Idioms related to the Romance of the Three Kingdoms, idioms about the Romance of the Three Kingdoms

1, the resurrection of the hip (Liu Bei): Describe long-term idleness and no achievements in his career.

2. Endless troubles (Liu Bei): It refers to the endless disasters left in the future.

3, like a fish in water (Liu Bei and Zhuge Liang): The metaphor is to get a person who is very compatible with him or an environment that is very suitable for him.

4. Three visits to the thatched house (Liu Bei and Zhuge Liang): It is described as thirsty for talents, and later used as a metaphor for many dedicated visits.

5. Fledgling (Zhuge Liang): Describe just coming out to do things, lack of practical experience, and relatively naïve.

6. Tiger standing in the dragon pan (Zhuge Liang): Describe the majesty of Nanjing's topography.

7. Brainstorming (Zhuge Liang): It refers to concentrating the opinions of all people and expanding the effect of work.

8, do your best (Zhuge Liang): Describe contributing all your strength, and you are dead.

9. Empty City Strategy (Zhuge Liang): refers to a method of warfare.

10, Wangmei quenches thirst (Cao Cao): metaphorically comforts oneself with fantasy.

12, Cai Zhan Badou (Cao Zhi): Describe high knowledge and good writing.

13. Seven-step talent (Cao Zhi): Describe the talent and learning, and the writing and thinking are agile.

14, outstanding (Guan Yu): Described as above others, no one can compare with it.

15, a body is gall (Zhao Yun): Describe great courage.

16, Gu Qu Zhou Lang (Zhou Yu, Governor of Wu State): Describe appreciating ** or listening to songs and operas very expertly.

17. Nest destruction and egg destruction (Kong Rong's two sons): A metaphor for the misfortune of a country or a collective, and its people or members are certainly not immune.

18. Jianbi Qingye (Cao Cao's strategist Xun Yu) refers to a method of fighting by starving to death and trapping the enemy.

19, such as chewing chicken ribs (Yang Xiu) metaphor is very boring.

20, the old cow licks the calf (Yang Xiu's father Yang Biao): A metaphor for parents caressing their children.

21. The momentum is like a bamboo (Du Pre): It is a metaphor for the army to win battles all the way, and the situation is as smooth as splitting bamboo poles with a knife.

22. The volume of the vehicle (Zhao Zhi, the middle doctor of Wu State): It is not uncommon to describe a large number.

23, the severed head general (Bajun Taishou Yan Yan): Describe the heroic and unyielding warriors, who would rather die than surrender.

24, Wuxia Amon (Wu famous general Lu Meng): Describe a rough person with no knowledge.

25. Take it for granted (Kong Rong): Describe subjective assumptions that have no factual basis.

26, the soldier is fast (Wei strategist Guo Jia): It refers to the magic and speed of using soldiers.

27. Speak disrespectfully (Zhang He): Describe speaking politely and without politeness.

28, late bloomer (Cui Yan): Describe that outstanding talents need to be trained for a long time to become a tool.

29, carrying weight to go far (Pang Tong, Lu Ji, Gu Shao, known as "Phoenix Chick"): Carry heavy things to the distance.

30, happy (Liu Chan): a metaphor for happiness and forgetfulness.

The story of Cao Cao's sacrifice of the knife in the Romance of the Three Kingdoms is a very good idiom story.

Three visits to the thatched house, grass boats borrow arrows.

The idioms about the Romance of the Three Kingdoms are: borrowing arrows from grass boats, passing five levels and killing six generals, looking at plums to quench thirst, tongue fighting group Confucianism, three visits to the thatched house, and so on.

Idioms related to the Romance of the Three Kingdoms are: straw boat borrowing arrows, seven captures and seven verticals, three visits to the thatched house, fledgling house, looking at plum to quench thirst, tongue battle group Confucianism, happy not to think about Shu and so on.

1. Straw Boat Borrowing Arrows: A story from the Battle of Red Cliffs. The borrowing of arrows was deliberately proposed by Zhou Yu (limited to 100,000 arrows in ten days), and the witty Zhuge Liang saw through it at a glance that it was a harmful plan, but calmly said that "it only takes three days".

Later, with the help of a foggy day, Zhuge Liang took advantage of Cao Cao's suspicious personality to transfer a few grass boats to lure the enemy, and finally borrowed 100,000 arrows to make a miraculous achievement. It is now used as a metaphor for using resourcefulness and relying on the human or financial resources of others to achieve one's own ends.

