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"Father" won the first prize of the "China Youth Art Exhibition", and its picture has a tragic shock, showing the image of an old peasant living in poverty; The realistic depictions of the old peasant's chapped lips, wrinkled faces, and shoddy bowls in his hands remove the barrier between the viewer and the work, and the painter uses them to reflect on traditional culture and ethnicity.
Inspired by the giant portrait of the American painter Clos, the painting uses photorealism to paint an ordinary, poor, and bitter common man in China, and the image of the figure is the image of an elderly peasant that people are all too familiar with, the old man's black, thin face is covered with ravines, and wrinkles like ruts, and his deep-set eyes reveal a sad, confused and earnest gaze, as if he is remembering the past, and as if he is looking forward to the future, so that we can feel the "seeing" of the kind eyes of the cow and sheep. The chapped and scorched lips seem to have been sealed dry for a long time, and the mouth with only one front tooth left has tasted how much sour, sweet, bitter, and spicy, like a rake-plow, the big broken hand is holding a broken and re-cured coarse porcelain bowl and drinking water, the beads of sweat oozing from the tiny pores have slipped off for some reason, the sparse mouth and beard, and the bitter mole that symbolizes the tragic color, all of which are marked by his hard work and miserable life. Feel that his skin is shaking, his blood is flowing, making people think, arousing the attention of the whole society, arousing the resonance of the audience in the face of "Father", making us feel that this is an ordinary old farmer who has experienced vicissitudes of life, but is always full of hope and expectation for life, with optimism and tenacious struggle, in him brings together the indomitable creativity of the excellent tradition of the Chinese nation, this strong visual effect in the hearts of the audience produces an ordinary and great emotion, which is regrettable, It is Luo Zhongli's unabashed and true expression of the "ugliness" of the peasants that makes the image of the "father" more real and credible, flesh and blood.
This work is full of composition, deep and rich in color, the appearance is depicted extremely delicately, the feelings are complex, subtle, the main image is not affected by the depiction of details, but more prominent, this is not only the innovation of the form, but also the breakthrough of the theme idea, showing the courage and courage of the painter, "Father" opened up a new field of depicting the complex character of ordinary peasants and expressing inner thoughts, to the art world in the 80s.
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Answer: "Fuchun Mountain Residence Map".
In the early Qing Dynasty, the painter Yun Shouping praised this picture, saying: "Where there are dozens of peaks, one peak and one shape, hundreds of trees and one tree, the majestic and vast, and the changes are extreme. "This work is indeed a masterpiece extracted and summarized from the real mountains and real water in the landscape paintings of the Yuan Dynasty.
Generations of literati have cherished this painting. According to records, this picture was collected by many people in the Ming and Qing dynasties. During the Chenghua period of the Ming Dynasty, it was collected by Shen Zhou, a famous painter in Suzhou, and was transferred to the name of Dong Qichang of Songjiang during the Wanli period, and then owned by Wu Zhengzhi of Yixing.
Wu Zhengzhi passed it on to his son Wu Hongyu, Wu Hongyu loved like a treasure, slept and ate together, and before he died, he threw this picture into the fire, "martyred for burial" Fortunately, his nephew Wu Ziwen was rescued from the fire, but some of the front had been burned. The Wu family burned the first section.
From then on, the scroll was divided into two sections.
Fuchun Mountain Residence is an ink painting on paper, 33 centimeters wide and centimeters long, it is the masterpiece of Huang Gongwang, the master of the Yuan Dynasty painting circle and the head of the "Four Yuan Families", and it is also the pinnacle of ancient Chinese ink landscape painting. Huang Gongwang, the word is long, the number is a peak, calligraphy, Tongyin law, good poetry, few ambitions, young and promising, middle-aged people were implicated in prison, full of hardships, over fifty years old secluded on the bank of the Fuchun River, learning from Dong Yuan, Juran, devoted himself to learning landscape painting, when he became famous, he was already over eighty years old.
Old man. Huang Gongwang lived in the Fuchun River area for a long time in his later years, he often carried a backpack and built-in pen and ink painting tools, but when he saw a good scene, he painted them one by one, accumulating a large number of rich landscape materials. In the seventh year of Yuan Zhizheng (1348 AD), Huang Gongwang began to create this masterpiece of landscape painting, and finally completed this long scroll that can be called the highest level of landscape painting - "Fuchun Mountain Residence". The painting is more than six meters long, and it took Huang Gongwang three or four years to complete.
In the form of a long scroll, the Fuchun Mountain Residence Map depicts the beautiful scenery of early autumn on both sides of the Fuchun River, with undulating peaks and peaks, sparse forests, shallow horizontal beaches, and sloping rocky sandbanks. Mountains and rocks swirl around, jungles are scattered along the riverside of the mountains, and villages are hidden in the valleys and forests. Pavilions, fishing boats, plants, trees, trees and stones.
The small bridge flies to the spring, and the scenery moves with the people, which is dizzying. The layout is dense and compact, and the changes are endless, with the clear and moist brushwork, the artistic conception of simplicity and distance, the vast and continuous Jiangnan landscape is vividly expressed, and it has reached the realm of "the mountains and rivers are thick, and the plants and trees are blooming", which is a good Jiangnan gem.
Beautiful autumn scenery.
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No, I also wrote ** in the first year of high school, and I am entangled.
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The emergence and development of fine arts follow the law of necessity, and the West declares that they no longer serve anyone, and that art exists to perfect art itself. The emergence of Impressionism was an epoch-making milestone in Western art. As a result, a series of rebel painters were derived.
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1. Teaching Objectives:
Through this lesson, students will be able to understand the process of forming aesthetic concepts; Preliminary understanding of some basic laws of formal beauty; Grasp the basic meaning of works of art in general; Initially cultivate students' ability to treat art works with an aesthetic vision, and to discover and perceive the beauty in life; Stimulate students' interest in fine arts.
2. Content analysis:
The content of the textbook mainly includes three levels: How aesthetic concepts are formed. The basic meaning of a work of fine art. 3 The importance of art appreciation.
Teaching focus: the formation of the concept of beauty and the laws of form.
The basic connotation of a work of art.
How to discover beauty in life?
Teaching difficulty: how to guide students to understand art works through the concept of beauty and the law of form, and discover the beauty in life.
3. Analysis of the learning situation
Students lack knowledge of art works and don't know why art works are beautiful? Most students don't actively discover the beauty in life.
4. Design ideas:
Art appreciation is a discipline, but it is also an attitude to life. The purpose of studying this course is not only to memorize some important works of art in art history, but also to cultivate students to look at our history, culture, life and the environment around us with an aesthetic mentality and a sense of discovery, so as to improve students' aesthetic and cultural literacy. Therefore, the teaching of this course starts with what "beauty" is, helps students understand how the concept of "beauty" is formed and developed, and then enables students to clarify the basic meaning of art works and the connotation of openness.
Through this process, students can understand that the concept of "beauty" is extremely rich, it is even around us, and we should look at art works and even our daily life from a historical and discovery perspective, so that our lives will become colorful.
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