The spiritual pomp of the Hulan River is

The Legend of the Hulan River is a relatively unique film: although it writes characters, it does not have a protagonist; Although it also tells the story, there is no main axis; The seven chapters of the book may be independent, but they are a whole. The writer uses her skillful reminiscence skills, lyrical prose style, and heavy and light writing to create the pinnacle of her "reminiscence" work.

The main content of the Hulan River legend.

The Biography of the Hulan River is a long story written by the famous writer Xiao Hong**, written in Hong Kong in 1940 and published by Guilin Heshan Publishing House in 1941. **It is divided into 7 chapters, with an epilogue before and after, with a preface by the famous literary giant Mao Dun.

When creating this **, it was the most difficult stage of the Anti-Japanese War, which made Xiao Hong, who was far away in Hong Kong, miss his hometown and childhood even more, so Xiao Hong took his hometown and childhood life as the prototype to create this **. It is a relatively unique film in terms of art form: although it writes characters, it does not have a protagonist; Although it also tells the story, there is no main axis; The seven chapters of the book may be independent, but they are a whole.

Tells the story of the author's childhood when he was a child. The writer uses her skillful reminiscence skills, lyrical prose style, and heavy and light writing to create the pinnacle of her "reminiscence" work. Mao Dun once commented on its artistic achievements:

It is a narrative poem, a colorful terroir painting, and a string of poignant ballads. ”

Theme Idea] Hulan River Biography".

It tells the story of a small town with "Hulan River" as the central scene.

It shows the living state and mental state of the villagers in "North China", that is, the ecology and mentality of the people in the small town around the mid-10s of the 20th century, which is an elegy for the transformation of the national soul.

Main characters] I".

When I was born, my grandfather was in his 60s, and when I was older, my grandfather was almost 70. "I" am an innocent, lively, lovable, and naughty child. "I" live in five houses.

I stood on the street, not to see what was going on, but to think in my heart that "I" would be able to go far alone in the future. "I" thought that in the future, if it was "me", I could also go to the place where there was no one to see.

In my yard live a group of families who are not "my" family: pig raisers, pollinators, grinders, and car drivers, who do not have their own homes and rent "my" house for temporary living. Even the rooms that are about to collapse and dilapidated at any time are still singing and daring to live because of the cheap rent.

They were born to their parents with little hope but to be well fed and warmly dressed. But I can't eat enough, and I can't dress warmly.

There are two uncles. There is a second uncle who is a long-term worker, and he has been working in "my" house for 30 years, and he has no salary.

My "family" only provides room and board for the two hungry uncles. So after 30 years of work, there are still no two uncles. You'er Uncle is a very eccentric person, and he doesn't fit in with the people around him. He likes to talk to the finches in the sky, and he likes to talk to the big yellow dogs.

There is a second uncle who is in a position of being enslaved and ravaged, and he is very pitiful, but he is unconscious, forgetful and proud, and he is a living Northeast Ah Q

is also a fallen person at the end of the world, and he has a small reunion.

The daughter-in-law didn't have any sympathy, and after burying the little reunion daughter-in-law, he praised again and again that "the wine bureau spike is really good", "the egg soup is also hot", and he was happy as if he was a New Year. This "second owner" did not dare to rebel against the real owner, and could only complain to the stumbling bricks.

Feng crooked his mouth. He was a slave who dared to break the rules of feudal tradition. He bravely pursued love and happiness, fought for the right to be a human being, tried to change his destiny, and showed strength and courage in life.

It takes courage and guts for him to dare to marry Miss Wang in love freely. Feng crooked his mouth and let people ridicule him, and Tong Libu lived peacefully. Feng Crooked Mouth, a small person, did not have too many words to emphasize his identity and status, he knew that his biggest task was to solve the problem of survival.

Grandfather. My grandfather was a kind, amiable, good-natured man. He used to laugh like a child.

He was a tall man, in good health, and liked to hold a cane in his hand. He is also a kind and kind person, who meets children and likes to make jokes. At home, "I" had the best relationship with my grandfather and often played with him in the back garden.

The central idea of "The Legend of the Hulan River" is to express his nostalgia for his hometown by recalling various characters and life pictures in his hometown, and also to express the author's irony and dissatisfaction with the social reality of old China's distorted human nature and damage to personality.

The work is based on Xiao Hong.

Using his childhood life as a clue, he strung together lonely fairy tales and vividly reflected Hulan.

The social outlook and human feelings of this small city at that time ruthlessly exposed and lashed out at the cancer formed by China's thousands of years of feudal bad habits, as well as the plague-like disaster caused by the festering and spreading of this cancer.

"The Legend of the Hulan River" is a very touching **, and many of the plots are very touching, but I think the plot that shocked me the most was the love story of Xiao Yong and A Ying.