2. Seven captures and seven columns: Zhuge Liang sent troops to the south, captured the local chieftain Meng Shu seven times, and released him seven times, Meng was convinced and no longer attacked. See "Romance of the Three Kingdoms".

It is then used as a metaphor to use strategies to effectively control the other party. Capture: Capture.

Indulgence: Release. 3. Three visits to the thatched house: It is also said that there are three visits to the grass house. At the end of the Han Dynasty, Liu Bei went to Zhuge Liang's hut three times to invite him to come out to help him fight the world, and finally Zhuge Liang agreed to come out. The latter metaphor refers to repeated sincere invitations.

4. Fledgling: At the end of the Eastern Han Dynasty, Zhuge Liang, under Liu Bei's repeated requests, left the thatched hut he lived in Xiangyang to become Liu Bei's military advisor. In the first battle, he set up a strange plan to burn Bowangpo and defeated Cao Bing.

There is a sentence "Zhishu broke Cao Gong's courage, and the first merit of the fledgling" (see the thirty-ninth chapter of "Romance of the Three Kingdoms"). The latter refers to the first time to do things as a fledgling. It is also a metaphor for the lack of experience when you have just joined the work.

For fledglings. It is also a metaphor for the lack of experience when you have just joined the work.

5. Wangmei quenches thirst: the original meaning is plum sour, when it comes to plums, you will think of plum sour and salivate, so as to quench thirst. After the metaphor that the wish cannot be fulfilled, comfort yourself with fantasy.

6, Confucianism: It was originally written that Zhuge Liang went to Soochow alone on the eve of the Battle of Chibi to persuade the Sun Wu group to fight against Cao together. Now it is used to impress the people with great eloquence.

7. Never miss Shu: This refers to the fact that after the death of the Shu Han Dynasty, the later lord Liu Chan was placed in Luoyang, the capital of Wei, living a luxurious and hedonistic life, feeling very satisfied, and did not want to return to Shuzhong. Now it is used in general to refer to having fun in a new environment and not wanting to go back to the old environment.

Empty city plan, lanterns

I can't help myself, and my tongue fights the group of Confucians

Qingshan is not old, recruiting troops

Time flies, the body is in Cao Ying, and the heart is in Han

lost the wife and the soldiers

Majestic, majestic

Fledgling, ambitious

The grace of knowing the grace of the encounter

Scheming, recuperating

The smile is lovely, and the counterattack is blown

The way of Confucius and Mencius, great luck

Strong words, crumbling, crumbling

False and real, nobody

It was overwhelming, and the rain was pouring down

Shirtless and wounded.

The idioms related to the Romance of the Three Kingdoms are: borrowing arrows from grass boats, seven captures and seven verticals, three visits to the thatched house, fledgling the house, looking at the plum to quench thirst, tongue fighting group Confucianism, happy not to think about Shu and so on.

The idioms related to the Romance of the Three Kingdoms are as follows:

1. Talking on paper: It describes only talking about theory on paper, without any practical action or experience.

2. Draw bread to satisfy hunger: metaphors are just good ideas that cannot be realized or useless words of comfort.

3. Painstaking and lonely: Describe Fei Sui who often works hard and is lonely to carry out a certain cause.

4. Dedication: Describe working very hard, doing things as hard as possible, and even being tired to the point of physical collapse.

5. Winning by surprise: The metaphor is to win by winning by surprise, just like Cao Cao's burning Chibi War.

6. Soldiers are not tired of deceit: It means that in war, "if you want to fight, you will deceive, if you want to attack, if you want to deceive", that is, use any means to defeat the enemy without morality.

7. Cup bow snake shadow: It means that the cup and bow are real, but people see the reflection on the cup and bow, but they think the reflection is a snake. The metaphor holds that something that is not true or false is real.

8. Colorful lanterns: Describe the lively atmosphere of celebrations and sacrifices.

9. Finishing touch: The metaphor adds a small detail to the whole work to make it more exciting and complete.

10. It is difficult to escape with wings: It is very difficult to escape or escape, just like the net set by Cao Cao, so that Liu Bei has no way to escape.

11. Embattled: Guessing is a metaphor for a difficult situation and being surrounded by enemies on all sides, like the situation when the Chu State was surrounded in the Chu-Han War.

12. Behind closed doors: The metaphor is only based on one's own subjective imagination, without field investigation and market research, just doing something behind closed doors.

