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The first is the situation of submission. It is not simply assumed that whoever submits the manuscript is the copyright owner, and it is necessary to have actual contact with the contributor and understand the background of the contributor and the process of creating the work.
The second is the situation when the author dies and the legal person is terminated. Death of the author: After the death of the author, the legal heirs can inherit the property rights of the author in accordance with the law, and the corresponding authorization must be obtained by finding the exact heirs (often even multiple people), and sometimes the property rights of the author are inherited by one of the multiple heirs.
The third is commissioned works. It is especially important to pay attention to the trustee here, and do not find another person to write without consent, because the copyright owner of another person will change.
Fourth, collaborative works. In this regard, it should be noted that in order to ascertain the identity of the co-authors, the publication contract should be signed with all the co-authors or with the representative if their representative is identified. In order to avoid disputes, the publication contract should be as clear as possible on how to sign (including the order of signature, real name or pen name, etc.).
When the author requests to sign the name of the person not agreed in the publishing contract on the book, special attention should be paid to the supplementary signature of the authorization letter and the provision of the author's identity certificate.
Fifth, the use of the problem. The owner of the original work of art does not mean that he is the copyright owner. It is not possible to mistakenly think that the purchase of the genuine ** library can be used casually to make covers, illustrations, etc., to find out whether the compiler of the ** library has the right to authorize the use, if there is no such right, the use without the permission of the specific ** copyright owner will constitute infringement.
Sixth, the copyright of online works. You can't use online works at will, and don't even do the so-called "fair use" according to the standard form annotations. Because online works are often vague, it is difficult to review their copyright status one by one, and it is even difficult to distinguish which sites are infringing on their own.
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No, the copyright also belongs to the author, and the publishing right belongs to the publisher.
Copyright, also known as "copyright, copyright is to protect the author's legitimate rights and interests from the creation of the work, and to coordinate the legal relationship between the creator, the disseminator of the work and the general public due to the dissemination and use of the work." Unless transferred to another party, copyright is generally considered to belong to the author.
Copyright only protects the form of expression of ideas, not the ideas themselves. Algorithms, mathematical methods, techniques or the design of machines are not protected by copyright.
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Copyright and copyright are different names for the same thing.
Therefore, the right of publication can be transferred to the publisher as an economic right, but the initial ownership is still the author himself.
Copyright knowledge of the rights defenders
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The Copyright Law stipulates that copyright includes personal rights and property rights: 1. The right of publication, 2. The right of authorship, 3. The right of modification, 4. The right of protection of the integrity of the work, 5. The right of reproduction, 6. The right of distribution, 7. The right of rental, 8. The right of exhibition, 9. The right of performance, 10. The right of screening, 11. The right of broadcasting, 12. The right of information network dissemination, 13. The right of filming, 14. The right of adaptation, 15. The right of translation, 16. The right of compilation, 17. Other rights that should be enjoyed by the copyright owner.
Article 10 of the Copyright Law Copyright includes the following personal rights and property rights: (1) the right of publication, that is, the right to decide whether a work is made public; (2) the right of authorship, that is, the right to indicate the identity of the author and sign the work; (3) the right to modify, that is, the right to modify or authorize others to modify the work; (4) the right to protect the integrity of the work, that is, the right to protect the work from distortion or tampering; (5) the right of reproduction, that is, the right to make one or more copies of a work by means of printing, photocopying, rubbing, audio recording, video recording, ripping, reproduction, etc.; (6) the right of distribution, that is, the right to provide the original or copy of the work to the public in the form of ** or gift; (7) The right to lease, that is, the right to permit others to temporarily use film works and to create products and computer software created by methods similar to filming, except where computer software is not the main subject of rental; (8) the right to exhibit, that is, the right to publicly display the originals or reproductions of works of art or photography; (9) the right of performance, that is, the right to perform works in public, as well as the right to publicly broadcast performances of works by various means; (10) The right of screening, that is, the right to publicly reproduce fine arts, photography, films, and works created by methods similar to filmmaking through projectors, slide projectors, and other technical equipment; (11) the right of broadcasting, that is, the right to publicly broadcast or disseminate works by wireless means, to disseminate the broadcast works to the public by means of cable transmission or retransmission, and the right to disseminate the broadcast works to the public through loudspeakers or other similar means of transmitting symbols, sounds or images; (12) The right of information network dissemination, that is, the right to provide the public with the works of Xiaoyuan Wei by wired or wireless means, so that the public can obtain the works at a time and place of their own choosing; (13) the right of filming, that is, the right to fix the work on the medium by filming a film or by a method similar to that of filming; (14) the right of adaptation, that is, the right to change a work and create a new work with originality; (15) the right of translation, i.e., the right to convert a work from one language to another; (16) the right of compilation, that is, the right to assemble a work or a fragment of a work into a new work through selection or arrangement; (17) Other rights that shall be enjoyed by the copyright owner. Copyright owners may permit others to exercise the rights provided for in items (5) through (17) of the preceding paragraph, and receive remuneration in accordance with the agreement or the relevant provisions of this Law.
Copyright owners may transfer in whole or in part the rights provided for in items (5) through (17) of the first paragraph of this Article, and receive remuneration in accordance with the agreement or the relevant provisions of this Law.
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Answer]: C The book publisher shall enjoy the exclusive right of publication of the work delivered for publication by the author in accordance with the contract, and shall not be published by others. Publishing includes reproduction and distribution.
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It's best to send the original question up.