In the Book of Songs, the folk songs of the vassal states are included in which part

Included in "Wind", a total of fifteen "National Style".

There are 305 existing articles in the Book of Songs (in addition to 6 articles without poems, a total of 311 articles), which are divided into three parts: "Wind", "Ya" and "Song". Among them, "Wind" comes from folk songs from all over the world, and is the essence of the "Book of Songs" There are chanting of beautiful things such as love and labor, as well as the sighs and anger of nostalgia for the homeland, thinking of people and anti-oppression and anti-bullying.

"Wind" means local wind and wind ballads, and "Wind" includes folk songs from 15 places, covering today's Shaanxi, Shanxi, Henan, Hebei, Shandong and other places, most of which are folk songs from the Yellow River Basin, and most of them are folk songs that have been polished. It is also called "Fifteen National Styles", with 160 articles, which is the core content of the "Book of Songs". The "Styles of the Fifteen Nations" are:

11 in Zhounan, 14 in Zhaonan, 19 in Shao, 10 in Yōng, 10 in Weifeng, 10 in Wang, 21 in Zhengfeng, 11 in Qi, 7 in Wei, 10 in Tang, 10 in Qin, 10 in Chen, 4 in Huifeng, 4 in Caofeng, and 7 in 豳 (bīn).

"Guan Ju", "Tao Yao", "Cutting Tan", "Shuo Mouse", "Pu Jia" and so on in "Fifteen National Style" are all well-known famous articles.

Among them, the folk song is "Wind", which is the essence of the "Book of Songs". "Wind" includes folk songs from 15 places, including present-day Shaanxi, Shanxi, Henan, Hebei, Shandong and other places, most of which are folk songs from the Yellow River Valley.

Among them, there are chanting of beautiful things such as love and labor, as well as lamentation and anger of nostalgia for the homeland, thinking of people, and anti-oppression and anti-bullying.

Summary. The folk songs in the Book of Songs are mainly included in the "National Style" section, also known as "Wind". "Wind" is the most important part of the "Book of Songs", which is divided into many chapters such as "Shao Feng", "Han Feng", "Hu Feng", "Wei Feng", "Wang Feng", etc., and contains many folk songs that reflect the folk customs, love, family, labor and war of ancient society.

These folk songs express people's real feelings and life experiences in a short and lyrical way, and have high literary and artistic value and historical research significance.

The folk songs in the Book of Songs are mainly included in the "National Style" section, also known as "Wind". "Wind" is the most important part of the "Book of Songs", which is divided into many chapters such as "Shao Feng", "Han Feng", "Hu Feng" Naji, "Wei Xiao Shen Feng Feng", "Wang Xiao Shi Feng", etc., and contains many folk songs that reflect the folk customs, love, family, labor and war of ancient society. These folk songs express people's real feelings and life experiences in a short and lyrical way, and have high literary and artistic value and historical research significance.

Can you tell us more about that?

The accompanying manuscript of the Book of Songs is a treasure of ancient Chinese literature, which contains a large number of Chinese styles. The various chapters in the Book of Poetry reflect the customs and customs of ancient society, and the state of people's life and filial piety.

The main uses of the original ballad are as follows:

The Book of Songs is the earliest collection of poems in the history of ancient Chinese literature, which includes a large number of primitive ballads, which had many functions at the time, including: Sacrificial Rituals: In ancient society, sacrificial activities were very important social activities.

Some of the ballads in the Book of Songs were used in sacrificial ceremonies to express respect and supplication to the gods.

Social Events: Some of the songs in the Book of Songs are used to celebrate various social events, such as banquets, weddings, etc. These songs not only add to the festive mood, but also bring people closer together.

Educational enlightenment: Some of the ballads in the Book of Songs are used for Dansou educational enlightenment. Through the description of nature, life, human feelings and sophistication, these songs educate people to pay attention to all aspects of life and inspire people's thinking about society and life.

Emotional catharsis: Some of the ballads in the Book of Songs express personal emotions and emotional catharsis. These songs express the joys, sorrows, and sorrows that people encounter in life, and make people experience life more realistically.

In short, the original ballads in the Book of Songs played a very important role in the social life of the time, not only recording the history, customs and culture of the society at that time, but also providing a valuable cultural heritage for future generations.

The wit of one man, the wisdom of many"It refers to the fact that the ballads in the Book of Songs have certain personalized characteristics, but they also represent the collective wisdom of the whole society. In ancient societies, ballads were often written by talented individuals. These individuals tend to create unique ballads based on their own experiences, feelings, and thoughts.

