Regarding piano gestures, please answer the prawns

When you first start learning, you should raise your fingers"Often raise the finger or very hard when the little finger or other fingers are a little warped, especially the little thumb, especially the little finger, especially the little finger is warped, then you pay attention to it when you play, while playing and watching, the warping will be corrected, and it will not be warped after a long time."

What I want to ask is whether you can only lift one finger when you play, "This is not necessarily, for example, you can only lift one finger when you lift two fingers, and if you lift three fingers or four fingers, then you may not be able to lift only one, and you may bring up other fingers to lift it together, this is normal, it doesn't matter."

It's hard to explain why I see the teacher's fingers as if they were straight when I play the black keys, but the first principle of playing the black keys is that the fingers can stand firm on the black keys and can exert strength. Maybe your teacher has been playing the piano for many years, so his strength has reached the requirements, so you don't need to raise your fingers to achieve the same effect. You still have to play more, and if you play more, you will naturally find the feeling.

It should be that only the finger that should be flicked down, and the other fingers are lifted... At the beginning of the practice, you should practice more finger raising, and when the fingers are flexible, you will naturally have a very relaxed hand shape, so don't imitate the teacher's hand shape at the beginning... The key is to practice more, the flexibility of the fingers is very important, if it is not a professional hand shape there are no such demanding requirements...

Not necessarily, you don't have to deliberately raise your finger.

It's like holding an egg in your hand, "My teacher taught me."

The correct hand shape should be:

1. Put your hand on the piano, arch your palm, separate your five fingers, hang your fingers naturally, touch the keys with your fingertips, and the whole hand will be semicircular;

2. The second, third, fourth, and fifth fingers should touch the keys with the fingertips, not the fingertips; The thumb is the outer touch of the fingertip;

3. The back of the hand should be balanced, and it should not be tilted in the direction of the little finger; Have a sense of approaching your thumb;

4. When playing, keep the semi-circular shape of the hand, the fingers should not be stretched too straight, nor too bent, and the first joint of the fingers must stand straight;

5. Trim your nails frequently to ensure the standard of hand shape when playing.

Playing the piano requires the hands to be relaxed, in a semicircular shape, with the fingers slightly bent inward. Try to make a fist gently and then slowly release it until your hand forms a semicircle, which is the basic hand shape for playing the piano, as too straight and too curved can cause tension. The hand shape of playing the piano is a summary of people's experience for hundreds of years, and it has its scientific nature, and it is necessary to follow this law in learning, on the other hand, if the hand shape is too fixed and rigid in the learning process, it will also produce another bias.

Especially when learning to a certain extent, playing the works of composers of different eras and styles and pieces of different natures, due to the different needs of timbre, there must be different finger touches when playing, then the requirements for the hand type will inevitably be more free, but in any case, even a mature pianist, their performance must have a basic hand shape. To have a good hand shape, the key refers to the metacarpal joint with the first and fifth knuckle joints standing. The wrist and the black key surface are basically kept at a horizontal level, and the metacarpal joint is well fought and slightly protruded, so that the palm is arched.

Maintain the shape of the hand, mainly by the support of the big finger and the little finger, the shape and position of these two fingers are different from other fingers, the big finger is short and thick, the little finger is thin and small, they are located on the outside of the palm, easy to lie down to touch the key, resulting in a twisted hand. If they can stand well, then the basic hand shape will be easy to hold. The first joint of the fingers, that is, the knuckles, must be trained from the beginning to stand up, to stand naturally well, not to let the joints collapse in, the first joint is not good to stand, it is impossible to pop out of the focused, strong and changing sound.

Posture of the arms: The big arms hang down naturally, do not clamp down, and the forearms are parallel to or slightly above the keyboard. (The height of the piano bench should be adjusted) wrist posture:

Keep your wrist parallel to the keyboard, no lower than the keyboard or higher than your palm, and play relaxed. Posture of the palm: As shown in the figure on the right, the whole hand is in a semicircle shape (i.e., the natural posture of the hand when the whole arm is lowered), the palm of the hand is like a ball, the palm of the hand should be naturally bent, and the first and third joints (metacarpal joint) should not collapse.

