Why is American comics more connotative than Japanese comics, but no one watches them?

There are a lot of animations with connotations in Japanese comics.,Like clannad.,Fullmetal Alchemist,Morning flower swears,Wolf's child rain and snow, etc., are all excellent.,There's always a feeling of stepping on one when you ask this.。

Radish greens, each has its own love, some people like the worldview of Meiman, some people like the hot-blooded romance of Riman, this is a very normal thing, no one is more noble than whom, who has more connotation than whom.

Some people look at it, but their respective audiences are different.

Because there are not many people with connotations.

Meiman is backed by Hollywood, the world's most developed film industry system, while Japan's film industry has declined many years ago, so it is easier for Meiman to be adapted into live-action movies or TV series.

Because Japanese manga is very good in terms of creation and plot, and it is very close to our lives, American manga is not as popular as Japanese manga.

Because Japanese comics have developed for a long time, and the style and plot of Japanese comics are very good-looking, what I want to express is also very positive energy.

Because the route is different, the United States pays more attention to Hollywood 3D animation blockbusters, Hollywood blockbusters are very popular, and Japanese comics focus on 2D, and comics are a big theme of 2D animation, so 2D Japanese animation is more popular around the world.

Riman is good-looking. Personal opinion only. It's okay to like it.

And a lot of people like Japanese comics and say that the painting style is good.,I'm used to watching American comics, I really can't accept the Japanese comic style.,Anime is also special.,The action is exaggerated.。

The biggest area of Japanese comics and American comics is gone, and I think it is the portrayal of the psychology of the characters. When dealing with the inner monologue of the characters, or the reaction to major events, Riman will definitely use more complex atmosphere lines, reticulated structures, facial close-ups and other methods to render the atmosphere, and sometimes he does not hesitate to use the way of splicing two pictures to constantly strengthen the reader, which is very domineering. And what Meiman does is just tell the thing itself calmly and objectively, just like the third party of a story.

You see, you can also feel the huge difference between Eastern and Western cultures from the comics. The difference between the style of American comics and Japanese comics is that American comics are realistic, and the proportion of characters is close to that of real people; Riman is more two-dimensional, funny and cute, with a variety of styles; The feeling of stupidly watching American comics before watching Japanese comics: What are the muscles of comic characters?

A group of faggets are used to watching beautiful comics and watching Japanese comics: men draw the same as women! A bunch of sissies.

Riman is more like**,One is a story。 I can't say a word or two.,I think the style of painting is very different.,The font used in the sinicization of the sinicization group is also different (sometimes because of the pin width of the background.,The embedded words are too small and too dense.)。 In terms of plot, I am generally very satisfied after watching a major event, such as "Green Lantern", when I see 20, I feel that my life is complete, and it doesn't matter if I chase it or not.

The vast majority of American comic lovers in China are also Qiaolu Riman readers; As for the problem, just look at it directly, there is no loss and you can't accept it. It's nothing more than entertainment.,There's no threshold (given the limited number of sinicization.,There may be a little bit of a requirement for foreign languages),Just pick up a book and read it if you're interested; Then google+wiki.

It's not wrong to say something about Japanese comics, but it's not so simple to analyze, as far as the modern mainstream is concerned, there are several differences between American and Japanese styles.

The richness in the animated films you are talking about is actually a depiction of facial muscle movements that do not hesitate to paint, and this kind of realistic facial depiction is also common in Mi Man. However, expressions, especially high expressions, are continuous facial depictions rather than screenshots, and comics with a high degree of realism have a sharp decrease in expression expression when they can't move, especially after getting used to the big moves of animation.

In contrast, Riman uses more so-called comics, from simple angry cross tendons, inspiration bulbs, and large art characters in the background, to advanced vertical lines on the outline line of the king's face in the picture below, which is the manga of the tiger's body. The function of symbols is to simplify and abstract expressions and actions, and then combine the inherent signifier of the pattern with the psychological signifier of emotional expression. Relying on the high development of this kind of technique, Riman has obtained a richer means of expression of expression.