These ballads can reflect the author's unique views and feelings, reflect the author's understanding and thinking about life and society, and have strong personalized characteristics. However, songs are not only the creation of individuals, but also the crystallization of the cultural accumulation and wisdom of the whole society.

The emotions, thoughts, and values expressed in the ballad are not created by a single person, but are formed and passed down by the whole society. In this process, people continue to inherit and carry forward these songs from different perspectives, and constantly revise and improve them, so that they have a wider social significance and value.

Therefore,"The wit of one man, the wisdom of many"It means that the ballads in the Book of Songs not only maintain the author's personalized creation, but also represent the cultural accumulation and wisdom of the whole society. This collective cultural accumulation and the crystallization of wisdom have provided a very valuable historical, cultural and ideological heritage for future generations.

a national style. The division of the three parts of "Wind", "Ya" and "Song" is based on the difference of **. "Wind" is relative to "Wangji" - the area directly ruled by the Zhou Dynasty - with local colors, and the fifteenth "National Style" is the folk folk songs of fifteen places.

Its region, except for "Zhounan" and "Zhaonan", which were produced in the Jiang, Han and Rushui areas, are all produced in the Yellow River basin from Shaanxi to Shandong. Ya is the joy of "Wangji", which the Zhou people in this area call "Xia", and "Ya" and "Xia" are common in ancient times. Ya also has the meaning of "positive", and at that time, Wang Jizhile was regarded as a positive voice - a model **.

The distinction between "Daya" and "Xiaoya" is different, and there are some differences in its characteristics and applications. "Song" is dedicated to the worship of the temple. "Preface to Mao's Poems" said:

The praise of the beauty of the virtue of the description, with its success to the gods also. This is the meaning and purpose of the ode. Wang Guowei said:

The sound of praise is slower than the wind and elegance. This is the characteristic of its **.

"National Style".

The National Wind is part of the Book of Songs. It is probably the folk poetry of the Chinese nationality in the princely states from the beginning of the Zhou Dynasty to the Spring and Autumn Period. The folk songs of the Zhou Dynasty in the national style reflect the real life of the Chinese working people with gorgeous and colorful pictures, express their injustice in the situation of exploitation and oppression and their belief in striving for a better life, and are the source of Chinese realist poetry.

Most of the works of "National Style" are the collective creations of the working people of the Han nationality and are the essence of the "Book of Songs". Its main contents:

1. Express the people's desire to resist exploitation and oppression and their pain and antipathy to labor and military service. For example, "Feng Feng Dongshan" describes the dilapidated scene of the countryside after the war, reveals the misfortune and suffering brought by the war to the people, and expresses the people's desire for peace and working life.

2. Acura to labor. For example, "Zhou Nan Qiao" is a song sung by women when they go to collect psyllium in twos and threes, expressing the joy of women when they work. "Wei Feng Between Ten Mu" sings the joy of the mulberry picking girl in labor and the happy mood after labor.

The wind is folk, so I choose A, the national style.

The Book of Poetry is the earliest collection of poems in the history of Han Chinese literature, and it is also known as the "Three Hundred Poems".

The Book of Poetry is the beginning of ancient Chinese poetry, the earliest collection of poems, a collection of poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period (11th century BC to the 6th century BC), a total of 311 poems, of which 6 are sheng poems, that is, only titles, no content, called six sheng poems ("Nanyi", "Baihua", "Hua Huang", "You Geng", "Chongqiu", "You Yi"), reflecting the social outlook of about 500 years from the beginning of the Zhou Dynasty to the late Zhou Dynasty.

The author of the Book of Songs is unknown, and most of them can no longer be verified, and it is said that it was collected by Yin Jifu and compiled by Confucius. The Book of Songs was called "Poems" in the pre-Qin period, or its whole number was called "Three Hundred Poems". In the Western Han Dynasty, it was revered as a Confucian classic, originally called the "Book of Songs", and has been used to this day.

The Book of Poetry is divided into three parts: "Wind", "Ya" and "Song". "Wind" is a ballad from all over the Zhou Dynasty; "Ya" is the positive sound of the Zhou people, and it is divided into "Xiao Ya" and "Da Ya"; "Song" is the music song of the Zhou royal court and the noble temple, and is divided into "Zhou Song", "Lu Song" and "Shang Song".

The Book of Songs is rich in content, reflecting labor and love, war and conscription, oppression and resistance, customs and marriage, ancestor worship and banquets, and even celestial phenomena, landforms, animals, plants and other aspects, which is a mirror of social life in the Zhou Dynasty.