What is the cultivation that an actor should have?

Good conduct, an actor is first of all a person, for any person, you can only be recognized by others if you are of good character.

There are many traffic actors in the entertainment industry now, but no matter how popular they are, they are still questioned a lot, because they have not corrected their attitude and conduct.

The first cultivation of an actor should be dedication, and dedication is to play a role worthy of the audience, in this way, the main thing for an actor should be acting, not some roles without nutrition. Secondly, the moral quality of an actor cannot be low, an actor is an influential figure, his moral quality is high, and the moral quality of fans will also be high.

First of all, as an actor, this is also a profession, so she must respect her profession, film well, put acting first, can't think about other things every day, hype this and that, and as a public figure, she should do some correct leading role.

Serious and responsible attitude, meticulous spirit, this is an actor should have a cultivation, now many actors have 10 points of low requirements for themselves, a few days ago I saw an actor, just because of the lines memorized is very happy, but you memorize the lines is not the most basic thing for an actor, memorize the lines, figure out the character's personality clearly, and present a good visual perception for the audience, this is the basic cultivation of an actor.

In the abstract, I think that the education we receive is so that we can control and restrain ourselves in the truest human nature, and this kind of control and restraint behavior is a kind of upbringing. Specifically, it's not that you get angry and want to hit someone, it's not that you scold the street when you're unhappy and want to get angry, and it's not that you can do whatever it takes to achieve it for your own interests. Therefore, upbringing can actually be said to be a kind of performance on top of reality to disguise reality.

Strict professional ethics, a serious and responsible attitude, and efforts to improve one's acting skills are the accomplishments that an actor should have. As an actor, you should spend more time polishing your works and acting skills, and you shouldn't participate in variety shows too much to make money. Good actors, such as Chen Daoming, Duan Yihong, and Zhang Yishan are all role models worth learning.

Wang Jinsong reprimanded some actors some time ago and felt that memorizing lines should be praised.

But he said actors shouldn't just care about their lines.

There are also subtexts and inner emotions.

The actors themselves must be taken seriouslyYou can't just pass the buck when you encounter a problem.

Listen to what Mr. Wang said.

You can feel it through the screen.

Serious about acting.

The acting skills are passable, it is understandable that the acting skills are not good at the beginning, but the acting skills have not been good, so don't be an actor, there is no progress at all, which means that there is no effort or talent, and it is not suitable to continue.

Character clearance. Regardless of the profession, character is important, and I would hate all of a person's works because of his chaotic private life!

Take your work seriously and responsibly. The most annoying thing is to act in TV series cutouts or use stand-ins for most of them, since you want to act, then you have to be responsible!

"The Self-cultivation of Actors" mainly expounds the qualities that actors should have in terms of body, voice, personality, thinking logic, etc.

The Self-cultivation of Actors is a work on drama theory written by Konstantin Stanislavsky, an actor, director, drama educator and theorist in Russia, and was published by China Film Publishing House in 2006.

The book elaborates on the qualities that actors should possess in terms of body, voice, personality, thinking logic, etc., and is not only a tool book on the profession, responsibility and mission of actors that has been successfully tested by countless performers, but also a masterpiece of life about the combination of actors and society, and the promotion and improvement of actors' artistic accomplishment and moral cultivation. The book is the essence of Stanislavsky's performance system and has had a great impact on the world.

About the Author:

1. Stanislavsky (1863-1938), a world-famous actor, director, theater educator and theorist, founded the Stanislavsky performance system, which has had a great impact on the world.

2. He insisted on taking the "psychological experience analysis method of the manuscript as the core of his creation", and later enriched the drama theory with the inner experience as the core with the "Changxiang analysis method of body speech and action".

3. Stanislavsky Changxiang's realist drama system, Stanislavsky (hereinafter referred to as "Si's") inherited and carried forward the realist drama system of Western Europe and Changxiang Russia.

4. The realist drama system has accumulated his own experience in acting and directing, and on the basis of the creative practice of the Moscow Art Theater, after more than 30 years of exploration, he founded the "Si Shi System".

"The Self-cultivation of Actors" is a famous treatise by the Soviet theater master Stanislavsky, which expounds the theory and practice of exercising actors' ability to create roles in the form of classroom dialogues among drama students.

It not only explains in detail the various skills and qualities that actors should possess in terms of performance skills, but also is a masterpiece of life about the combination of actors and society to improve and improve the artistic accomplishment and moral standards of actors.

Stanislavsky proposed stupid methods such as releasing nature, imitating animals, concentrating, observing things to practice without physical objects, improvising reaction exercises, and character shaping exercises, advocating that actors should be immersed in the emotions of the characters, requiring actors to go all out, have faith and realism in the role, pay attention to emotional memory and communication, understand the internal driving force of the character's actions, and finally express it through the actor's external actions.

This is to require actors to always establish the creative idea and even self-confidence of "I am the one" in the process of playing the role, so that whoever plays the role is who is the one, which is collectively referred to as "experientialism".