It is not as long as a key signature appears after the treble or bass clef

Your statement is not ...... rightThe notes of the third and fifth lines are to be raised by semitones.

However, there are three points to be aware of.

1. It is not only the note that appears in this position that should be raised by a semitone. As long as it is the sound of this note, it should be raised by a semitone. For example, in the example I gave you above, the sharp sign is drawn on the C and F positions, so as long as it is C and F, no matter which pitch C and F, they must be semitones.

That is to say, the C of the lower line, the C of the third line, the C of the second line, etc., must be played as ascending C, and the F of the first room, the F of the fifth line, and so on must be played as ascending F.

2. If there is a temporary diacritical mark on a C or F in this line, then the effect of the key signature on it will automatically become invalid (I will not talk about the usage and rules of the temporary diacritical mark here, and the relevant knowledge of the temporary diacritical mark must be mastered). For example, if there is a C marked with a sharp sign on this line, then that note should be played as a sharp c instead of a sharp c, and if there is a F marked with a flat sign on this line, then that note should be played as a flat F instead of an F. In other words, the role of the key signature and the temporary diacritical mark does not overlap.

3. If the clef is temporarily changed in the middle of this line, the name of the key signature does not change with the change of the clef. For example, in the example of the above example, if the clef is changed to a bass clef in the middle of the line, the rising notes in the melody of the bass clef will still be f and c, and will not become a and e.

If you have any questions, you can ask me again.

Well, the key signature appears after the treble clef or bass clef (except for C natural major), and every measure after that is played according to the key signature.

As above, two sharp signs, D major, and 4 and 1 for each measure after that (with temporary variations, be flexible).

The correspondence between the stave bass clef and the short staff is as follows:

The top is the correspondence of the treble clef, and the bottom is the correspondence of the bass clef.

The addition of a line to the bass spectrum is **c......Others and so on ......In fact, the bass spectrum and the treble spectrum are added together, which is a keyboard with **c as the center and extending up and down, if you turn the stave horizontally, it will correspond to the piano keys one by one.

Bass: <>

Treble marks: <>

1. On the staf, starting from **c, it is already counted as a treble clef, **c is counting the black keys from the left to the fourth two black keys, and the white key on the left side of the lower side is the do in the treble spectrum, and the sound from this key down is bass.

2. The staff starts from the first line below and is called a line, the second line, the third line, the fourth line, the fifth line is under the first line, according to the size of the upper interval to add a line, called the lower plus line, the note on the lower line is the do note in C major, next to the first line is the mi on the first line, the second line is fa, the second line is sol, the second line is la, the third line is si, and between the third line is the do sound of a higher octave and so on (while looking, take out a paper and pen and draw it according to the mentioned content, and write while reading and remembering.) Good understanding) There is a note between each line, and it is arranged in order of the above statement.

3. The stem up and down is not a factor that determines the high and low tones The writing of the stem should occupy the position of the three intervals of the line spectrum Generally, the lower stem of the head of the character is written upward, the upper stem of the head of the character is written downward, and the middle position is not accurate, when it is not allowed to face up and down, how to look good and how to write There are no very strict rules or refer to other line writing methods.

The treble clef followed by the "c" is the expression of the four-four beat in the staff.

The treble clef, also known as the "g" clef. Use it to write a staff, called a treble clef, with **c(dol) on the next plus line. The second line, which is the line that starts when the treble clef is drawn, specifies the pitch as g (sol).

Therefore, the treble clef is also called the "g" clef. The time signature is very complex, and the four-quarter beat is a quarter note in one beat, with four beats per measure. If it is 2 4 (42 beats), it is a quarter note in one beat, with two beats per measure.

Summary. The scales in B flat major are: flat, flat, 7 flat.

B flat major is the abbreviation for B flat natural major.

B-flat, with B-flat as the main tone, in the order of sound name: b, c, d, e, f, g, a, b.

The fixed key notation for the simple notation is b7, 1, 2, b3, 4, 5, 6, b7.

Natural major (often abbreviated as C major), the ionian key of the Middle Ages, is a type of key. Natural major consists of seven notes, which in the solfège are do, re, mi, fa, sol, la, si (or ti).

C major is the simplest of the major keys, as it is the only major that does not have any sharp ( ) and flat (b) signs, and only the white keys are played in the piano. A minor key three degrees lower than a major key is called the relative minor of that major.

Write out the key signatures and instabilities in B major with the bass clef, indicating the scale.

Ask about custom messages].

The scales in B flat major are: flat, flat, 7 flat. B flat major is the abbreviation for B flat natural major.

B-flat, with B-flat as the main tone, in the order of sound name: b, c, d, e, f, g, a, b. For example, the fixed key notation is b7, 1, 2, b3, 4, 5, 6, b7.

Natural major (often abbreviated as C major), the ionian key of the Middle Ages, is a type of key. Natural major consists of seven notes, which in the solfège are do, re, mi, fa, sol, la, si (or ti). C major is the "simplest" of the majors, as it is the only major that does not have any sharp (Centi) and flat (B) signatures, and only the white keys are played on the piano.

A minor key three degrees lower than a major key is called the relative minor of that major. Rubber excitation.

Ask about custom messages].

B-flat, with B-flat as the main tone, in the order of sound name: b, c, d, e, f, g, a, b. The fixed key notation for the simple notation is b7, 1, 2, b3, 4, 5, 6, b7.

Natural major (often abbreviated as C major), the Ionia of the Middle Ages, is a variety of key callers. Natural major consists of seven notes, which in the solfège are do, re, mi, fa, sol, la, si (or ti). C major is the "simplest" of the majors, as it is the only major that does not have any sharp ( ) and falling horns (b), and only the white keys are played on the piano.

A minor key three degrees lower than a major key is called the relative minor of that major.