Why am I not good at drawing, and why some people can t draw

Hello, I was in high school in the art vocational high school, and now I am also in the art department. Introduce a little experience to you, painting is not very fast to practice, personally recommend a plan to you, from now on time permitting, insist on drawing a sketch and a sketch every day, just started to paint copying, mainly contact some practice modeling, perspective paintings, and regularly take it to the teacher to see. After a month, I began to contact the plaster, at this time I began to adjust the tone, pay attention to the light and dark changes of some objects, and gradually increase the complexity and quantity of the gypsum, and then add the interlining, and then add an additional interlining, remember to have a different color of interlining, and then paint the real sketch, it is also the same gradually increase in difficulty, during the sketch must not be broken, it is best to paint more.

After a year, I began to slowly get in touch with some colors, first learned to use red, yellow and blue to make the colors of the rainbow, and then painted some individual objects (don't draw projections at this time, color projection is much more complicated than sketch projection) and then increase the difficulty little by little like pixel drawing. It doesn't matter if you draw a sketch or a color, you can't break the sketch. And copy the master's works a lot, try to absorb knowledge from the master's works (this is very important) and remember that painting is not something that can be learned in a few days or months.

Okay, then I wish you a happy drawing.

Nothing happens overnight, learn more and take your time.

Because I didn't have any training. Painting is the art of copying nature by hand on a two-dimensional plane, and in medieval Europe, people often called painting "monkey art". Before the 20th century, the more realistic the imitation of painting, the more advanced the technique, but after entering the 20th century, with the emergence and development of photographic technology, painting began to turn to the direction of expressing the painter's subjective self.

Painting is a form of capturing, documenting, and representing different creative purposes, and it and its participants are equally numerous. The nature of painting can be natural and figurative (e.g. still life or landscape), photographic painting, abstract painting, narrative, symbolic, emotional or political in nature.

Strictly speaking, at the beginning of learning painting, we should start with sketching, generally from plaster geometry, still life, and up. When we draw a sketch, we need to understand the basic elements of sketching, such as shape, proportion, structure, light and shade, sense of quality and sense of space, etc. These terms may not seem difficult, but the specific operation is indeed not easy.

Here we first understand the shape and proportions of the head.

Most of the problem lies with you, and part of it with your teachers.

Your teachers don't pay much attention to your learning, they only say that your painting is rough, they don't say anything about the specific problem, and they don't give you targeted guidance for your problems.

Your problem is that you may not like to paint very much, and you can feel that you can't draw well, so take more time, it's the contour perspective is not good, it's not good to feel the paint matching, **not good to make up**, there are good classmates who paint around, you can observe how others deal with it on the side, especially your weak aspects.

Drawing requires patience, and you can't be in a hurry, because if you are in a hurry, the lines will be messy, and the pen will be unstable.

What should I do if my painting doesn't look good? If you don't look good at drawing, you can find a cram school or training class and study hard to prove whether you have talent in this area.

1. Because of visual fatigue, I feel disgusted in my heart. Annoyance.

2. The painting time is too long, and there is a period of boredom and fatigue.

3. It is also possible that you are actually painting better than before, but there is no longer so much room for improvement, or the speed of progress is no longer so fast.

4. Draw without understanding. I didn't have a basic understanding of the object, I didn't have a basic composition in my mind, and I didn't think about the general effect of the final picture.

5. Maybe your level of appreciation has become higher.

It is difficult to make an objective evaluation of one's own paintings, which is a problem that many painters encounter. Here are a few suggestions that I hope will help you see the problems in your paintings:

1.Observe more excellent paintings, expand aesthetic vision and standards, and be more aware of the shortcomings of his works.

2.Changing the placement and lighting of the painting frequently, different perspectives may reveal some problems that you didn't notice before.

3.Find an experienced painter or art teacher to give you guidance and rely on the professional vision of others.

4.By comparing your earlier and most recent works, you can see where you have made progress or regressed.

5.Regularly organize criticism meetings or invite non-professional painters to evaluate the works, and a variety of opinions can help to judge.

6.If you put down the work for a period of time and then look back, you will have a more sober and objective judgment.

7.Pay attention to record the creative process and feelings of each work, and you may be able to find some clues in the future.

8.Don't be too strict with yourself, progress takes time to accumulate, persistence is the key.

In short, only by looking at multiple aspects and opening up your horizons can you better judge the problems and progress of your works. At the same time, it is necessary to maintain a positive attitude in order to go further.