How to analyze the editing skills of a film and what to include. Thank you

Use the software called VideoStudio.

Because of the rise of short-term ** now, any enterprise, any studio or individual needs to edit a large number of ** to package the brand, send Douyin, send Moments, send ** and other self-** channels to display. Because new content is updated and released every day, there are not enough editors to recruit at all, and the imbalance between supply and demand has caused editors to have high salaries (whether they are looking for a job or taking private orders at home, the monthly income is easily over 10,000, and 20,000 or 30,000 yuan is not uncommon.) [Recommend a free "short** clip post" study **]:

And the editing technology does not require superb computer technology, nor does it require artistic attainments, it is basically a fixed routine, what style of film you want, what rhythm you want, you can easily master it after three or four months of training. But if you have a little computer foundation, you can drag with the mouse, click on the icon, and save, unless you don't want to learn, you can't learn it. However, if you want to learn well and have relatively weak self-control ability, it is recommended to go to a better training institution, and the strength and scale of the top few institutions in China recommend Wang's Education.

In the ** clip, [Wang's Education] is the boss in China, and each city is a chain campus directly operated by the headquarters. Different from many other large institutions of the same type: each campus of Wang's Education is physically face-to-face, the teacher is hand-in-hand, and there is a special class teacher from morning to night, and the liver-bursting learning mode will improve quickly, especially suitable for students with zero foundation.

At its most basic, editing is like ventilation in a movie. I remember that some great directors such as Alfred Hitchcock did not experiment with one shot to the end, but I personally think that this is simply not possible for today's films. Imagine a movie that is more than two hours long without editing, the most difficult and basic problem is, how to shoot?

Is it possible for an actor to act for two hours without a second of rest? Are the props placed exactly in the right place? Can you get the right seat?

There is no doubt that any small problem will have to be torn down and reinvented, and there is no doubt that such a movie cannot be made.

Second, I remember that the clip was supposed to have been discovered by Méliès by accident. He set up the camera on the side of the street to shoot a horse-drawn carriage, but the film got stuck, and then resumed when a mail truck entered the shot. Later, when Méliès was showing the film, he noticed that the carriage had suddenly become a mail car.

From this, I discovered that editing is far more than just recording, and has the ability to create dreams, and this ability can only be achieved by editing. To give another obvious example, previous martial arts films, such as Bruce Lee's Raptors Crossing the River, have a long shot, which tests the strength of the actors, and they must be able to fight and do solid actions. And today's action movies, using fast editing, can make an actor who doesn't know kung fu at all a martial arts master.

Third, today's movies have a large number of scene transitions, with a large span of space and time, and editing is required to express the span. Of course, you can use special effects to create the effect of flying from China to the United States, from the Earth to the Moon. But if it's an ordinary literary film, but it's just the first shot living in China, and the latter moving to the United States, how can you do it without editing and using one shot?

Fourth, editing has a great impact on the rhythm of the film. The quick editing of the action scenes in the spy series (not to mention the 4th) can mobilize the audience's emotions at once, resulting in a blood-pumping effect. Those who cut many movies together are so charming, and editing is a very important way for movies to control the emotions of the audience.

I'm not a professional so all of the above is a personal opinion for your reference.

Do you know the commonly used video editing skills, I will introduce you to the commonly used video editing skills, I hope to help you!

1. Cut-in and cut-out This is one of the most commonly used lens transition methods in movies. That is, it is a skillful transition from the end of the previous shot to the next shot, with no gaps in between. It's called "cut".

2. Fade out and fade into the fierce relatives It is also called the fading and fading of the movie picture. The picture gradually darkens and finally disappears completely, a method called fading or fading. On the contrary, the picture gradually changes from dark to bright, and finally it is completely clear, and this shot is called fade in, also known as fade in.

3. Drawing in and out is also the lens conversion in the movie. A trick. Sometimes a clear straight line, sometimes a wavy line, etc., is used to erase the picture from the edge of the picture vertically, horizontally, and diagonally, which is called crossing. Replace it with the next picture, which is called scratching.

Fourth, the dissolution and infusion are also known as "dissolution and dissolution", which is also a technique of lens transformation in the movie. While one image fades out (melts out), another gradually reveals (fades in). This is often used in the context of two interconnected pieces of content and scenes, creating a sense of slow transition.

5. Overprinting refers to the superimposition of two or even three pictures into one picture. Chang Zhi Naling expresses the memories, dreams, illusory imaginations, and magical worlds of the characters in the play.

6. Other skills.

The focus becomes blurred. Some of the paintings on the screen are slowly burning, and the focus becomes blurred, and the image is gradually blurred. The speed and length of the "void" can be freely controlled, and it often shows scenes such as blurred vision and coma in the play.

Freeze frame: often refers to a dynamic shot that momentarily stands still on a certain frame. ;