13. Charge into battle: Rush out and engage the enemy directly, advance bravely, and meet the enemy without hesitation.

14. The mountain rain is coming, and the wind is full of buildings: Describe the turbulent situation is coming.

15. Crossing the river and demolishing the bridge: A metaphor for using other people or other people's things, but unceremoniously discarding them after completing their own goals.

16. Seeing the seams: Describing trying to squeeze in, metaphorically using various methods to skillfully make full use of opportunities.

17. The dog jumps over the wall in a hurry: The metaphor is in a desperate situation, forced to be helpless, and desperate to take drastic action.

18. The horse misses the front hoof: something goes wrong unexpectedly, and there is an unexpected mistake in the metaphor.

19. Wangmei quenches thirst: The metaphor is not substantially helpful, and can only use dry branches to temporarily satisfy hunger.

20. Buying and returning pearls: It is a metaphor for correcting mistakes when things are wrong, but the results of correction are worthless.

The idioms related to the Romance of the Three Kingdoms are as follows:

1. Three visits to the thatched house: the metaphor strongly invites and attaches importance to talents.

2. Riding alone for a thousand miles: a metaphor for traveling alone, heroic and resolute.

4. Talking on paper: Talking about theory without practical experience cannot solve problems.

5. Coming one after another: Describe the people or things that come uninterruptedly, one after another.

6. Horse leather shroud: a metaphor for forgetting life and death for justice.

7. Wait for the rabbit: The metaphor will not be flexible, copying outdated experience or methods.

8. Resurrection by the corpse: a metaphor for using the power or fame of others to carry out activities and hype oneself.

9. Hit every shot: The metaphor is accurate and will not miss.

10. Return to the basics: The metaphor returns to the origin, washes away distracting thoughts, and pursues simplicity and simplicity.

The historical significance of the Romance of the Three Kingdoms

1. The Romance of the Three Kingdoms reflects the political, economic, cultural, social, military and other aspects of the Three Kingdoms period, and is of great significance to Chinese history and culture.

2. It describes the struggles and contests between various political forces during the Three Kingdoms period, allowing us to have a deeper understanding and understanding of the political process of that era.

3. Patriotism and national spirit are promoted, and a large number of heroic characters are created in the book, who dare to resist aggression and fight bravely for the interests of the country and the nation, which has important ideological significance.

4. It is of great significance to the development and influence of Chinese literature, and this book is known as "the pinnacle of ancient times" in the history of Chinese literature, creating a precedent in the history of Chinese literature, and playing an important role in promoting the development of Richard in ancient China.

The Romance of the Three Kingdoms is one of the four great classics of Chinese classics, which reflects the political, military, cultural, social and other aspects of the Three Kingdoms period in Chinese history. As a masterpiece of ancient Chinese classic literature, it has a profound and important influence and enlightenment on future generations to understand history, culture, and cultivate patriotic feelings.

The idioms about the Romance of the Three Kingdoms are as follows:

1. Recruitment: In the old days, it referred to the organization or expansion of the armed forces. The latter is a metaphor for organizing or expanding manpower.

2. Finger gifts: Round: round barn. Pointing to the grain in the barn, he said he wanted to donate it to others. Describe generously giving to friends. Also known as "guidance and help".

3. Bow first and then soldier: courtesy: politeness; Bing: Force. Negotiate with the other party in accordance with the usual etiquette, and if this is not possible, then use force or other strong means to resolve the matter.

4. Crumbling: shaking: shaking, shaking; Falling: Falling. Described as dangerous, falling off soon, or unstable, falling down soon.

5. Wangmei quenches thirst: The original meaning is that plums are sour, and people will salivate if they want to eat plums, so they quench their thirst. After the metaphor that the wish cannot be fulfilled, comfort yourself with fantasy.

"Romance of the Three Kingdoms":

The full name is "The Popular Romance of the Three Kingdoms", commonly known as "The Romance of the Three Kingdoms" in contemporary times, referred to as "The Three Kingdoms", which is a long chapter of Huiti Historical Romance created by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty according to Chen Shou's "Three Kingdoms" and Pei Songzhi's annotations and folk tales and legends of the Three Kingdoms.

The Three Kingdoms is China's first full-length chapter, laying the foundation for the development and prosperity of ancient China's full-length novels. "Three Kingdoms" is also China's first historical romance**, which triggered a boom in the writing of historical romance**, and has never been surpassed. The influence of "Three Kingdoms" has spread all over the world, and its popularity in Japan, the Korean Peninsula and other places is no less than that of the Chinese world.