Chopin s Piano Concerto No. 1 in E minor

piano concerto no. 2 in f minor, :ii. larghetto,1829

This piece is currently the most heard version of the famous Polish pianist Rubinstein, in the classical piano performance circles spread Rubinstein to Chopin, Ji Xuejin to Debussy, the first cherry tree Schnabel to Beethoven said, Rubinstein's interpretation of Chopin is deeply loved by people, has its own reason, some of the later pieces I will make some comparisons with Rubinstein's interpretation of Chopin and other famous pianists' interpretations of Chopin, but I think that art has reached a certain level, It's a matter of opinion, and there is absolutely no good or bad. The famous British writer, poet and essayist Oscar Wilde once said: "One of the truths of art is that its opposites are also truths".

I'm just describing the difference in the feeling that different interpretations of different ** families bring to me, but even this feeling must be a matter of opinion.

This piece was written for Chopin's first love girl, Konstantia Gradkovska, a student of the vocal department of the ** Academy in Warsaw. The music begins with two interplay of strings and flutes, the strings give me a sense of solemnity, and the flutes seem to have a hint of sadness and mystery. Immediately after that, the sound of the piano entered the ears, and the bass part made a beginning of the foreshadowing, and the longing was about 40 seconds, and the fingertips touched the keys and continued to spread.

The melody of 1 minute 30 seconds to 1 minute 58 seconds seems to express the helpless emotions that are longing but can no longer be spoken to lovers, painful but unable to express, such emotions seem to be only pinned on that gentle but deep night without boundaries. Then the melody was a little more intense, and the thoughts seemed to be surging uncontrollably, and I wanted to cry, as if reason was reminding me that crying was useless, and the music returned to the original piano melody at about 2 minutes and 35 seconds, and gently embraced the weak heart again. At 4 minutes and 04 seconds, there were some signs of change in the mood, and the emotions of longing finally couldn't be contained, breaking through the shackles of reason.

The pain of this longing began to torment the already weak heart at 4 minutes and 22 seconds, and the lovers were crying while looking for a source of pain, but they were helpless, what was the use of crying, and the longing could not bring the lover to him after all. 6 minutes and 18 seconds, as if a ray of light fell from the sky, bringing the emotions of the longing person back to calm and selling surplus again. Favorite 7 minutes and 23 seconds start, the orchestra is like a deep sea, set off the gentle thoughts brought by the piano, the mood of the longing person at 8 minutes and 14 seconds, return to the beginning of the music where the strings and the flute echo there, but the music does not end here, 8 minutes and 51 seconds, the sound of the piano reappears, as if the longing person has to end such thoughts while wiping away his tears!

Listen attentively, some wonderful broken thoughts without words.

Chopin's Piano Concerto No. 1 in E minor, composed in 1830, premiered on October 10, 1830. In a letter to a friend, Chopin had the following to say about the piece: "The Adagio movement of the New Concerto is in E major, and I do not particularly require a strong dynamic.

I wrote this work in a romantic, calm, and slightly melancholy mood, and I had to give the impression that I was looking at a memory that would evoke countless joys. For example, the impression of a beautiful spring moon and a good night. This piece is dedicated to the piano teacher Kalkbrenner (1788-1849).

On March 17, 1830, the Piano Concerto No. 2 in F minor was premiered in Warsaw by Chopin as a soloist. The bitter and soft serenade of love continued, and Chopin resolutely stepped into the ranks of folk dances on the land of the motherland. This is not an avoidance of hopeless love, but a fusion of love into heat.

The finale of this concerto is imprinted with traces of Chopin's lifelong love of Polish folk**.