Su Shi s Huanxi sand appreciation, seeking to appreciate Su Shi s Huanxi sand

Shangque uses the thimble technique.

The whole word is written by the poet to express his feelings about his age, but it is also self-encouragement, (gray hair can also be on the next level.) )

The words in parentheses are subject to consideration.

Huanxi Sha Su Shi.

The clothes and towels fall jujube flowers, and the reeling car rings in the south and north of the village. Niuyi Guliu sells cucumbers.

The wine is sleepy, the road is long, and the people of Rigao are thirsty for tea, knocking on the door and asking the savages.

Note] This article is written about the author's feelings on the way to "Xie Yu". The scene is written in the upper film, and the lyrical scene is in the lower film. It should be pointed out that the scene written in this poem is not a unified picture composed of visual images under normal circumstances, but a continuous set of images refracted on the screen of the poet's consciousness through various different sounds transmitted to the ear drum.

Now, let's follow the author's consciousness activity to experience the process of conceiving the poem.

The author is on the "Xie Yu Road", after a long journey, coupled with the fact that the alcohol has not disappeared, the day is high and people are sleepy, and they can't help but feel a little tired. Suddenly, the sound of "Lai Lai" came to my ears, and it was as if something had hit my body and turban. That's when he realized:

This is the date flower falling on the body. Then, there was another squeaking sound in my ears, and the further I went, the thicker this sound became, from the south, from the north, from all directions, no need to look or ask, this is the sound of the reeling car that the author is familiar with. From the sound, the author realized that he had entered the village.

At this time, a sudden shouting came to the ear drums, and when I looked closely, it turned out to be a farmer dressed in a "cow coat" sitting in the shade of an ancient willow tree, with a pile of cucumber ...... in front of him. In a few words, the seasonal characteristics of the rural areas, the working life in the villages, and the poor appearance of the rural areas have all been touched and vividly reflected to varying degrees.

The feelings and consciousness activities of the writer of the next film. "Sleepy and sleepy" is a supplement to the previous film. In terms of structure, this sentence is a flashback, which shows that the reason why the first three sentences are written from the auditory aspect is mainly because the alcohol has not disappeared, the road is far away, and the human body is tired, so what is written is only a fragment heard in the hazy sleepiness, not a complete and unified picture of visual composition.

Although the two sentences are written about the consciousness of rushing to the farmer's house to find water due to thirst, they also reflect the author's character traits of being unruly and at ease with encounters. It seems that Su Shi doesn't seem to have much of a guard, and the distance between him and the peasants is not too far. Reading such words makes people feel real and intimate, and you can smell the breath of rural life at that time.

This poem is different from the previous one in that it mainly focuses on the writer's feelings on the road, and its focus is not to reflect the poverty of the countryside. Because of the rain after the disaster, the drought was lifted, and the author's joy was much stronger than in the previous one.

This poem focuses on the tempering of words and phrases without revealing any traces. For example, some critics think that the two characters at the beginning of the sentence are "syntactic inversion", but in fact, the author's purpose is to emphasize the sound of "jujube flower" falling on the "cloth", and to meet the requirements of Pingxuan, rather than writing down the form of falling. It is precisely because these two words are placed at the beginning of the sentence that it shows that the author learned that the jujube flowers fell on his body from the sound of "簌簌".

In addition, the words "fall", "sound", "diffuse" and "knock" are also used flexibly and appropriately.

The first two sentences describe the scene, place, and time. The literal meaning of "the distant forest house is still crying crows" is easy to understand: several houses are sitting in twos and threes, and there are crows chirping in the distant woods.

It means that it is very quiet and desolate here, and it also expresses the author's loneliness! "I dreamed of how many roads I had in my hometown, and I woke up and looked at the end of the world. "Reminiscing about the country road of my homeland, I looked in the direction of my hometown after I woke up, but I saw the "end of the world" barrier!

It expresses the author's homesickness, and wants to go back but is separated by the world! "The moon shines on the flat sand. It represents the scenery at this time, and also shows the mood at this time!

Although I am very homesick and lonely, but there is still moonlight, and the road is still long?

The sand and mountains of Huanxi invade horizontally and dip in the faint glow, and the wind of Xiangchuan is quiet and spits cold flowers. The distant forest house is still crying crows.

"I dreamed of how many roads I had in my hometown, and I woke up and looked at the end of the world. "The moon shines on the flat sand. The word to Su Shi, the theme, artistic conception, penmanship, etc. have been expanded, and the rural pastoral scenery that rarely appeared in the word before also appeared in Su Shi's words.

In the first year of Yuanfeng (1078), Xuzhou got rain after the spring drought, Su Shi went to Shitan to thank God, and made a group of "Huanxi Sand", entitled"Xumen Shitan Xie Yu Road five songs", all of which are written about rural scenes in early summer, this is the fourth of them. A screenshot of a common scene in rural life. The aroma of jujube flowers, the sound of reeling cars, and the leisurely melon sellers form a fresh and natural pastoral picture.

Three sentences, three pictures, seem to be scaled and clawed, and there is no connection. But strung together with this line on Xie Yu's road, it makes people feel that this *** has a strong three-dimensional sense. This group of pictures is not only beautiful in color, but also beautiful in **.

Whether it is the sound of falling flowers, the buzzing sound of reeling cars, or the sound of melon farmers, they are all full of rich life atmosphere, vividly showing the thriving scene of the countryside. The sentence "Jujube Flowers Falling on the Clothes" begins with the sound of the jujube flowers falling on the clothes, reflecting the joy of a Taishou who cares about the people's lives at the new scene of the countryside after the rain, the sound of the jujube flowers falling on the clothes towel is slight, but it is so real in the author's ears. The sentence "reeling cars ringing in the south of the village and in the north of the village" shows how serious, careful and excited the author listened.

The sentence "Niu Yi Guliu sells cucumbers" changes the perspective of the writer's joy at the vegetable harvest. The first film is about the busy scene of rural production and labor, and the next film is about the hardships of Xie Yu's journey. Walking village after village, it was already a hot day, and people were dry and dry, and they were sleepy from alcohol, and they couldn't help but think of quenching their thirst with tea and refreshing themselves with tea.

The word "question" is used very carefully, which not only describes the author's mood of wanting to ask for a cup of tea to quench his thirst, but also worries that during the busy farming season, there is no one in the farm, and it is inconvenient for him to rush in. The letter is written in a simple way, but it is lifelike, portraying the image of a humble and approachable Zhizhou, and the relationship between a Taishou and an ordinary peasant is written in a friendly and natural way. The whole word has scenery and people, tangible and colorful, and the local atmosphere is strong, which opens up a new world for the theme of Song poetry.

Knock on the door and ask the savage's house", the word stopped abruptly here. What is the result of the lyricist's knock on the door? Did you get tea?

How did the peasants entertain him? Not a single word is explained in the words, leaving it to the reader's imagination, and it is even more endless. This is the emphasis on "inexhaustible meaning, seen beyond words" in classical poetry.

Although Su Shi is a scholar, he has a close heart for the rural countryside in his heart, and he calls himself so"So Jun Yuan is one of them", here carelessly"Knock on the door and ask", with"Savage people"It can be seen that they are not separated from each other. Among them, the word "try to ask" writes the author's mood of asking for a cup of tea to quench his thirst with hope, but also worrying that there is no one in the farm during the busy farming season, and it is inconvenient for him to rush in, portraying the image of a modest and approachable Zhizhou, and writing the relationship between a Taishou and ordinary farmers in a friendly and natural way.