The subtle differences between Peking Opera and Kunqu Opera in singing?!

The bends of the Peking Opera are all straight, especially some of the Western Leather Plate style, while the singing of Kunqu Opera does not have Allegro, which is quite continuous and much more complex and euphemistic than Peking Opera.

Peking Opera is more euphemistic, while Kunqu Opera is more monotonous, and the lyrics of Kunqu Opera are more complex and difficult to understand.

The singing voice of Peking Opera is mainly composed of Xipi and Ergong. Sippi's melody fluctuates greatly, the rhythm is compact, and the singing voice is smooth and bright, which is suitable for expressing cheerful and resolute emotions; The melody of the second reed is relatively stable, the rhythm is soothing, and the singing tone is dignified and vigorous, which is more suitable for expressing the feelings of depression and grief.

Sipi "jumps into the intervals more, the overall pitch is high, and its key is mostly based on the "palace" key, therefore, its melody tone is bright, gorgeous, sharp, and when processed with a gentle rhythm, it mostly expresses a bright, lyrical comedy plot and pleasant character emotions.

"Erhuang" is mainly based on progressive intervals, the overall pitch is low, and its key is mostly based on the "Shang" key, and the tone of its melody is dull, dignified, and calm, and when the rhythm is slow, it is mostly used to express the depressed tragic plot and melancholy character emotions; When the rhythm is strong, it mostly expresses depressed and tragic dramatic scenes and sad and angry character emotions.

Characteristics of Peking Opera

1. Peking Opera is intriguing and mellow. Peking Opera stage art in literature, performance, singing, gongs and drums, makeup, face painting and other aspects.

2. A set of mutually restrictive and complementary rhythmic and standardized programs. It is very rich as an artistic means of creating a stage image, and the usage is very strict.

3. Peking Opera has a wider range of life to express, more types of characters to be created, stricter requirements for the comprehensiveness and integrity of its skills, and higher aesthetic requirements for it to create a stage image.

4. Peking Opera has a wider field of life, more types of characters to be portrayed, stricter requirements for the comprehensiveness and integrity of its skills, and higher aesthetic requirements for it to create a stage image.

3. The formation of Kunqu Opera is relatively simple, and Peking Opera is formed on the basis of the integration of various operas, in which it not only integrates Kunqu Opera, but also the four major Hui troupes originally in the south, the Han tunes of Hubei, the Qin dialect and some other local folk tunes. Kunqu Opera, on the other hand, is a folk tune from Kunshan, Suzhou, and is its original original.

The accompaniment is different, Kunqu Opera is accompanied by flutes, Peking Opera uses erhu, and there are different types of operas, Kunqu Opera generally talks about legends, and Peking Opera talks about some things in the middle and lower classes of society.

Peking Opera is in the lives of the people at the bottom, while Kunqu Opera is in the art and culture of the high-level. Therefore, Peking Opera is a little more down-to-earth.

Kunqu opera for Yabe! Peking Opera and other operas are collectively referred to as Huabu! Peking Opera is accompanied by Jinghu! Kunqu opera is accompanied by flutes!

Peking Opera: The quintessence of the country.

Kunqu Opera: Human Oral and Intangible Culture.

Peking Opera is rough and popular, and Kunqu Opera is delicate and graceful, and it is more literary and artistic.

Kunqu opera is more complex than Peking opera, and the accompanying instruments are different, Peking Opera is mainly Jinghu, and Kunqu opera is mainly dizi and suona.

What is the difference between Kunqu Opera and Peking Opera? Kunqu opera is more feminine than Peking Opera, but Peking Opera is more majestic.

Summary. The difference is that Peking Opera is a plate cavity, and Kunqu Opera is a song card body, which are two forms of **. Peking Opera is more flexible than Kunqu Opera.

The subtle differences between Peking Opera and Kunqu Opera in singing?!

The difference is that Peking Opera is a plate cavity, and Kunqu Opera is a song card body, which are two forms of **. Peking Opera is more flexible than Kunqu Opera.

Kunqu opera was formed in the Ming Dynasty and has a longer history than Peking Opera. Peking Opera was formed on the basis of the integration of various opera genres, and the formation of Kunqu Opera was relatively simple.

In the process of formation, Peking Opera absorbed the industry settings and performance procedures of Kunqu Opera. Many Kunqu opera sung have been preserved in Peking Opera.

Kunqu opera belongs to the vocal cavity**, which is based on sentences, while Peking Opera belongs to the later plate cavity**, which is based on words and belongs to the poetry praise style.

The difference and connection between Peking Opera and Kunqu Opera.

Is the Kunqu Peony Pavilion soap robe, Xipi or Erhuang?

In the process of formation, Peking Opera absorbed factors such as the setting of Kunqu opera, stools, and performance procedures. Many Kunqu opera performances have been preserved in Hengju Peking Opera. This is the connection between Peking Opera and Kunqu Opera.

Kunqu Opera Peony Pavilion soap robe, inside is Xipi tweed. Kiss.

In addition to the natural attributes (gender, age) and social attributes (identity, occupation) of the characters, the division of Peking Opera is mainly based on the personality characteristics of the characters. The Peking Opera Troupe used to have the saying of "Seven Elements and Seven Branches": the seven elements are the life line, the Dan line (also known as the occupation line), the net line, the ugly line, the miscellaneous line, the martial line, and the popular.

Everything on the stage of Peking Opera does not appear according to the original appearance of life. The characters on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender, personality, age, occupation and social status of the characters played, some artistic exaggerations are added in makeup and costumes, so that the characters on the stage are divided into four types: sheng, dan, pure and ugly. The special noun for these four types in Peking Opera is called "Xingdang".

Peking Opera is mainly divided into two categories: "Xipi" and "Erhuang Naimu".

Among the common repertoire, there is "Shiro Visits the Mother", Yang Yanhui's "Unspoken Tears Can't Help Tears" is the old student's "Xipi Guide", and Princess Tiejing's "Husband and Wife Sitting in the Palace Courtyard" is Tsing Yi's "Xipi Guide". The Sippi guide is used to start a large number of singing segments, which is more commonly used. Such cover letters and Yang Zongbao sang "Yang Zongbao uploads the general's order on the horse" in the play is Xiaosheng's western leather guide, "Bao Longtu sits in Kaifeng Mansion" sung by Bao Zheng in "Quanmei Case" is the west skin guide of Jingxing, and the "dragon horse and phoenix enter the imperial city" sung by China Tai in "Playing Dragon Robe" is Lao Dan's west skin guide.

The singing method of the stuffy curtain guide is basically the same as that of the general guide board, but it is sung behind the scenes first when the actor is not on the stage, such as Liu Xie (Emperor Han Xian) in "Eliminating Yaojin" has a large section of singing "Fathers and sons cry sadly in the palace courtyard" is the stuffy curtain guide, and the characters only appear after singing. But this is a two-yellow guide plate, not a West Skin guide plate.

1.Yellow cavity.

2.Bangzi cavity.

Correct answer: Yellow cavity.

Pi Huang cavity is one of the four major vocal cavity systems of traditional opera and ruined opera, and it is the collective name of Xipi and Erhuang.

Peking Opera, once known as Ping Opera, one of the five major opera genres in China, pays attention to freehand in scene layout, the tone is mainly based on Xipi and Erhuang, and the high type is accompanied by gongs and drums such as huqin and Wang rent, which is regarded as the quintessence of China and the "top of the list" of the three tripods of Chinese opera.