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Diversified development, the combination and decomposition of multiple dance genres.
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Summary. Hello! Since the beginning of the 21st century, Chinese dance has undergone great changes and development in terms of expression, creative concept, and technical expression.
In general, the historical trend of Chinese dance in the 21st century is as follows:1The independence of Chinese dance is increasingly emphasized:
In the 21st century, Chinese dance has to a certain extent gotten rid of its dependence on Western dance and has begun to explore an independent mode and form of expression. 2.A fusion of modernity and tradition:
Chinese dance began to focus on the integration of modern and traditional elements in performance. Traditional dance elements are integrated with the current **, costumes, visual elements, etc., which better convey the beauty of Chinese culture. 3.
Promoting Chinese Culture: Chinese dance in the 21st century focuses on promoting Chinese culture, exploring the connotation and spirit of Chinese culture, and showing the charm of China in dance performance. 4.
Diversification and individualization: In the 21st century, Chinese dance is no longer a representative of a single culture, but a pluralistic and individualized form of expression, and different types of dance styles have emerged. 5.
Internationalization: Since the 21st century, Chinese dance has gradually moved to the world stage, more and more dance works have been introduced to the world, and more and more international dance works and dancers have developed in China. In short, the development direction of Chinese dance in the 21st century is to be diversified, independent, pay attention to the integration of tradition and modernity, show the charm of Chinese culture, and continue to move towards internationalization.
Hello! Since the beginning of the 21st century, Chinese dance has undergone great changes in terms of expression, creative concept, and technical expression. In general, the historical trend of Chinese dance in the 21st century is as follows:
1.The independence of Chinese dance is increasingly emphasized: in the 21st century, Chinese dance has to a certain extent got rid of its dependence on Western dance Liang Mingchong, and began to explore an independent way and form of expression.
2.Fusion of modernity and tradition: Chinese dance began to focus on the integration of modern and traditional elements in performance.
The traditional dance elements are integrated with the current rubber annihilation, costumes, visual elements, etc., which better convey the beauty of Chinese culture. 3.Promoting Chinese Culture:
In the 21st century, Chinese dance focuses on promoting Chinese culture, exploring the connotation and spirit of Chinese culture, and showing the charm of Chinese culture in dance performance. 4.Diversification and individualized development:
In the 21st century, Chinese dance is no longer a representative of a single culture, but a pluralistic and individualized form of expression, and different types of dance styles have emerged. 5.Towards internationalization:
Since the beginning of the 21st century, Chinese dance has gradually moved to the world stage, more and more dance works have been introduced to the world, and more and more international dance works and dancers have developed in China. In short, the development direction of Chinese dance in the 21st century is to be diversified, independent, pay attention to the integration of tradition and modernity, show the charm of Chinese culture, and continue to move towards internationalization.
Take a look.
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Hello dear, the historical trend of Chinese dance in the 21st century can be summarized as follows:1Pay attention to the excavation and innovation of traditional culture.
In the 21st century, Chinese dance has gradually returned to traditional culture, excavated and used traditional cultural elements, and created a number of excellent dance works, such as "Dream of Red Mansions" and "Classic of Mountains and Seas". 2.Become an important force on the international stage.
Chinese dancers and choreographers are doing more and more on the international stage, and continue to receive international awards and widespread acclaim. At the same time, Chinese dance has also attracted more and more attention from international audiences and scholars. 3.
Focus on exploring and innovating the language of dance. Chinese dance artists have made great progress in the innovation of dance language, constantly experimenting with new expressive techniques and forms, and boldly exploring the diversity of themes and emotions expressed. 4.
Strengthen exchanges and integration with other cultures. With the deepening of globalization, Chinese dance is also strengthening cultural exchanges and integration with other countries and regions, absorbing the excellent elements and expressions of other cultures, and injecting new vitality and creativity into Chinese dance. In short, in the 21st century, Chinese dance has been constantly innovative, enriched and diversified, combining traditional culture with modern aesthetics, and has become an important part of Chinese culture and an important force in the international dance community. Celery shed.
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Summary. Chinese classical dance, like folk dance and ballet, is one of the types of performative dance that is popular all over the world today. And what we call modernization, special attention is the spirit of the times, we believe that the dance of the times, the modernization of Chinese dance should have national characteristics
The content of the nation, the form of the nation, and the aesthetic taste of the nation.
Hello dear, I am happy to answer your questions According to the characteristics of the dance, it is not the same as the style of the state banquet, including: classical dance, ethnic folk dance, modern dance, dangji dance and ballet.
Chinese classical dance, like folk dance and ballet, is one of the types of performative dances that are popular all over the world today. We believe that the modernization of dance should have national characteristics: the content of the nation, the form of the nation, and the aesthetic taste of the nation.
In the 21st century, the historical trend of China's classical Sanshan dance is to keep pace with the times on the basis of adhering to and developing excellent national traditions, facing modernization, facing the world, and facing the future.
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Summary. German-Jewish scholar Kurt. From a historiographical point of view, Sachs divides the dance of the world into the Stone Age, the Antiquity, the Middle Ages, the waltz of the 18th and 19th centuries, the Polka Age, and the Tango Age of the 20th century.
In "Dance Morphology" (by Yu Ping), eight cultural circles have been established based on the cultural pattern of traditional dance in the whole world: Chinese dance cultural circle, Indian Malay dance cultural circle, Indian dance cultural circle, Malayo-Polynesian dance cultural circle, Arab dance cultural circle, Latin American mixed dance cultural circle, black African dance cultural circle, and European dance cultural circle.
German-Jewish scholar Kurt. From a historiographical point of view, Sachs divides the dance of the world into the Stone Age, the Antiquity, the Middle Ages, the waltz of the 18th and 19th centuries, the Polka Age, and the Tango Age of the 20th century. In "Dance Morphology" (by Yu Ping), eight cultural circles have been established based on the cultural pattern of traditional dance in the whole world: Chinese dance cultural circle, Indian Malay dance cultural circle, absolute Indian dance cultural circle, Malay-Polynesian dance cultural circle, Arab dance cultural circle, Latin American and Chachazhou mixed dance cultural circle, black African dance cultural circle, and European dance cultural circle.
At the end of the 19th century and the beginning of the 20th century, a dance revolution in the United States and Germany was a rupture that completely repudiated the closed and rigid classical ballet. In the history of dance over the past 100 years, there have been five major periods of free dance, early modern dance, classical modern dance, postmodern dance, and postmodern dance in the United States, and two major periods of new dance and dance theater in Germany. The occurrence of modern dance in the two countries can be said to be the same, but both were inspired by the "mother of modern dance" - the American dancer Isadora Duncan, and after the 1930s, they began to communicate and influence each other, and a new variety of modern dance of the two countries interacted and complemented each other.
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