I m going to talk about Ouyang Xiu s poem Butterfly Love Flower, can you help? Thank you very much f

Go straight to the library and search for it.

Who said that idle affection has been forgotten for too long? Every time the New Year comes, my zhi

The melancholy mood is the same as before. In order to get rid of this kind of leisure, I drank every day before the flowers, let myself get drunk, and did not hesitate to lose weight, and my face had changed in the mirror. The grass is green on the riverside, and the willow trees are shady on the riverbank.

Seeing such a beautiful scenery, I thought to myself sadly, why do I have new sorrows every year? I was standing alone at the head of the small bridge, the breeze blowing my sleeves. Only the distant rows of trees shadowed me in the dim moonlight.

The first half of the film writes about the spring sorrow of young people. Sorrow because of spring, flower appreciation, toasting, mirror, home is full of sorrow. It expresses a kind of hovering pain that cannot be abandoned in the emotional aspect.

The protagonist wants to struggle out but can't. The following sentences are written from this, so this sentence has the effect of enveloping the whole text. Next, I wrote that the spring is still sorrowful, and I would rather be thin than drink to pass the sorrow.

The second half of the word is still writing sorrow, but it is expanding from home to outside the home, the green grass on the riverside and the green willows on the embankment are covered with sorrow, and the twilight of the sky is even more sorrowful, and a person is still tasting the first sorrow of an independent bridge. The next film is full of scenery before and after, and the middle two sentences are love words, so that the scenes before and after are all love. Seeing the green grass and green willows, I added new sorrows, so I looked at the moon on the independent small bridge, and let the spring breeze blow.

The whole word lingers in the heart by writing about the melancholy of intertwined emotions, so as to produce a kind of sigh for the fleeting time, the shortness of life, and the changes in the world.

Where do you go where do you go? Forget to return, don't say spring is about to twilight. Hundreds of grasses and thousands of flowers are cold food roads, whose tree is the incense car tied to?

Tearful eyes leaning on the building and talking alone, when Shuangyan came, did Mo Shang meet? The turmoil of spring sorrow is like catkins, and there is nowhere to be found in a dream.

-Butterfly Love Flower Ouyang Xiu.

Ouyang Xiu's poem uses cold food and Qingming people to go out for spring from a woman's perspective to express women's thoughts about travelers.

There is still no news of the return of the travelers, there is no news like floating clouds, and the time has reached the twilight of spring, which can cause people to feel sad like autumn, the spring is about to pass, and people are gradually growing old in their thoughts. Come to Qingming again, and step into spring, on the way to the purple and red, drive the incense car, but there is no place to stay, just like the lonely heart can not find support, only with the footsteps of the travelers. Leaning upstairs with tears in his eyes, watching the pairs of swallows fly back, he whispered frequently:

On Mo, will we meet again? "Looking forward to it earnestly, looking through the autumn water. My heart is like a catkins flying in the sky, and I can't find a place to stay.

The feelings of longing have disturbed a pool of spring water in my heart, and even if I fall asleep, I can't find your trace.

Ouyang Xiu depicts lovesickness in a feminine tone, and in Qingming, one of the several situations of melancholy and easy to live (New Year's Pass, Lantern Festival, Qingming Festival, Mid-Autumn Festival, Chongyang, as well as autumn wind, night rain, and falling flowers), he uses scenes such as "Spring Will Twilight", "Tearful Eyes Leaning on the Building", "Shuangyan" and other scenes, delicately portraying a sad and poignant image that is eager to wear.

The word plate is also very interesting, I know that it is only used to prescribe the format of the word, but if you put its literal meaning in the word, it is another taste. The colorful butterflies are reluctant to wrap around the flowers, and the swallows are murmuring, but next to them is a woman who has no psychological makeup and looks forward to the return of her sweetheart.

Speaking of which, I think ancient Chinese women are really pitiful, once their hearts are tied to someone, whether it is a husband, a couple or even like Du Liniang to Liu Mengmei, they will give all their feelings and be burned by love. So there is the reborn Du Liniang, the weeping sister Lin, and many women in the real society who are waiting for a lifetime in ardent anticipation. This kind of feeling is touching and sighing.

However, many flower protectors always "forget to return", always let their flowers bloom and fall spontaneously, and enjoy themselves and pity themselves.

I don't know if Ouyang Xiu wrote this poem when someone loved him from afar like the woman in the lyrics and suffered from love, but he was able to write this kind of feeling really moving, I like it.

How deep is the courtyard? The willows pile up smoke, and the curtain has no repetition. Yule carved saddle tour smelter, the height of the building does not see Zhangtai Road.

The rain and wind are wild in March twilight, the door is covered at dusk, and there is no plan to stay in spring. Tearful eyes asked Huahua silently, and the red flew over the swing.

The courtyard is a little deeper, the willows are piled up with smoke, and the curtains are not repeated.

Yule carved saddle tour smelter, the height of the building does not see Zhangtai Road.

The rain and wind are wild in March twilight, the door is covered at dusk, and there is no plan to stay in spring.

Tearful eyes asked Huahua silently, and the red flew over the swing.