How is Li Qingzhao s style of words Comparison of Li Qingzhao s style of words before and after?

Li Qingzhao is a lyricist of the graceful school. Li Qingzhao, as a cultural woman in feudal society, she is not like everyone who is beautiful and small, and Jasper locks herself in the boudoir embroidery building to spend her youth, but extends her sense of touch to the broad society, faces the society, and relies on her keen and delicate observation and profound and exquisite artistic attainments, and uses literary language to reflect the upper class society, ethnic relations and class contradictions in the Song Dynasty. The spiritual world of a woman with a passionate love for her country. Since Li Qingzhao is a female lyricist, her words naturally have not been able to get rid of the spirit of the boudoir, but this must not be regarded as the same "boudoir words".

Shen Zengzhi's "Trivia of the Fungus Pavilion" said that "Yi An is suave and has a husband's temperament, and he is Su and Xin in the boudoir, not Qin and Liu." This evaluation points out the special temperament hidden in Li Qingzhao's boudoir style. Li Qingzhao's words not only contain the gentleness and wisdom of women, but also have the handsome and cheerful characteristics that ordinary women lack.

She can integrate euphemistic feelings with detached bosom, so that the words are graceful but not delicate, soft and rigid, and contain passionate and heroic momentum in the softness, and are handsome and husbandly. The word "Proud of the Fisherman" fully shows the majestic and broad side of her spiritual realm: "The sky is cloudy and the fog is shining, and the galaxy wants to turn a thousand sails to dance.

It's like a dream soul returning to the emperor's place. Wen Tianyu, earnestly ask me where I go? I reported that the road was long and the sun was twilight, and there were amazing sentences in learning poetry.

Ninety thousand miles of wind is lifting, the wind is resting, and the canoe blows the three mountains" In the lyrics, the lyricist puts himself in the vast space through the magical and magnificent imagination, regardless of the "long road" and "sunset", driven by the 90,000 miles of wind, he makes an overseas trip. It reflects Li Qingzhao's dissatisfaction with the status quo and his desire to break the dull and narrow living space. Although there is no straightforward rhetoric in the poem "Wujiang", we can feel Li Qingzhao's sassy and heroic spirit that is not inferior to his eyebrows, and Li Yi'an's suave and husbandly spirit can be seen from her many words and deeds.

Her poem "Wujiang" "Born as a hero, death is also a ghost." So far, I think of Xiang Yu and refuse to cross the Jiangdong", the idea of worrying about the country, the ambition of recovery, and not going down to Lu You "Poetry and Anger"."Life is a hero, and death is also a ghost", This solemn oath and confession of the heart from the pen of a weak woman, many other seven-foot men were excited, and a few despicable villains were frightened. This is Li Qingzhao's tragic song for future generations, and it is also a summary and summary of his own bumpy experience and persistent spirit of exploration, from which it is not difficult for us to peek into the outstanding talent of the talented women of the Kuang Dynasty, dynamic literary thinking, and noble soul, and also feel the charm of the loyal and gentle personality of the upright literati to show the strong side of his character.

Li Qingzhao's words are unique in the Song Dynasty, unique in the Song Dynasty, and have their own family, and have their special contributions to the development of the two Song Dynasty words.

Li Qingzhao's words are bounded by Nandu, which are divided into two completely different historical periods, the early and later periods, the style of the early works is delicate and tactful, and the style of the later works is gloomy and sad, desolate and sad.

The early words are leisurely and elegant, and the later words are poignant and pathetic. There are five reasons for the difference in Li Qingzhao's style of words in the early and late periods, and the most important reason is that Jingkang's difficulties made her ruin at once: she was displaced from a foreign land, her husband died, and her life was emotionally lonely, which prompted her to change her style of words, adding heroic and unrestrained words to her graceful and unrestrained, with an open context and a poignant and pathetic style.

Li Qingzhao's bitter suffering in the later years formed a strong contrast with the happiness of her early years, so Li Qingzhao created a unique and timeless Yi'an word.

Li Qingzhao's early style of words is beautiful and elegant, Li Qingzhao's early stage mainly refers to her in the period after the girl and marriage, and some of her words that express the girl's mood are more obvious to show the style of this period with big colors, cheerful and happy, and occasionally embellished with sorrow.

Li Qingzhao's early "Boudoir Words", through the description of nature and the mood of the characters, grasped the small things rich in life characteristics, and strived to portray the mood and inner world of the characters. She and Zhao Mingcheng tempered each other, and created words and jokes, and her skills became more and more mature.