How opera came about in the Baroque period, the representative composers of the Baroque period

Representative composers of the Baroque period: Georg Friedrich Handel, Claudio Monteverdi.

1. Georg Friedrich Handel.

Representative works include "Almira", "Hallelujah" and so on.

Georg Friedrich Handel, a British-German composer, studied composition with organist Cha Ho and later worked as organist and artistic director in the church. Because of his love of the world, he moved to Hamburg in 1703 and began to compose operas. After 1706, he worked in Hamburgville and London, and soon became the most authoritative figure in England.

2. Claudio Monteverdi.

Claudio Monteverdi was the first great composer of the "new **" of the Baroque period. His main works include "Orfeo", "The Return of Ulysses", "The Coronation of Popea", etc.

Claudio Monteverdi is an Italian composer. The first public opera house was established in Venice in 1637. He was a pioneer of modern orchestral music.

Almira, Hallelujah, Orfeo

Summary. I've helped you find the results: Hello, Italian opera and oratorio in the Baroque period are both important forms of Italian opera, they have some things in common and some differences.

Contact: 1They are all opera forms, including **, stage, plot and other elements.

2.Both use a three-act structure similar to that of ancient Greek tragedy. 3.

All have a theme, usually love, honor, power, etc. 4.All use different forms of ** such as chorus, solo, and duet.

5.Both use stage effects and props to enhance the drama. Differences:

1.Italian opera usually has a complete storyline, while oratorio pays more attention to the performance of ** and singing, and the plot is relatively simple. 2.

In Italian opera, the ** is usually connected to the plot, while in the oratorio, ** is more independent of the plot. 3.The role of Italian opera is usually played by professional singers, while oratorio is played more by aristocrats or amateurs.

Italian opera and oratorio in the Baroque period, the connection and difference between the two.

I've helped you find the results: Hello, Italian opera and oratorio in the Baroque period are both important forms of Italian opera, they have some things in common and some differences. Contact:

1.They are all opera forms, including **, stage, plot and other elements. 2.

Both use a three-act structure similar to that of ancient Greek tragedy. 3.All have a theme, usually love, honor, power, etc.

4.All use different forms of ** such as chorus, solo, and duet. 5.

Both use stage effects and props to enhance the drama. Differences:1

Italian opera usually has a complete storyline, while oratorio pays more attention to the performance of ** and singing, and the plot is relatively simple. 2.In Italian opera, the ** is usually connected to the plot, while in the oratorio, ** is more independent of the plot.

The ** in Italian opera is usually performed by the orchestra of Wuwu, while the oratorio is more often played by the piano or its canopy or his small instruments. 5.Italian operas usually have more stage effects and props, while oratorios are more simplistic and focus on the performance of the ** and the singing.

Hope mine helps you!

The above are the results for your query, I hope it will help you!

Italian opera and oratorio in the Baroque period, the connection and difference between the two.

The connection and difference between Italian opera and oratorio in the Baroque period are as follows: opera and oratorio are both opera-like royal shirt style in the Baroque period, with Italian as the main language, ancient Greek mythology as the main theme, and the goal of reproducing the style of ancient Greek drama. The accompaniment of a formal opera is usually provided by an orchestra, and the more complex and varied style of an oratorio is a simple form of opera that moves the story forward, usually consisting of one or more oratorios, a cappella is a form of singing similar to a dialogue that is used to convey the words and actions of the characters.

The accompaniment of an oratorio is usually accompanied by a bass note continuously, and the style is more monotonous and steady.