How can I draw a plaster cast of a sketch?

It is better to draw the structure of the plaster by dividing the block surface.

There is no difference between what plaster statue you want to paint, it is best to find a piece with an obvious surface and a strong sense of three-dimensionality. For example, Alexander, etc.

When I paint plaster, I usually touch the plaster 360 degrees and look at it again, then think about it in my heart, and finally compare it with the plaster.

I think this effect is not bad, the form-finding method is different for everyone, the key depends on which one you are suitable for and likes. Some people can draw as soon as they pick up a pen, which is nothing more than drawing more and practicing it! Of course, there is also a certain talent, hehe!

There are also people who don't know how to draw at all, and they don't like to draw very much, but they just follow the method, and the shape can be drawn accurately! The main configuration method they use is the "nine-square grid", that is, to draw a grid on the screen, just like the coordinates to find a seat, but this is mainly applicable to copying! The most important thing in painting plaster is to be accurate, but he is not as easy to use as copying, so the most fundamental thing is to cultivate eyesight to find the shape, that is, the kind that draws as soon as he picks up the pen!

And I also advocate using this kind of eye to find shapes, because this is how you can really draw well! When looking for shapes, it is necessary to find a good reference point, taking into account the left and right, up and down, for example, when drawing the entire outline, compare the length and width of the length; When drawing the left eye, compare the distance between the two eyes, the distance between the left face and the tail of the left eye, and the length of the entire left eye, and then see that the distance from the top of the eyebrow to the root of the hair (i.e., the forehead) is several times the length of the eye, and the nose is several times the width of the eye. In this way, the position of the eye and the surrounding parts is accurately determined, and so on.

In this way, if you train more and draw more, you will naturally draw well!

The relationship between light and dark is drawn in pairs of structural proportions.

The drawing is flat, because your overall tone is grayed out, and the boundary between light and dark is not looked at where the focus of the whole picture is2It is recommended that after the whole picture is shaped, determine the deepest point of the boundary between light and dark in the whole picture, and reduce the pencil appropriately (2b or 4b to draw the deepest part, the middle tone can be drawn with b, and the highlight part hb or h).

Sketch plaster portrait + why is it not as delicate as the painting.

Dear, I'm glad to answer for you the delicate reasons why the sketch plaster head + the picture is not painted is as follows:1The drawing is flat, because your overall tone is grayed out, and the boundary between light and dark is not looked at where the focus of the whole picture is2

It is recommended that after the whole picture is shaped, determine the deepest point of the boundary between light and dark in the whole picture, and reduce the pencil appropriately (2b or 4b to draw the deepest part, the middle tone can be drawn with b, and the highlight part hb or h).

We use charcoal.

After the general outline is drawn, the pencil is sharpened to depict the details, and the lines are drawn on the basis of the drawing, increasing the light and shadow effect, and finally using a wet paper towel or other things to shape the shape and light on the whole.

Then why is the shape of the tone very accurate, and it will be scratched when rubbed, or it will run out of shape.

Pro, because there is no method to come, the general rubbing is to fold the sharp paper towel, first wipe the junction line, and then unify the dark side and projection, along the deformation rubbing, in fact, rubbing with the shop is the same It's just that the pen is replaced with paper, and the dark side is wiped off the gray side, and then to the bright side, trimming the practice, the type is still in his mess, don't rub too hard, and there must be changes, after the gray before the light, on the real and on the virtual.