The creative background and artistic characteristics of The Ancient Passage of Vietnam .

Sutai Langu Artistic Technique: Through the technique of contrast. With two different things, I write about the rise and fall of the past and the present. In ancient times, the old garden was deserted, and now the willows are new, and the palace of Wu Wang in ancient times, Lingge is sung, and now there is only one round of Xijiang Moon left.

The poet's emotion: focus on writing about the prosperity of the past, try to render it with three-quarters of the page, and write about today's desolation and obliteration with the concluding sentence, and turn the idea.

The artistic technique of "Visiting the Ancient in Vietnam": The technique of contrasting and contrasting is used to show the broken scene of this dream with the reality of a spring dream of the proud king in history. Starting from historical allusions, extending from the past to the present, focusing on the prosperity of the past, extraditing to the real scene, and outlining a dynamic picture.

The poet's emotion: focus on the desolation of today, in order to hint at the prosperity of the past, and use the natural scenery of the present and the ancient to set off the fickle personnel, and see the sense of prosperity and decline of the past and the present.

These two poems are both works of nostalgia for the past, with the same theme and similar themes, and by describing the transformation of the environment from the prosperity of the past to the dilapidated environment of today, thus expressing the poet's lament for the changes in personnel and the impermanence of the world.

The expression techniques are similar: they all use the contrast of the past and the present.

Differences in expression: "The Ancient Passage of Yuezhong" focuses on the prosperity of the past, and tries to render it with three-quarters of the length, while the concluding sentence writes about today's desolation and obliteration, turning the idea. "Sutai Langu" focuses on the desolation of today, hinting at and contrasting the prosperity of the past, and using the natural scenery of the past to set off the fickle personnel, and seeing the sense of prosperity and decline of the past and the present.

Same theme: These two poems are both works of ancient history, expressing the emotion of the changes between the past and the present, as well as the poet's emotion about the changes in personnel, the impermanence of prosperity and decline, and the negation of fame and wealth.

These two poems are the works of the Tang Dynasty poet Li Bai, and the original text of the full poem of "Yuezhong Langu" is as follows:

King Goujian broke Wu Gui, and the righteous returned to their hometowns.

The palace maid is like a flower full of spring halls, only now only partridges fly.

Vernacular interpretation: After Goujian, the king of Yue, destroyed the state of Wu, the soldiers returned to their hometowns in fine clothes. The palace maids like flowers are standing all over the palace, but it is a pity that now there are only a few partridges flying on the site of the royal city.

The original text of the full poem is as follows:

The old garden is barren and the willows are new, and the Lingge is singing in spring.

Only now there is only Xijiangyue, Zeng Tonglu Zhao Wu Wang Palace people.

Vernacular interpretation: The former song platform, the former dance pavilion, the former garden, the former palace, are now deserted, only the willow leaves are green, and the Cai Ling girl in the lake is singing the eternal ballad of youth. Who remembers Wu Wangfu's errand?

Only the bright moon in the west river of the city once shone on the palace of King Wu and the people in the palace.

The author of "Yuezhong Langu" is Li Bai.

The original text of "Yue Zhong Lan Gu": Yue Wang Gou Jian broke Wu Gui, and the righteous man returned home with brocade clothes. The palace maid is like a flower full of spring halls, only now only partridges fly.

Translation: After the king of Yue Goujian destroyed the state of Wu, he triumphed, and six thousand righteous men were honored as officials in brocade. At the beginning, the palace maids in the hall were like flowers and jade, but now only partridges fly down Li Shen in the ruins.

"Yuezhong Langu" is a nostalgic work of the great poet Li Bai of the Tang Dynasty. The first sentence of this poem points out the meaning of the title and explains the specific content of the monument it is cherished; The second and third sentences write about the situation of the soldiers returning home and the king of Yue returning to the palace.

The epilogue suddenly takes a turn to say that all that once existed is now all that remains is a few partridges flying. Through the contrast between the prosperity of the past and the bleakness of the present, the poem expresses the theme of human change and the impermanence of prosperity and decline.

Poetry appreciation

The Psalm contrasts the prosperity of the past with the desolation of the present through specific scenes, which makes the reader feel particularly deeply. Generally speaking, it is more difficult to highlight a certain environment by directly depicting it, but the effect obtained by comparison is often greatly enhanced. Therefore, describing the desolation through lively scenes makes it even more desolate.

In this way, the contrast between the prosperity of the past written in the front of the poem and the coldness of the present written in the back is extremely strong, and the more vigorously the front is written, the more powerful the back will be. In order to fully express the theme idea, the poet has also made a different arrangement for the artistic structure of this poem.

In the general seven absolutes, the turning points are arranged in the third sentence, but the first three sentences of it go straight in one go, and it is not until the fourth sentence that it suddenly turns to the opposite side, which is particularly powerful and energetic. This kind of writing is not a poet with strong pen power, and it is difficult to swing freely.

Theme: nostalgia, specifically for the ancient Yue Wang's palace ruins.

Content: The first three sentences are written about the former Yue Kingdom.

The prosperous scene is Gou Jian's destruction of Wu.

After that, the emperor was full of ambition, the soldiers returned with splendid clothes, the palace maids were as bright as spring flowers, and the Yue Palace was in joy, noise and prosperity. The last sentence of the poet's pen turned sharply, and wrote that only partridges fly alone in the palace today, implying that the ancient Yue Palace is unpopulated and the desolate scene of weeping poplars and withered grasses is in stark contrast.

Imagery: There doesn't seem to be any typical imagery here......Mostly partridges?

The partridge is mainly because of its poignant cry, such as "brother who can't do it", often symbolizes parting in ancient poems, and leads to the hardships and pains of pedestrians and the sorrow of parting. However, there is no parting here, just a symbol of a sense of desolation, an exaggeration of decay and impermanence.

The sad atmosphere of it.

Theme: Through the imagination of the prosperous scene of the former soldiers and palace maids in the Yue Palace, the poet contrasts with the desolate and decaying scene on the lonely partridge flying hall in the present Buhui Day, and clearly highlights the gentle bend of the surface to the emotional type of the historical changes and vicissitudes of life, and the sigh for the impermanent changes of the world, the prosperity cannot last long, and the sigh is as fleeting as flowing water.

Artistic techniques: contrast, imagination.

Of course, nostalgia is to be contrasted Just like what I wrote in the theme, "The poet through the imagination of the prosperous scene of the former soldiers and palace maids in the Yue Palace, and today, only the desolate and decaying scene on the Partridge Lonely Flying Palace", the first three sentences write prosperity, and the last sentence suddenly writes about desolation and decay, then a sense of vicissitudes and impermanence of the changes in the world and prosperous flowing water suddenly emerges, the stronger the contrast, the more prominent the vicissitudes of life and sadness, and the poet's feelings and sighs are also self-evident.

Imagine: Because of the prosperity of the first three sentences Li Bai.

I haven't seen it again, it's all his own imagination The poet sketched the scene of singing and dancing during the prosperity of the Yue Kingdom through vivid imagination, which paved the way for the following turning point to write about the desolation of the present.