Ask a question that may involve various traditional arts such as cross talk, Peking opera, storytell

Summary. Hello, yes, cross talk and storytelling are both traditional Chinese forms of quyi performance, with oral expression as the main way. 1.

Crosstalk (xiàngsheng) is a traditional form of humorous opera in which two actors engage in dialogue and interaction. Through changes in speech, movements, expressions, and tones, they tell stories in a humorous way, satirize society, reveal human nature, and more. Crosstalk usually contains dialogue, sketches, storytelling jokes, etc., and is a form of comedy performance that the Chinese people like to see.

2.Storytelling (píngshū) is an art form that entertains the audience by telling a story. The storytelling performer is usually a person, as a narrator, through wonderful oral skills and voice performances, vividly presenting various historical books, **, legends and other content to the audience.

The style of storytelling is diverse, it can be historical stories, martial arts legends, myths and legends, etc., and attract the interest of the audience through the variation of the voice and the delicacy of the description.

Hello, yes, cross talk and storytelling are both traditional Chinese forms of quyi performance, with oral expression as the main way. 1.Crosstalk (xiàngsheng) is a traditional form of humorous opera, usually in which two actors enter a silver stall to have a dialogue and interaction.

Through the changes in speech, movements, expressions, and tones, they humorously tell Fenghe's rambling stories, satirize society, and reveal human nature. Crosstalk usually contains dialogue, sketches, storytelling jokes, etc., and is a form of comedy performance that the Chinese people like to see. 2.

Storytelling (píngshū) is an art form that entertains the audience by telling a story. The storytelling performer is usually a person, as a narrator, through wonderful oral skills and voice performances, a variety of historical books, **, legends and other content are vividly presented to the audience. The style of storytelling is diverse, it can be historical stories, martial arts legends, myths and legends, etc., and attract the interest of the audience through the variation of the voice and the delicacy of the description.

Both forms of performance use speaking as the main means, focusing on the expression and interpretation of oral language. Crosstalk and commenting on potatoes have a long history in Chinese culture and have always been loved by people. Through humor, satire, storytelling, etc., they convey cultural signs, entertain audiences, and carry rich social and historical connotations.

How can cross talk go from weakness to glory, this is a child without a mother, it's a long story: cross talk is from the end of the seventies and slowly to glory, after the Third Plenary Session of the Eleventh Central Committee, literary and artistic workers are excited, especially quyi workers, which includes the cross talk industry, since then, some good cross talk works are endless, cross talk performance artists continue to pass on this art, until the 80s, cross talk has come to a peak, as long as it is a variety show, Or there must be cross talk in the language programs at the major party scenes, as soon as you turn on the TV, there must be cross talk, ** is also constantly promoting, and there are also ** cross talk on the radio, until some cross talk actors become popular in the back, they start to do their jobs, some make TV series, some make movies, and some go abroad, anyway, I just don't talk about cross talk, so cross talk begins to decline slowly.

It wasn't until the mid-90s that the Beijing Weekend Crosstalk Club and the Beijing Crosstalk Conference (later known as the Deyun Club) brought the crosstalk back to the small theater. Anyway, there is no performance, and there are not many audiences, but they have been insisting on performing day and night, sticking to cross talk, time flies, years shuttle, and finally keep the clouds open to see the sunrise, the time came in 2005, Phoenix Satellite TV interviewed the Beijing cross talk conference on the spot, that is, the later Deyun Club, and even broadcast the special performance of Deyun Club live, as a result, Deyun Club became popular, and then peers in the cross talk industry saw it, yo, it turns out that there are still so many people watching traditional cross talk.

As a result, a large number of college students, white-collar workers, all walks of life, and 360 lines of people have to gather in the cross talk team, so the theaters of all sizes in Beijing and Tianjin began to slowly fill up again, and the cross talk began to be glorious again.

Therefore, from the mid-90s to the present, a group of small theaters led by Deyun Club have also let the people see the charm of cross talk again, and let the people understand that cross talk is not used to educate people, and there is no need to talk about education. The art of cross talk can only shine in a small theater, and only when it takes root in a small theater can the professional level of artists be exercised, the follow-up development of this art can be better promoted, and the language art of cross talk can truly be re-ascended to the elegant palace!

