What should I do if the gouache painting is too boring, what should I do if the gouache painting is

First, the saturation of the color, if for the college entrance examination, your gouache color should be bright, don't mix too many colors together, low purity will appear very dark, especially bright things such as fruits, it is best to have at least one piece of color on it is pure.

Second, black, white and gray, the three major pieces must be pulled apart, the black ones must be black, and the bright ones must be lit up. You have to look at it a little further away as you draw.

Third, don't paint "dirty", which is actually the color problem, don't mess around, the same as the first method.

In fact, gouache improves very quickly, and you have to find your own fault every time you finish painting, and then read a book to see how others behave in response to your problem, so that the progress is very fast.

Hope it helps.

The main reason for the dull painting is the lack of reflection, which does not echo the main light source. Gouache painting, like sketching, should pay attention to the overall black, white and gray of the picture, and deal with the care between them, as well as their excesses. If you take a black-and-white photograph of gouache with a camera, you should be able to maintain the relationship between black, white and gray.

The three elements of gouache are red, yellow, and blue, and these three colors are indispensable.

Gouache painting is boring to revise the opinions: deal with the dark side well, deal with the overall virtual reality of the picture (near the real and far virtual, close to the light source of the ground and anti-virtual), and the bright color is purer than the overall picture.

While paying attention to the relationship between the overall picture, we must pay attention to the excessive handling, and work hard in this regard, because the quality of a painting and whether it is wonderful or not lies here.

I studied art for three years and played for a year and a half... Gouache·· My feeling is to practice more... Sometimes I'm good at drawing, sometimes I'm not in a good mood when I'm not good at drawing, so I skip class and go out to play... Hehe, the whole mood is drawn·· Look at the people in the studio who paint well and brightly, and look at how they mix colors. Watch more people draw, look at the pen that you must want to make... Isn't that enough? It's mainly the mood, and when the mood is good, it's energizing to draw anything·· Du Liang·· In short: painting needs to be run-in, I played half the time, but often watching the master draw can also improve the level!

After the gouache is finished, use the reflective color to adjust the reflective degree of the object itself into a shade of makeup... The picture will light up at once.,The dark part can't go down with one color.,Isn't there a space after the dark part is drawn... So it won't be boring... Learning art is one more skill than ordinary people·· But back then, the arts and science students discriminated against us art students... Then you're welcome... Haha, the college entrance examination avatar and gouache have the largest proportion, and I don't know how to plaster... Sketching also has to be practiced... Anyway, that's it, practice more, see more other people's techniques!! Oh...

Don't make the paint too thick, especially the background, don't be stuffy, if it's stuffy, it will make the whole painting very stuffy, add more water, put it on with a large pen, the rest is nothing, practice more, feel it yourself!!

1.Use bright colors (three primary colors) more

2.Don't draw too thick, one place, don't brush back and forth a lot.

3.Use plenty of water, preferably wet the whole sheet of paper before drawing.

Listen** or do something else to distract you from this statement is pure. The 4th floor is very professional.

The highlights and intrinsic colors must be painted. Especially the previous one, the contrast is stronger.

Set the tone first.

You can use more water.

I think it's dirty that you painted.

Change the water where the painting is shiny.

Try not to use dark tones.

The color is pureer.

Use less color tones.

Moisturize with water and use plenty of water to make the lines smooth.

Mix a few colors together, and try a solid color boldly, which is too stuffy and uncomfortable.

Listen up** or do something else.

Just divert your attention.

A common problem in gouache painting is "greasy and stuffy", which is usually caused by improper color mixing or excessive use of color. Here are some reasons and how to fix it:

1.Improper color grading: If too many pigments or colors are used during color grading, the color of the picture will be oversaturated, which will make it look greasy and stuffy.

The solution is to reduce the amount of paint or color used appropriately, or try to use brighter colors to brighten the picture and increase the brightness of the picture.

2.Excessive use of color: In the process of painting, if you overuse color, especially in the dark parts, it will make the picture look dull.

The solution is to use the right color in the right place, avoid overuse, and pay attention to the layering of colors to make the picture more three-dimensional.

3.Lack of contrast: The lack of contrast in the picture can also lead to a greasy and stuffy feeling. The solution is to add more contrasting elements to the picture, such as light and dark, cold and warm, purity, etc., to make the picture more vivid.

