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Li Bai: Send Meng Haoran's Guangling.
The first time Li Bai and Meng Haoran met was when Li Bai lived in Anlu, when Li Bai was about 28 years old, and Meng Haoran was about 40 years old. Li Bai's poetry was still small at that time, while Meng Haoran was famous. Li Bai made a special trip to Lumen Mountain to meet Haoran, and the two had similar habits and hit it off at first sight.
So, they came to Jiangxia (now Wuchang) and traveled for more than a month, and finally, Meng Haoran wanted to go to Guangling, so the two said goodbye in the Yellow Crane Tower. Watching his friend leave, Li Bai was full of thoughts, and happily wrote the eternal swan song "Sending Meng Haoran to Guangling": "The old man left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March."
The lonely sail is far away and the blue sky is endless, and only the Yangtze River skyline can be seen. ”
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Good friend, Li Bai also wrote a poem for him, "Sending Meng Haoran to Guangling".
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The story of friendship (or friendship).
They must help the puppets.
The story of Li Bai and Meng Haoran about friendship (or friendship).
See all 4.
I'll answer. I'll answer See all 4.
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In the thirteenth year of Emperor Xuanzong of the Tang Dynasty (725 AD), Li Bai took a boat from Sichuan to the east along the Yangtze River, and visited many places along the way. In Xiangyang (present-day Xiangfan, Hubei), he heard that the poet Meng Haoran was living in seclusion in the Lumen Mountains in the southeast of the city, and he went to visit him. Meng Haoran read Li Bai's poem and praised it, and the two soon became close friends.
Meng Haoran warmly entertained Li Bai and kept him for more than 10 days.
In March of Yangchun in 730 AD, Li Bai learned that Meng Haoran was going to Guangling (now Yangzhou, Jiangsu), so he asked someone to bring a letter and asked Meng Haoran to meet in Jiangxia (now Wuchang, Wuhan City). On this day, they happily reunited in the Yellow Crane Tower in Jiangxia, and each expressed their feelings of longing. A few days later, Meng Haoran went east by boat, and Li Bai personally sent it to the riverside.
The boat drove away, Li Bai stood on the riverbank, looking at the lonely sail gradually moving away, melancholy arose, and waved the song "Yellow Crane Tower to Meng Haoran's Guangling". The first sentence points out that the farewell place is the Yellow Crane Tower, and the second sentence points out that the farewell time is in the late spring of March, which also implies that the fireworks will accompany friends all the way to Yangzhou. Yangzhou was a prosperous capital at that time, and this season must be full of flowers and spring.
The last two sentences convey the meaning, the poet places the feelings of parting between the blue sky and the river, although the words are exhausted but the meaning is not exhausted, which is endlessly evocative, and can be called a farewell masterpiece.
Next.
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Li Bai and Meng Haoran are confidants and friends.
The friendship between Li Bai and Meng Haoran is a good story in the poetry world. The two got to know each other, although there is no lack of fun in drinking, singing, and inviting each other to swim together, but the most important thing is to pursue emotional harmony and seek spiritual companions and soulmates.
Li Bai and Meng Haoran met for the first time when Li Bai was in his twenties by boat from Sichuan along the Yangtze River to the east, all the way to visit a lot of places, to Xiangyang, he heard that the predecessor poet Meng Haoran lived in seclusion in the southeast of the city, specially to visit him. Li Bai's poetry was still small at that time, and the traces were slippery, and Meng Haoran's reputation was outside. When Meng Haoran read Li Bai's poem Souque and praised it, the two had similar habits, hit it off at first sight, and soon became close friends.
So, they came to Jiangxia and traveled for more than a month, and finally, Meng Haoran wanted to go to Guangling, so the two said goodbye in the Yellow Crane Tower. Watching his friend leave, Li Bai was full of thoughts, and happily wrote the eternal swan song "Sending Meng Haoran to Guangling".
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Meng Qizao Haoran and Li Bai are confidants and friends.
Meng Haoran (689-740), the word Haoran, the name Mengshan, Xiangzhou Xiangyang (now Xiangyang, Hubei), a famous landscape pastoral poet in the Tang Dynasty, known as "Meng Xiangyang". Because he did not quietly dismantle Zeng Chengshi, he was also called "a file Monsanite".
Li Bai (701-762 December), the word Taibai, the name Qinglian Jushi, also known as the "Immortal", the great romantic poet of the Tang Dynasty, was praised as the "poet immortal" by later generations, and Du Fu was called "Li Du", in order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du".
Li Zhimin, a professor at Peking University, commented: "Li Bai's poems breathe the universe and are out of the way; Du Fu's poems are towering from Confucianism, and they are all in the realm of the unity of heaven and man, so they can be superb. "The Book of the Old Tang Dynasty records that Li Bai is a native of Shandong; According to the Book of the New Tang Dynasty, Li Bai was the ninth grandson of the Xingsheng Emperor Li Wei, and was the same ancestor as the kings of Li and Tang.
He is hearty and generous, loves to drink and write poetry, and likes to make friends.
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In the spring of March, the flowers are in full bloom, thousands of purples and thousands of reds, in the Yellow Crane Tower in the distance, there are two poets who are drinking freely, one is the poet Meng Haoran, although he is unhappy in his career, but he has already been famous all over the world, the other is the poet Li Bai, Li Bai is more than ten years younger than Meng Haoran, he has just left Sichuan, has not yet entered the official career, chic, free.
Li Bai has heard of Meng Haoran's name for a long time, and he is very happy to meet him in Hubei this time. And Meng Haoran saw that Li Bai, who was talented in poetry and talked extraordinarily, also hated to see each other late, and the two of them traveled all over the famous places in Hubei in the past few days. Talking about poetry and life, it is very speculative, and it is a thousand glasses of wine for a confidant.
Meng Haoran was about to leave here and go east along the Yangtze River to Yangzhou, and Li Bai deliberately practiced it for Meng Haoran, whom he admired, in the Yellow Crane Tower near the mountains and rivers.
The Yellow Crane Tower sent Meng Haoran to Guangling", that is, the poem written by Li Bai when he said goodbye to Meng Haoran.
The old man left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March.
The lonely sail is far away and the blue sky is endless, and only the Yangtze River skyline can be seen.
Annotations of words and sentences: 1. Yellow Crane Tower: China's famous scenic spots, the site is on the Yellow Bird Rock of Wuchang Snake Mountain in Wuhan City, Hubei Province, which belongs to the lower reaches of the Yangtze River.
2, the deceased: old friend, here refers to Meng Haoran. He is older than Li Bai and enjoys a good reputation in the poetry world. Li Bai admired him very much and had deep feelings for each other, so he called him an "old man". Farewell: Farewell.
3. Fireworks: Describe the spring scenery of catkins like smoke and flowers, referring to the gorgeous spring scene. Downstream: Downstream.
Translation: A friend waved goodbye to me at the Yellow Crane Tower, and he was going to Yangzhou in a sunny March.
The shadow of his sail gradually disappeared into the blue sky, and he only saw the rolling Yangtze River rushing in the sky.
The first sentence indicates the location of the farewell: the famous Yellow Crane Tower of the first generation; The second sentence writes the time and destination of the farewell: "Fireworks Spring" and "Yangzhou" of the southeast victory;
An open mind, bright colors and a romantic atmosphere create a poetic farewell. Although the poem is a farewell work, it is elegantly and emotionally written, without deep sadness, meaning forever and not sad, constantly wafting with beautiful charm, and the rhyme is far from empty.
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