How to measure the value of a work of art 5

As a special commodity, art has the basic attributes of a commodity—use value and value. As a commodity, art is different from ordinary commodities in that its use value is not manifested in some material instrumentality, but in spirit and culture—in order to meet people's certain aesthetic and spiritual needs. Therefore, the subjective factor of human beings will play a decisive role in the formation of the use value of artworks.

The value of a work of art is still an undifferentiated human labor condensed in it, and the value of a work of art**, as the market currency of its value, reflects the exchange rate between each other and the commercial recognition of the value of the art by the market, and is mainly determined by the value created by the artist's own labor and the contradiction between supply and demand in the art market. However, due to the attributes of autonomy, individuality, creativity and non-repeatability, the creation of works of art is different from the mass production of general commodities, which is manifested in the creative process and creation time, and the value formation of artworks is also uncertain in advance, so works of art can also be called free spiritual production, which cannot be completely equivalent to general commodities.

First, it is auctioned or appraised by an auction company; the second is the evaluation of the pawnshop appraiser; The third is the expert evaluation of art collection.

This problem is basically difficult, and no one can grasp the market.

The key to a work of art being able to sell for a large amount of money is to "create a context of world art history through the work", that is, "whether a new history has been created since the work".

For a work of art, on the one hand, it must find an entrance into the history of world art, which can be understood and commented on by the art world, including critics; On the other hand, it must make a breakthrough and even subvert the original concept.

More fundamentally, the value of a painting lies not in its lines, colors, and composition, but in the "concept" behind it, and the value of the artwork is the value of the concept.

The higher the ** of the artwork, it may reflect the higher the level of the artwork.

Nowadays, there is uncertainty in the ** of many artworks, most of them are uneven, and the low ones may only be tens of thousands, and the ** of tens of millions of artworks of Gaode is extremely different.

If you want to judge the ** of ancient artworks, it is actually not easy, the understanding of ancient artworks is divided into three levels, low, medium and high, of course, the higher level carries a higher information carrier, and also has more collection value and significance. In fact, for these handicrafts, it is more important to understand the value of his times, and the handicraft is one rather than the external value he shows, and buy the art for the sake of collecting.

I'm not like the guy upstairs said. My personal opinion is that art is priceless, and no one is qualified to judge it.

Artistic value: It mainly refers to the artistic personality and style of the author represented by a work of art. The more typical the national and regional characteristics reflected, the higher its artistic value.

The value of an art commodity is a measure of exchange value. However, this value is not determined by the necessary labor time condensed in the commodity, nor by the creative activity that is hidden behind the work of art, but by the value perception of social people. This is the fundamental difference between the value of a work of art and the value of ordinary products of labor.

As far as the value of a work of art is concerned, its value performance includes the following forms:

1.Aesthetic value. The aesthetic pleasure provided by a work of art is the fundamental value of a work of art.

For art can restore order to man's restless mind, purify and nourish the discordant mind, and make a full remedy for the loss of life. Therefore, the basis for judging the aesthetic value is whether the artwork itself can give people or the extent to which it can give people aesthetic pleasure. In other words, the more aesthetic pleasure a work gives, the more valuable it is.

2.Cultural relics value. It is a positioning value that defines human history, presents traditions, highlights civilizations, and preserves human memory.

In general, the wider the historical picture presented by the artwork, the more historically representative, or the more influential it is on cultural development, the more valuable it is, and vice versa, the less valuable it is. This value is for cultural relics, such as the "Qingming Riverside Picture", although in terms of artistic value, it is not a superior product, but it has a significant cultural relics value that is lacking in the upper god (such as landscape painting).

3.Access value. This value is also the "exhibition value" mentioned by Benjamin in the article "Works of Art in the Age of Technical Reproduction", which is an important form of value expression of all works of art with cultural relics and artistic value.

However, it is an irreversible proposition to say that "all works of art with cultural relics value and artistic value have access value", that is, artworks with access value do not necessarily have cultural relics value and artistic value. Such as the French painter Marcel.

If you think it's valuable, it's valuable, and if you don't think it's valuable, it's probably not valuable, depending on how you treat it.

First, the cultural value, showing the national cultural value of the artwork;

second, the ideological value, reflecting the ideological spirit of the era expressed by the artwork;

Third, the historical value, historical relics and other works of art are the true confirmation of history;

Fourth, artistic value, artwork is a specimen of academic skills, with high artistic value;

Fifth, the reference value can be used for future generations to study and learn, and learn from it!