I'm still relatively young, and I haven't seen the rise of cross talk, but I think it should be because of the rise of Deyun Club, I learned about cross talk from Deyun Club.

This is because Guo Degang is a very good cross talk performance artist, and he founded Deyun Club, and the teacher has relatively high requirements for these apprentices, so he has cultivated a lot of excellent cross talk actors, and then the works launched are also very connotative.

It's because someone said cross talk a long time ago, and most people like to watch it very much, so slowly most people also choose to say cross talk in this regard, and it slowly expands to such a point.

Cross talk is a seemingly simple and relaxed language performance art, but it cannot be achieved overnight. It covers all aspects of society, close to life, reflects reality, ridiculous coke, and you can find the shadow of you, me and each of him from cross talk, so people love to listen. At first, it was the village loudspeaker and the small radio broadcast radio, then the TV and the Internet, and now the mobile phone can listen to it whenever you want.

In the early days of the underdeveloped reform and opening up, the audio and video effects were not very good, and the works of many old artists did not have the current effect in terms of expressiveness and appeal, which was decent but ironic and inspiring, which was completely different from the current talk show-style entertainment and funny. The ending of Ma Ji Zhao Yan's "Bragging" is hilarious and evocative, as well as Niu Feng Gong's "Leadership Colon" and other works are very impressive.

I like cross talk, because I am happy in the process of listening to cross talk, no matter what troubles I have at the time, as long as I listen carefully and carefully, I am very happy. I am a post-95 generation, to be honest, I know very little about traditional arts, when I was a child, I always saw my grandmothers and grandmothers watching Peking Opera a little bit I didn't understand, I couldn't hear a word of what was said, but the elders liked it very much, and slowly I knew that cross talk was the same. Every cross talk actor has his own performance style, which not everyone accepts, but what you don't like is not necessarily not bad.

When you evaluate a person, you must understand and be familiar with him in order to make the fairest answer. I didn't know Deyun Club from the beginning to slowly understand, I think Deyun Club has really made people know cross talk, understand cross talk, and let everyone slowly like cross talk.

Crosstalk is a language art that can be listened to on any occasion without consuming your visual time, just like the popular audiobook software now. In the current society, the mainstream of cross talk is dominated by Deyun Club, Guo Degang's My Words Series and Your Words Series bring us a new entertainment cross talk, and happiness is the first element.

I like to listen to it, I like cross talk, it's very funny, and it's also very reasonable.

I like to listen to cross talk, because I think cross talk can make people's mood very relaxed, and it can also pass the time in our leisure time.

I like it, cross talk is very interesting, especially now that Deyun Club is very popular, so I like to listen to cross talk very much.

In a word, inherit the tradition and keep pace with the times! Whether an art can be carried forward in an era depends on whether it can be integrated with the general environment and culture of this era. For example, some traditional jokes will be added to some things that people in today's era understand according to the actual situation, and they will be more popular when they become burdens, so it is good to keep pace with the times while preserving the basic skills of cross talk.

Innovation is very difficult, how to make new wine in old bottles, it requires a lot of research and learning, and it is even more difficult to recreate new bottles that can be passed on. In this new era, we must open our horizons, change with the times, and pass on the new.

Old traditional jokes should be passed on, but some old jokes may not meet the preferences of the contemporary or future public, and some actors are responsible for continuing the tradition, and the other part of the actors are responsible for creating new jokes, which can be the introduction of new jokes, showing new burdens and traditional techniques in a new form. At the same time, it can also be added to the old life, I personally feel that there is no contradiction between carrying forward the tradition and bringing forth the new.

Therefore, the development of cross talk does not lie in the tradition or innovation, but whether it can be based on its own essence and follow the trend of the times. What do you listen to when listening to traditional opera? What do you listen to?

What do you see when you watch a show? Horns. The same joke you say is Coke without a family.

In the past, the Internet was not so developed, and there were not semiconductors at all times. Now that people have just finished performing a new cross talk, piracy is flying all over the streets, and when you turn around, you will say that people are not innovative. It is also true that Guo is now eating his old book, always talking about Uncle Yu, but he has so many commercial performances, what can he eat if he doesn't eat this, the speed of the new script is not as fast as your Internet speed.

