Juvenile Leap Earth courseware, the theme of Juvenile Leap Earth

Theme commentary of "Juvenile Leap Earth":

created an image of a young man who was "smart, witty, brave, and well-informed" in Lu Xun's eyes. Mr. Lu Xun contrasted "me" with "my" friends to highlight the image of leap earth.

Juvenile Runtu: It is the image of a simple, healthy, lively, clever, brave, intelligent, capable, well-informed and shy rural teenager in Lu Xun's pen.

I": I am a young master, my family was good when I was young, but my family began to decline, and when I grew up, I left my hometown to work hard. When he returned to his hometown after entering middle age, he encountered leap soil when he was about to pick up his family.

Theme of "Juvenile Runtu": Through the author's recollections, the text portrays the image of a knowledgeable, lively, lovely, intelligent and capable rural boy Runtu, reflecting the short but sincere friendship between "me" and him in childhood and the nostalgia for him.

"Juvenile Leap Earth" is an excerpt from the short story ** "Hometown" written by Lu Xun in 1921, Mr. Lu Xun contrasted "me" and "my" friends, highlighting the image of leap soil. It makes a huge contrast with the middle-aged leap earth.

The ideological content of "Juvenile Leap Land":

**Write "I" When I heard my mother mention the leap earth, a "miraculous picture" flashed in my mind, "I seem to see my beautiful hometown": ...... in the deep blue skyInstead, he fled from under his crotch. This picture is the phantom of a beautiful childhood in my memory; And this time "I" returned to my hometown.

Half of them also want to recover the good memories that have passed, but they can't, because the "hometown that I always remember" is just "a phantom in the world of mental images", and that beautiful and supernatural picture is actually a dream that "I" imagined when I was a child with a childish heart and according to the description of the leap earth, and "I" am just like "my" usual friends, "only seeing the sky at the four corners of the high wall in the courtyard".

It can be said that the appearance of leap earth has brought endless joy to "my" childhood, although "I" has not been able to personally experience the joy of pretending to catch small birds and birds, picking shells on the beach and melon fields and hedges in the melon field, these joyful memories are only contained and fermented in the brain of "me", coupled with the simple nostalgia of the countryside, and finally converged into that wonderful picture.

Through the memories of "I", the text portrays the image of Runtu, a knowledgeable, lively, lovely, intelligent, capable, witty and brave rural boy, reflecting the short but sincere friendship between "me" and him in childhood and the nostalgia for him.

The material of the short story ** "Hometown" is Lu Xun's experience of returning to his hometown from Beijing in 1919, but it profoundly summarizes the history of China's rural economy withering and peasants' increasingly impoverished life in the first 30 years of 1921, especially in the decade after the Hai Revolution, reflecting the social outlook of that era. In December 1919, Lu Xun returned to his hometown of Shaoxing from Beijing, sold the former residence of Xintaimen with more than 10 families of the same clan, and brought his mother, third brother and family members to Beijing. This time back in the countryside, his childhood partner, farmer Zhang Yunshui, specially went from the seaside countryside to the city to visit Lu Xun.

Zhang Yanshui was just over 30 years old, his face was already wrinkled, and he described him as haggard, telling the tragic situation of "being a man in the countryside, and always donating three or four times when taking out a little thing", which aroused Lu Xun's deep sympathy. Later, Lu Xun artistically reproduced the experience of returning to his hometown in ** "Hometown", and took Zhang Runshui as the prototype to create a profound and timeless character image of Runtu.

**It is written in the first person, and the thoughts and feelings of "I" in it truly reflect Lu Xun's thoughts and feelings, but this is a literary work, after fiction and imagination, so it cannot be said that "I" is Lu Xun. The text is an interlude in **, the title "Juvenile Leap Land" is added by the holder of the stupid book, and the central idea shown in the excerpted chapters is different from the theme of the whole ** of "Hometown".

"Juvenile Leap Land" is an excerpt from the short story "Hometown" written by Lu Xun in 1921.

This article created an image of a young man who was "smart, witty, brave, and well-informed" in Lu Xun's eyes. Mr. Lu Xun contrasted "me" with "my" friends, highlighting the image of the world's radical land.

"Juvenile Leap Earth" focuses on four things: catching birds in the snow, collecting shellfish on the beach, watching melons and spiny fish, and watching jumping fish. Through the description of the details of the intercalary soil, the author deeply imprinted the image of the socks intercalary soil in our minds. Through the comparison between himself and the intercalary earth, the author arouses the author's dissatisfaction with the extermination of the land and the environment in which he lives.

The author of "Juvenile Leap Land" is Lu Xun, and the excerpt is from the short story ** "Hometown" written by Lu Xun in 1921. This article created an image of a "smart, brave, and well-informed" teenager in Lu Xun's eyes. Mr. Lu Xun contrasted "me" with "my" friend leap earth to highlight the image of leap earth.

It makes a huge contrast with the middle-aged leap earth.

Lu Xun (September 25, 1881 - October 19, 1936), the original blind name Zhou Zhangshou, later changed his name to Zhou Shuren, the word Yushan, and later changed the word Yucai, a native of Shaoxing, Zhejiang. He is a famous writer, thinker, revolutionary, educator, and fighter for democracy, an important participant in the New Culture Movement, and one of the founders of modern Chinese literature.

In his early years, he went to Japan to study at public expense with Li Suizhi and Qian Junfu, and studied at Sendai Medical College in Japan. "Lu Xun", the pen name used when publishing "Diary of a Madman" in 1918, is also the most widely used pen name.

During his lifetime, Lu Xun made significant contributions in many fields such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science, and collation and research of ancient books. He has had a great influence on the development of Chinese society, ideology and culture, and is well-known in the world of Mozabu literary circles, especially in the ideological and cultural fields of South Korea and Japan.