4.Monotonous colors: If the colors in the picture are too monotonous, it will also lead to a feeling of tiredness and stuffiness. The solution is to use more colors and variations in the picture, such as adding some cool or warm tones to enrich the picture.

5.Overmixing: Mixing different colors too much in grading can also lead to a greasy and stuffy feeling. The solution is to try to maintain the purity of the colors when grading and not to overmix different colors.

In short, to solve the problem of "greasy and boring" in gouache painting, we need to start from many aspects, including color mixing techniques, color methods, color contrast and color changes. Through continuous practice and learning, you can gradually improve your drawing skills and avoid similar problems.

That's because you mix too many colors, just mix them a few times, and it's best to have a natural feeling.

It is said that color depends on feeling, and I think this is very one-sided. When I was in junior high school, I was told by the teacher that I didn't feel it, and after being trained by a high school teacher, the color was in the top few grades, and all the college entrance examination tests were higher than the color score of sketching, and the color score of the first teacher was a few points worse. So don't worry if you don't feel it, color is also based on observation methods.

Upstairs is right, sketching is the foundation of color, and I spent more than 4 times as much time sketching as color when I was in high school. Laying a good foundation for sketching is very important for color, both in terms of modeling and the grasp of the relationship between light and dark.

Color is also painting relationships, and I think many people will use the color of their own pictures to chase the colors in reality when painting, which is absolutely wrong. What you need to do is to make the relationship between your picture consistent with the relationship between the light and shade and the color of the object. When it comes to a specific color, you should observe the colors around it, adjust the color, and put it on the painting.

Looking at the relationship between this item and the color next to it, it is dark and shallow (brightness relationship), it is fresh gray (purity), and it is cold and warm (hue). Compare the two colors to know which side needs to be adjusted.

It's not something that can be explained very simply, but I think the most important thing is to keep comparing and looking at relationships. This is actually the same as sketching, except that sketching only compares brightness, and the color also considers purity, brightness, hue.

Really tired, remember the comparison

Gouache painting is good, the color is clean, the color is elegant, and the popularity in the world is higher than that of CAFA. If you don't feel it, it is recommended that you go out and take a breath of fresh air Inspiration always comes out of nowhere, but opportunities are always given to those who are prepared. So it is recommended that you observe more detailed things, anything around you will do.

For a while, I saw any color, and I was thinking about what color to use to bring it out. Art requires feelings and hearts. For a lot of still lifes, we don't have to stick to their solid colors, which will interfere with our paintings.

You can look at Van Gogh's works, the colors are very bright and the colors are bold. You can also take a look at Xu Beihong's paintings, which are enthusiastic and unrestrained. Gouache painting must be bold and careful, and dare to use color.

Remember not to push yourself when you don't feel it, the more you push yourself, the less you can draw good works. If you have a calmer and more stable mindset, you will be at ease. One more sentence to you, when you feel that you are not improving, it is not far from progress.

In other words, the reason why you haven't made progress for two months is because you are accumulating strength and discovering your shortcomings. Only when people discover their own shortcomings will they improve. Don't worry, I'm sure you'll be in better shape soon.

Sketching focuses on morality as the foundation and structure! And gouache is more important virtue is feeling! Gouache requires Virtue to be a beautiful Virtue color!

If you don't often paint gouache, you can't paint well... Gouache focuses on practice makes perfect, so you have to draw often! It is recommended that you take a look at the teacher's painting process, copy less and sketch more! When copying virtue, you should write down the color of others' good looks and become your own!

Next time, I will use it in my own works!

This depends on the individual, everyone's sensitivity to color is not the same, it can't be said that everyone's gouache is better than sketching, more practice can still draw well, sketching is the foundation, to integrate sketch into color painting.

Sketching is the basis of gouache, and you learn some skills from sketching, and the colors paint some feelings!!

In gouache painting, like other paintings, it is necessary to pay attention to the methods and steps, from the whole to the part, and from the part to the whole, so that the work can gradually reach depth and perfection. Generally, it goes through five stages, namely, layout, sketching, coloring, in-depth portrayal, and adjustment completion. In terms of the coloring order, it is generally better to start with a large area of color or from the main object of the picture, which is beneficial for determining the tone of a picture and maintaining the correctness of the general relationship between the whole picture.

