations of unrestrained people who did not follow the tune, and was also called because of its female critics"False judgments"。
Although Li Qingzhao does not systematically explain how to write words in the Theory of Words, people can still see her powerful examples of her "Theory of Words" through her writings.
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This is put forward by Li Qingzhao in "The Theory of Words", which generally means that words are an independent and mature artistic style, not works made up of leftover scraps of poetry.
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It means to establish the unique personality of the word by strictly dividing the boundaries of the poem, so as to achieve the purpose of respecting the body. This concept is formed in the context of the prosperity of the word body and the controversy of lexicology, and it is the inheritance, summary and development of the predecessor and contemporaneous pronoun theory, so it embodies the consciousness of a generation. It can be seen that respecting the style of words has become a trend of universal significance in Li Qingzhao's time, which shows the consciousness of the lyricists for the literary form of words.
Li Qing is good at poetry and writing, and is better at words. Li Qingzhao is known as "Yi'an Word" and "Shuyu Word", and is named after his number and collection. "Yi'an Collection" and "Shuyu Collection", the Song people have long recorded them.
There are about 45 songs according to the current generation, and there are more than 10 doubtful songs. Her "Words of Jade" is both male and amazed. She not only has a profound literary accomplishment, but also a bold creative spirit.
On the whole, due to the changes in her life in the Northern Song and Southern Song dynasties, the content of her creations presents the characteristics of different worlds and objects in the early and late periods.
Early stage: It truly reflects her boudoir life and thoughts and feelings, and the subject matter focuses on Ma Chong's natural scenery and parting lovesickness.
Later stage: It is mainly to express the feelings of nostalgia and nostalgia when it is sad. expressed his deep sorrow, loneliness, and melancholy in his lonely life.
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Li Qingzhao's"Don't be one"The point of view comes from his article "Theory of Words".
Don't be one"It is said that there are gains and losses in both theoretical guessing and practice:
1. Maintaining the tradition of lexicography and strictly limiting the boundaries of poetry is conducive to carrying forward the spirit and aesthetic style of the ontology of words, but it is manifested in the exclusion of Zhao or the rejection of Yan, Ou and Su words"Physique"The one-sidedness is conservative.
2. Strictly abide by the rhythm of sound, and maintain the best characteristics of the word, but it is required"The lyrics are divided into five tones, five tones, six rhythms, and clear voices"Wait, she's doing it"Don't be one", but the requirements are too demanding, and even several of her own masterpieces are difficult to follow.
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Li Qingzhao's"Don't be one"The point of view comes from his article "Theory of Words".
Don't be a Lutan family"It is said that there are gains and losses in both theory and practice
1. Maintaining the tradition of lexicology and strictly limiting the boundaries of poetry is beneficial to carrying forward the ontological spirit and aesthetic style of words, but rejecting Yan, Ou and Su words, so it is expressed"Physique"The one-sidedness is conservative.
2. Strictly abide by the rhythm of sound, and maintain the best characteristics of the word, but it is required"The lyrics are divided into five tones, five tones, six rhythms, and clear voices"Wait, she's doing it"Don't be one", but the requirements are too demanding, and even a few of her own masterpieces are difficult to follow or follow.
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