Xiao Yong is a young man living in a poor mountainous area, and he and Ah Ying are childhood sweethearts. Because of the difficulties and obstacles of life, their love has gone through many twists and turns, but they have always adhered to their commitment to each other and finally came together.

What touched me the most about this plot is that the love between Xiao Yong and Ah Ying is full of cherishing life and Sui Sakura's hope for the future, and despite their difficult situation, they do not give up their right to pursue happiness. I was very touched and shocked by this perseverance, and it also made me cherish life and hope for the future even more.

Spiritual event: dancing the great god, singing Yangge, releasing river lanterns, wild stage opera, April 18 Niangniang Temple Conference, Hulanhe people also find their humble reason for survival and fun in these beliefs and customs.

On the banks of the Hulan River, people have an insensitive and resigned attitude to life, and there is no expression of birth, old age, sickness, and death. The people of Hulanhe live a trivial and ordinary life, with an incredibly indifferent attitude towards life, but they maintain a great enthusiasm for the spiritual attachment to ghosts and gods—perhaps it is precisely because of their helplessness and ignorance of the real world that they are prompted to bet their greatest hope on caring for the distant afterlife.

The small city of Hulan has a very complete set of facilities for the gods and ghosts: several Zha Cai shops, Lao Ye Temple, Niangniang Temple, as well as the Dragon King Temple, the Patriarch Temple, the City God Temple, and the corresponding many colorful spiritual events.

This work is Xiao Hong's masterpiece in the later period, and through recalling various characters and life pictures in his hometown, it expresses the author's negation of the social reality of old China's distorted human nature and damage to personality.

The Legend of the Hulan River is a long story created by Chinese writer Xiao Hong. On September 1, 1940, the work was published in Hong Kong's "Sing Tao Riqing Jian Hu Pao", and on December 12, 1940, Xiao Hong completed the manuscript of "The Biography of the Hulan River" in Hong Kong, and the full manuscript was completed on December 27. The work takes Xiao Hong's own childhood life as a clue and strings together lonely fairy tales, vividly reflecting the social outlook and human feelings of the small city of Hulan, so as to ruthlessly expose and lash out at the cancer formed by thousands of years of feudal bad habits in China, as well as the plague-like disaster caused by the festering and spreading of this cancer.

Reading is not aware of the deep spring, every inch of time is golden. Reading can help us cultivate our sentiments, and reading can help us understand things. Daily reading is essential, and the following is the main content of "The Biography of the Hulan River", which is for reference only.

The Biography of the Hulan River consists of seven chapters, which are written about Hulan, an ordinary small city in the north in the 20s of the 20th century, and the ordinary life of ordinary people. "The Biography of the Hulan River" is not a biography for a certain person, but a biography for the small city where the author was born and grew up.

At the end, there is the cry of the second uncle because of the "last one", which is the last chapter of the book, that is, the seventh chapter outlines Feng Crooked Mouth's family, focusing on the fate of the "little white teeth" revealed in the grin of Feng Crooked Mouth's youngest son, creating an inevitable direction for the pen.

Feng's two children crooked mouth, "The older child will pull the little donkey to the well to drink, and the younger one will laugh, clap and shake his head." Give him something to eat, and he will reach out and take it. And the little teeth also erupted.

With a slight grin, the little white teeth were revealed. This is the end of "The Legend of the Hulan River".

The Biography of the Hulan River was created in 1940, which was the most difficult stage of the Anti-Japanese War, which made Xiao Hong, who was far away in Hong Kong, miss her hometown and childhood even more, so she took her hometown and childhood life as the prototype to create this **. It is relatively unique in art form: although it writes characters, it does not have a protagonist; Although it also tells the story, there is no main axis; The seven chapters of the book may be independent, but they are a whole.

The writer uses her skillful reminiscence skills, lyrical prose style, and heavy and light writing to create the pinnacle of her "reminiscence" work. Mao Dun once commented on its artistic achievements: "It is a narrative poem, a colorful landscape painting, and a string of poignant ballads.

Xiao Hong (June 1, 1911, January 22, 1942), a modern Chinese female writer, is known as the "literary Roselle of the thirties" of the 20th century. His name is Ronghua, and his real name is Zhang Xiuhuan.

In 1911, he was born in a landlord family in Hulan District, Harbin City, Heilongjiang Province. Lost his mother at an early age. In 1932, he became acquainted with Xiao Jun.

In 1933, he published the first ** "Outcast" under the pseudonym of Whispering. In 1935, with the support of Lu Xun, he published his famous work "Life and Death Field". In 1936, he traveled to Japan and wrote the prose "Lonely Life" and the long poem "Sand Grain".

In 1940, he arrived in Hong Kong with Duanmu Yuliang, and then published the novella "Ma Bole" and the long story "The Biography of the Hulan River". On January 22, 1942, he died of tuberculosis and malignant tracheal ectasis in Hong Kong at the age of 31.