What are Qu Yuan s representative works, and what are Qu Yuan s representative works?

"Nine Chapters" is a set of lyric poems written by Qu Yuan, a total of 9 articles. That is, "Cherish Recitation", "Shijiang", "Lamentation", "Drawing", "Huaisha", "Thinking of Beauty", "Cherish the Past", "Ode to Orange", "Sadness Returns to the Wind". Among the poems in the "Nine Chapters" group, "Lamentation" most profoundly expresses Qu Yuan's patriotic thoughts.

"Nine Chapters" and "Lisao" are the same type of works, the difference is that "Lisao" is a comprehensive self-narrative of Qu Yuan's life, while "Nine Chapters" is a record of specific fragments of life and the manifestation of mood. The "Nine Chapters" is the most valuable material for the study of Qu Yuanping's thoughts.

Tianwen is a rare strange essay in the history of Chinese literature. It begins with the word "day," and the author raises more than 170 questions in one breath about heaven, earth, gods, man, and other aspects, which vividly shows the author's exploration of the root causes of things and his indomitable fighting spirit. The poem has a total of 374 sentences and 1553 words, which is the second long poem in Qu Yuan's works.

Conjuring spirits is a superstitious activity in ancient China. In the state of Chu during the Warring States period, this kind of witchcraft religious practice was extremely popular. After the death of King Chu Huai of Qin, Qu Yuan used folk customs and art forms to write this poem with artistic characteristics.

In his poems, he described the heavens and the earth in all directions in a thrilling, miserable and terrifying way, telling the soul not to go anywhere, but to return to his motherland as soon as possible. Qu Yuan recruited the soul of King Huai, and he was actually recruiting the soul of Chu State, because Qu Yuan linked the fate of King Huai and Chu State. Regardless of its ideological content or artistic techniques, "The Conjuring" occupies an important position in the history of Chinese literature.

Qu Yuan's works include "Lisao", "Tianwen", "Nine Songs" (11 articles), "Nine Chapters" (9 articles), "Conjuring Spirits", and 23 articles. In addition, whether the articles such as "Buju" and "The Fisherman" were written by Qu Yuan are still controversial in the academic circles. Among them, "Lisao" is Qu Yuan's masterpiece, and it is also the longest romantic political lyric poem in the history of ancient Chinese literature.

Tianwen is a rare and peculiar poem in ancient and modern times, which asks 172 questions to the sky in a row, involving astronomy, geography, literature, philosophy and many other fields, showing the poet's bold skepticism of traditional concepts and the scientific spirit of pursuing truth. "Nine Songs" is a group of sacred music songs processed on the basis of folk sacrificial songs, and a large number of images of gods are created in the poems, most of which are love songs of humans and gods.

Qu Yuan's representative works are excellent "Lisao", "Tianwen", "Nine Songs" and so on.

During the Warring States Period, the representative works of the Chu poet Qu Yuan are:

Lisao, Nine Songs, Nine Chapters, Tianwen.

Qu Yuan's most famous work is Lisao, which is also his masterpiece.

There are quite a lot of "Lisao" and "Nine Songs".

Qu Yuan's masterpiece is "Chu Ci".There are many famous passages in "Chu Ci", such as "Lisao", "Tianwen", "Nine Songs" and so on. Each of Qu Yuan's works has many famous sentences, such as "The road is long (Man) its cultivation is far away, I will go up and down and seek", "The world is turbid, I am clear, everyone is drunk, I am awake" and other famous sayings.

Qu Yuan's work Chu Ci is the first collection of romantic poems in Chinese literature, a literary genre created by him, and has a profound impact on Chinese culture and literature. Qu Yuan was a native of Chu during the Warring States period of China.

Qu Yuan is the founder and representative writer of "Chu Ci", who opened up the tradition of "vanilla beauty" and is known as the "ancestor of Chu Ci". The appearance of his works marks that Chinese poetry has entered a new era from Daya singing to romantic originality, and his main works include "Lisao", "Nine Songs", "Nine Chapters", "Tianwen" and so on.

Qu Yuan's masterpiece "Lisao".

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The analysis of Qu Yuan's character image in "The Biography of Qu Yuan" is as follows:

Qu Yuan can be said to be the real top talent in the Chu State, "well-read and strong-minded, clear in the management of chaos and skilled in rhetoric," there is also literary talent; "Entering the state affairs with the king, in order to give orders," there is a strategy; "When you go out, you will make friends with guests and deal with the princes," and he has diplomatic skills. The purity of political ideology and the high comprehensive quality of the whole country are unmatched, but "the wood is beautiful in the forest, and the wind will destroy it; Heaps out of the shore, and the flow will be turbulent; If you do more than the others, you will be slandered. Just one sentence from others hit King Huai's psychological key point and alienated King Chu from Qu Yuan.

Whenever I read Qu Zi's "walking on the banks of the river, the color is haggard, and the description is withered", I think of the word outstanding. Outstanding, a word full of how much loneliness and sadness, I deeply feel from Qu Yuan that a person who dreams of being outstanding, you must first be mentally prepared to endure loneliness and loneliness.

The personality beauty of "being unique but not grouped" runs through Qu Yuan's life, and is envied everywhere in Qu Fu. These four words come from "independence and not moving, how can you not be happy" and "the birds are not flocked, from the previous life." Perseverance":

Yu Gu knew that it was a trouble, and he couldn't give up, which in the author's opinion was Qu Yuan's most moving spirit. This spirit of perseverance has always run through Qu Yuanfu.

Brief introduction of the work

The Biography of Qu Yuan is an excerpt from the part about Qu Yuan in the "Historical Records of Qu Yuan Jia Shenglie", which is a biography of a character with a unique style. This is the earliest complete historical material about Qu Yuan, and it is an important basis for studying Qu Yuan's life.

Qu Yuan played an important role in Chu's internal affairs and diplomacy, and later, although he was slandered and exiled, he still cared about the government and loved the motherland. In the end, he resolutely sank himself in Miluo to sacrifice his ideals. This article celebrates with strong emotion the extraordinary talent of the Qusan sect Kamihara and his persistent pursuit of ideals.

Although the deeds are brief, the writing is somber and frustrated, the arias are repeated, and the narrative is interspersed, which is a characteristic commentary-style prose.