In the past, sketches, talk shows, and Internet jokes were not so rich, and the public didn't have to choose. In the past, no one took care of culture or it was not strictly controlled, and there were many jokes satirizing social phenomena and bureaucratic problems, but now? At every turn, I feel that the scale is too big and don't let it be broadcast, and I don't consciously report it below.

Also, compared with other traditional folk arts, cross talk is an art of language. Where is there a place for coke? I can only talk about Uncle Yu.

The audience is too, always like to compare the current and the past cross talk, either it is not traditional, or the form is too new. Anyway, if I don't buy your account, I will make the cross talk confused, should I be a tradition? Or is it innovation?

Cross talk is like this, each stage has the characteristics of each stage, and we should not look at the present with the eyes of the past. Unreasonable suggestions: Cross talk newcomers are like Guo, they have learned traditional music since they were young, and they have changed the traditional cross talk when they are apprentices, and they are blended into some Internet jokes, don't keep talking about Uncle Yu, combined with the reality that can be said under the current irony.

Do you say he is traditional or innovative?

Commercial performances are a sign of the success of cross talk, but what kind of cross talk can be performed commercially is another matter.

It is necessary not only to carry forward the tradition, but also to bring forth the new.

2.Pushing through the old and bringing forth the new: If the old culture can adapt to people's modern life, I believe it will be more conducive to its inheritance and development.

A little humble opinion, hopefully ignite a spark of your thinking.

There is no contradiction between carrying forward the tradition and bringing forth the new, and any art must keep pace with the times in order to have vitality.

On the basis of carrying forward the tradition, the new, after all, a thing needs to be constantly updated in order to be constantly accepted, just like a game.

It doesn't matter if you don't carry it forward, you can't make a new one.

Remove its dross and extract its essence, progress and innovation.

Cross talk cultureCross talk should be a traditional Chinese culture, just like drama. It is not easy to be able to circulate until now, you must know that before the appearance of Deyun Club, the sound has actually slowly declined, similar to opera. It should be described as yesterday's yellow flower, and the industry may be in decline.

Of course, that kind of situation has not yet appeared, and it looks unlikely that it will be seen in the near future.

Either way, it's a good thing, although it's not clear what the meaning is. But today I still have to talk about the innovation of cross talk. If any business or industry wants to develop, it is inseparable from innovation.

No one in any industry can always stick to the old ways, that is not able to keep up with the trend of the times. No matter what line of work it is, it has to change with the development of the times. Nokia is a prime example of this, and there are many more such examples.

Therefore, people can only go with the flow.

Cross talk innovationThe current cross talk actors are actually seeking breakthroughs and working hard to innovate, if they don't do this, it is equivalent to having no characteristics and cannot be well-known by Guangzhong, let alone traffic. Especially now that the entertainment industry is developing so fast, there are new people appearing at any time. If you want to stay hot, you have to work on something more attractive.

Although the music association has always shouted to innovate, they have not actually achieved any obvious changes.

On the contrary, the action of Deyun Club is a little bigger, but as long as there is something slightly different here, Qu Xie may make a different sound. In fact, it is understandable that there will inevitably be some conflicts on the way to change. But they're also looking for change, but they just haven't found a good way.

Realizing the importance of innovation is a kind of progress, but if you want to go further, it will cost you more. When it comes to the Qu Association, it is impossible not to mention one person, that is, Jiang Kun.

Jiang Kun can sit in the position of president, which shows that he is still very capable and influential, after all, it is impossible to put a mediocre person in any position. He also knows that innovation is particularly important and has been looking for ways to go that way. It's just that this innovation really needs to grasp a degree, have a clear plan and ideas, and then slowly realize it, not to think about it.

Just like before, he was jumping and jumping with a few young people on stage, which really made people think that it was not easy for him.

Maybe the position they are standing in is still too high, so they can't see what kind of cross talk the audience below wants. Because some things can't be changed, some things can be changed. So, how to measure, or divide, then there needs to be a big framework.

It's also about understanding what the audience thinks. You can't just innovate for the sake of innovation, it's important to consider the feelings of the audience, which is the most important thing.