Of course, here I am only pointing out the differences, not the advantages and disadvantages. The difference is the result of the evolution of the characteristics of each side. The symbols of Japanese comics were originally taken from the techniques of Omi animation and satirical comics, but this fit the general environment of the early development of Japanese comics, where cartoonists had limited personal creative ability and energy, and could only rely more on such high-information-density techniques.

Learn from laziness, innovate in borrowing, and be lazy in innovation, this process of repetition is the development characteristics of devil animation that has been insufficient in manpower and material resources, and it has remained unchanged to this day. But what is created in being lazy and saving money is the unique technique of changing comics and the reader's aesthetic sense of exclusive comics. In terms of richness and originality, there is more room for the collective creation of the United States comics is incomparable, they have evolved more for the improvement of the realism, the study of the painter, the artistic skills, the plot of the heritage, etc., this kind of improvement in their respective fields is the embodiment of the division of labor in the United States comics.

Some people may say that Dad's painter can only lift shoes no matter how hard he works, but the skills developed by the devil or something, can't Dad just use it? It's not that simple. When I was a child, I always thought when I watched volleyball that the Chinese team could only rely on defensive tactics to fight against the Euro bomb body, and once Cuba practiced fastball, it would be a fart.

However, it is not difficult for a mature system to take one or two small skills from other people's systems, and it is not just a matter of saying that it comes from the essence of others. Cuba is just not good at playing fastball, and the symbols are out of place in comics with a high degree of realism. To put it in detail, this is a spontaneous aesthetic rejection of abstract patterns when the reader looks at a highly visual picture.

It doesn't matter if you use it, but it's "weird" when you look at it, so it's more and more repulsed. Naturally, the style differentiation of Rimi has intensified.

The influence of Japanese animation is limited to East Asia and Southeast Asia, and the Middle East, India, and Africa are European, Latin American, and even anti-American, and American animation is very popular, even in China, the status of American and Japanese comics is comparable, and Japanese comics are not decades ago.

First of all, you have to understand a concept: the operation mode of Japanese comics and American comics is different. (I can only talk about the general phenomenon in the following discussion, and don't give me an example of a counter-example, thank you).

The copyright of Riman belongs to the cartoonist who created it or (script),Maybe the two share its copyright.。 American comics are basically dominated by hero protagonist comics, and the copyrights of these comic characters are in the company (DC owns the copyrights of Superman, Batman, Green Lantern, The Flash, etc., and Marvel owns the copyrights of Iron Man, Spider-Man, Captain America, etc.), they hire painters, colorists, (writers) in the name of the company, and then assign the ** of a hero character to a team composed of artists and writers.

So I think the level of Japanese comics, American comics, storyboards, and scripts can only depend on who is right to whom, no matter what**, there will be good works and bad works, and turnip greens have their own loves.

Because the copyright of comic works belongs to the creator, the cartoonist may have greater control over the work, and the degree of freedom is greater, and he can create a variety of stories and characters with a rich and unique personal style, but, because sometimes the story depends on the cartoonist, so there will also be the so-called "Jiang Lang's talent" and "unfinished" situation, and the beauty of the picture will also decline. Sometimes, when the comic is over, his life seems to freeze. (Of course, the classics will live longer.)

The assembly line creation mechanism of American comics (writer, artist, colorist) ensures the beauty of the picture (black and white draft, coloring) and the complete unity of the story level to a large extent, but occasionally there will still be a "bad ending". In addition, each person in the company has different preferences, understandings, and creative ideas for each hero, so the heroes of American comics are not one person. American comic heroes also change with the times, so the vitality of American comic heroes (including classic villains) is very long.

Therefore, in a broad sense, how difficult it is to compare their characters, storyboards, and scripts.

It can only be said that each has its own advantages and disadvantages, and I also said the advantages and disadvantages above.