The author of the spring silkworm to the end of the dead silk, dynasty

Li Shangyin of the Tang Dynasty, from Untitled

The author is Li Shangyin. Li Shangyin (812-858), the name Yishan, the name Yuxisheng. Originally from Hanoi, Huaizhou (now Qinyang City, Henan), he later moved to Zhengzhou.

Li Hongzhou Shangyin was a famous poet in the late Tang Dynasty, and was called "Little Li Du" along with Du Mu. It is also called "Tang Dynasty Three Li" with Li Bai and Li He, and "Wen Li" with Wen Tingyun.

It is difficult to say goodbye when we meet, and the Dongming sky wind is powerless. The spring silkworm is dead to the end, and the wax torch turns into ashes and tears begin to shout. Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit.

Summary. Dear dear, it's a pleasure to answer your <>

The author of the spring silkworm to the end of the dead silk; The author of "Spring Silkworm to the End of Dead Silk" is Li Shangyin. When Li Shangyin was fifteen or sixteen years old, he was sent to Yuyang Mountain by his family. During this period, he met and fell in love with Song Huayang, the spiritual guide of Yuyang Mountain, but the relationship between the two could not be known to outsiders, so he could only remember his love with poems, and most of the poems written by Li Shangyin with the title of "Untitled" were love poems between the two of them.

This poem is one of them. <>

Who is the author of <> spring silkworm to the end of the silkworm.

Dear dear, it's a pleasure to answer your <>

The author of the spring silkworm to the end of the dead silk; The author of "Spring Silkworm to the End of Dead Silk" or Tongyan is Li Shangyin. When Li Shangyin was fifteen or sixteen years old, he was sent to Yuyang Mountain by his family. During this period, he met and fell in love with Song Huayang, the guide of the jade shirt Yinyang Mountain Spirit, but the relationship between the two could not be known to outsiders, so he could only remember the love with poems.

This poem is one of them. <>

<> kiss [open the hearth] <>

Knowledge Expansion: Full Poem: Untitled; It is difficult to say goodbye when we meet, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry. Xiaojing but the clouds and temples changed, and the night was frank and should feel the cold moonlight. There is no way to go to Pengshan, and the blue bird is diligent to visit.

The vivid metaphor is used, borrowing the spring silkworm to stop spinning silk until it dies, and it stops crying when the candle burns out, so that the love between men and women is unswerving until death, and it becomes a tragic and magnificent ancient swan song. The opportunity to meet is really rare, and it is even more difficult to give up when parting, and it is also the twilight spring weather when the east wind is about to be harvested, the flowers are gone, and it makes people feel more sad, the spring silkworm cocoons to die before the silk is spit out, and the candle is burned out into ashes when the wax oil like tears can drip dry, which can generally be used as an object, a definite sentence, and is mostly used to refer to dedication. The spring silkworm is dead, the wax torch turns into ashes and tears begin to dry, the teacher is such a group of selfless people, silently burning themselves and illuminating others.

The author is the Tang Dynasty poet Li Shangyin.

When we meet, it is difficult to match the Zen gods, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns into gray tears and begins to dry and cultivate.

It is difficult to see each other, and it is even more difficult to part, not to mention in this twilight spring season when the east wind is weak and the flowers are withering. The silk is spit out when the spring silkworm is cocooned, and the wax oil like tears can drip dry when the candle is burned to ashes.

Li Shangyin was the most outstanding poet in the late Tang Dynasty in China. Following the Tang Dynasty Li Du (Li Bai and Du Fu), he and Du Mu were called Little Li Du. Li Shangyin's contribution to poetry lies in his original untitled poems.

These untitled poems are harmoniously toned, affectionate, subtle, and rich in symbolism and suggestiveness, pushing the lyrical art of Tang poetry to a new peak.