There are also artists who have the habit of starting with light colors or dark parts like oil paintings, and each has its own strengths, which should be decided according to the specific situation and personal painting habits. When coloring, we should pay attention to planning, such as a certain part of the picture needs to be added when the background color will be dry before drying, and the other part must wait for the bottom color to dry before applying other colors, which must be "bamboo in the chest", step by step, which is of great help to depict the different characteristics of the object and express the sense of space and quality of the object.

The techniques of gouache painting are relatively diverse, but there are generally two types of painting: dry painting and wet painting. The so-called dry painting, that is, the meaning of less water, is not not mixed with water and only dry erase with paint, when painting, it is necessary to wait for the previous layer of color to dry and then paint the second layer of color, layer by layer, the previous layer of color and the second layer of color have a clearer boundary, so it is also called multi-layer painting. The dry painting method should strive to be affirmative and accurate, in order to express a clear shape and a variety of levels and decent transitions.

Attention should be paid to the dry painting method: do not rush to cover the background color when it is not dry, so as to prevent the background color from coming up; And the number of color coverage should not be too much, covering most or the color is too thick, which will make the color gray and greasy. The dry painting method is not limited by time, it is easy to paint calmly, and it is easier to master, which is very helpful for beginners to exercise their strict modeling ability.

However, the dry painting method is not easy to give full play to the characteristics of water color flow, and if it is not used well, it will produce dryness, stiffness and other drawbacks.

Wet painting method is a method of using the dissolution of water to make two pieces of color naturally join each other, and when painting, when the color of the front pen is not dry, connect the back brush, so that the connection between the pen and the pen is soft and the edge is moisturized. Wet painting is used to express smooth and delicate objects, and it is also suitable for painting distant scenes, dark parts of objects, and reflective parts. The wet painting method should pay attention to the amount of water and the timing of the brush, how much water should be used, and how wet the background color is to be suitable for painting.

In addition, when the background color has dried and still needs to be wetted, you can first use water to wet the part before painting the color, or use a clean pen dipped in water to brush the edge of the color block after the color is painted, which can also achieve the effect of wet painting.

In gouache painting, the dry painting method is more thick and the wet painting method is more thin, and the so-called thick or thin is also relative, and the corresponding expression method should be flexibly adopted according to the specific object and the intention of the painting. Many authors often alternate dry and wet painting methods, dry and wet together, thick and thin, some places are rendered and infiltrated with more water, and some places are covered or juxtaposed with color blocks, so as to achieve the unity of the various pictures and make the works more perfect.

Prove that your sketching skills are not solid, practice well and practice a lot, and you will draw well.

Mine is not good, let's talk more.

You start by squinting at the object. Determine which parts of the still life are the brightest and which are the darkest. How much is the contrast gap between the brightest and darkest.

In fact, you will find that the contrast between the dark part and the two non-parts is quite strong, and we can exaggerate this contrast when we paint in the later stage. The dark part will be darkened, and the bright part will be let out.

In addition, use less white to brighten, add white appropriately, you can look at the inherent color of the object, except for pink or white items will use a lot of white pigments, the inherent color of other color objects is actually quite dark, even if it is brightened by light, it will not blindly turn white. There are also many colors of light source color, such as: daylight is cold, white paper light is warm, ......Here you can use pink green, yellow and appropriate white to reconcile with the intrinsic color of the object.

Pay attention when painting the dark part, be sure to wash the white paint, bucket, palette and so on on the pen, after adding white to the dark part, how to change it will be more gray. Therefore, under normal circumstances, many painters and copybooks mostly start painting from the dark part, so that it is not easy to mix the white part of the light part with the dark part.

In addition, the color should not be too much, the more colors are mixed, the lower the color purity, and the dirtier and grayer the picture looks All in all, the pen should be accurate and decisive.

The above is not as professional as the textbook, but it is my experience when painting. Hope it helps.

As I said upstairs, you'd better find more basic books to copy. Or try to draw a picture with the old teacher, I have encountered such a problem as you before, it was in the process of painting with the teacher that the mouth suddenly opened!

Break a leg!