The metacarpal joint is the highest point of the entire hand, like a "roof", and should be paid special attention to. To "stand" with the four fingers and five fingers of both hands, the hands must be tilted slightly inward (in the direction of the thumb), and the palms of the five hands should be slightly released, and one finger should be on one key within five degrees.

The shape of the hand is as comfortable as it is. Look at the grand pianist Lang Lang, the hand shape is quite casual.

No more laughing. When a beginner plays the piano, first of all, he should sit upright, put his hands flat, hang on the keys with the natural arc of his hands, and touch the keys with his fingertips, which is probably like this

Playing the piano and practicing hanging hands is to let the hands relax and fall naturally, and the shape of the hands is like holding an egg. Hand strength focuses on the fingers.

The correct posture of the piano hand is as follows:

1. The fingers are naturally bent, and together with the palm, they form a semi-circular shape, which is in the shape of an empty ball.

2. The metacarpal joint (usually called the third joint) and all finger joints should be convex, and the collapse of the first and third joints (metacarpal joints) of the fingers, which are most likely to be grasped, should be avoided and corrected.

3. The fingers should be naturally separated, in principle, just one finger is aligned with a key.

4. The whole hand (from the whole forearm to the hand) should be placed on the piano in a horizontal position, and the fingers should be straightened and parallel to the piano keys, and the big finger should be placed on the keys.

5. The basic position of the finger touch key should be taken at about half of the distance between the white key and the black key. When the black key is pressed, the whole hand should move forward to the black key position, and the black key should be flicked at the front of the key.

6. Fingertips are required to fall on the keys, not fingers; Don't shake your wrists, unless you are practicing "falling roll"; The hands should not lie on the piano.

Fingering, 1 for thumb, 2 for index finger, 3 for middle finger, 4 for ring finger, 5 for little finger. The five keys of the cdefab are 1 finger, 2 finger, 3 finger, 1 good finger, 2 finger, AB is 2 and 3 fingers.

The amount of support is measured in such a way that the arch of the original natural state is preserved, and all joints are kept without collapse. Any collapsed finger is caused by too much force and too much tension in the finger.

Let your child scratch a ball, an upside-down bowl, etc. Take your time, there is a process to achieve good hand shape.

Parents need to help their children to keep experiencing and practising repeatedly. Incorrect hand shape has a very bad impact on piano learning, and it is worth spending a little more time and effort on hand shape and spring problems!

Hello dear, the correct posture of the wrist to play the piano is to put your hands on the piano, the palms are arched, the five fingers are separated, the fingers hang down naturally, the fingertips touch the keys, and the whole hand is in a semicircle. When playing, keep the semi-circular shape of the hand, the fingers should not be stretched too straight, nor too bent, and the first joint of the fingers must be rolled and stand straight1. In addition, the smoothness of the wrist is manifested in the way it moves, and the wrist movement has three directions:

Left and right, up and down, circulating. When playing scales and arpeggios, as well as any other phrase that requires a big finger turn, it is necessary to have a moderate amount of wrist grinding or movement of the hands and limbs.

The correct posture for playing the piano wrist is to put your hands on the piano, the palms are arched, the five fingers are separated, the fingers hang down naturally, the fingertips touch the keys, and the whole hand is in a semicircle.

When playing, keep the semi-circular shape of the hand, the fingers should not be stretched too straight, nor too bent, and the first joint of the fingers must stand straight.

Piano Playing Tips:

There are two techniques for playing the piano at 8 degrees, the first one is done with only the wrist technique, and the second one is done with the arm and wrist together. If you play a long 8-degree clip, you need wrist skills, and if you play a small part of the 8-degree at the end of the end, you need arm strength, so that you can play the magnificent effect of the jujube key. If it is an 8-degree clip with the same two hands, you need to use the wrist and arm together, and if you only use the wrist or arm, it is difficult to pop the FF strength and jump well.

Commonly used wheel fingers are 3-fingered and 4-fingered. The bullet should have good granularity, and there should not be any ambiguous and chaotic ingredients in it. For example, the opening part of Mozart's "Turkish March" requires a very coherent wheel finger. <>