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Singing skills: How to convert true and false voices when singing? Teach you a trick.
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Teach you a trick of singing a good falsetto.
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Many students will have a void when singing falsetto. It's not as good as the original song. Teach you two tips. Makes you sing full falsetto.
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The key to falsetto is that the sound comes out of the nose and the vocal cords come out under squeezing.
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When practicing falsetto, you can use waist force, the scum is to first insert your hands into the waist, inhale the air around the waist, feel the front and back waist swell, and then close the air, such as the shirt quietly force the waist and ribs inward, the chest is up, you will feel the pressure on the upper jaw, this is the method of using waist force. Find out the best resonant part of your falsetto, and use the resonance part to switch between true and false sounds.
Falsetto is to support the vocal cords with the correct breathing method, and then the soft palate of the tongue is raised, and the sound is erected into the nasal cavity, which is the method and sensation of the bass and middle ranges. In the high register, the lower the larynx, the more open the mouth becomes, and the inside of the larynx will naturally tighten. The more the sound goes to the head of the feeling.
Such falsetto sounds come out bright and powerful.
Falsetto is a singing technique that can produce a higher pitch than usual, but in special cases it can be deeper than the true voice. Before people understood the resonance of the head cavity, the singers used falsetto to sing the high note, but because the falsetto changed little, the resonance and falsetto with the head collapsed cavity were invented.
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The falsetto techniques and vocalization methods are as follows:
1. First of all, open the mouth to pay attention to Kaiye digging to open up and down, not left and right, the test method is to lift the finger in front of the ear, if the opening is correct, the teeth will be opened, you will feel a hole.
2. Lay the tongue flat and hold the tip of the tongue against the tooth.
3. Cooperate with the luck of the dantian (diaphragm), push out the qi hard, and slowly sing to the high note, so that the sound should be erected into the nasal cavity.
4. Falsetto is a singing technique that can produce a higher pitch than the usual voice, but in special cases, falsetto can be worse than the true tone. Before people understood head cavity resonance, singers used falsetto to sing high notes, but because the falsetto changed little, they invented the use of head cavity resonance and falsetto staring.
5. Find out the best resonance part of your falsetto.
6. Use the resonance part to switch between true and false sounds.
7. Pay attention to the position of the pitch, in the range of true and false sounds, what sounds are good for singing false sounds, what sounds are good for singing true sounds, what words are good for singing false sounds, and what words are good for singing true sounds.
8. Don't sing too fragmented, too broken, the smoother the town is bright, the more sleek the better.
The difference between falsetto and true voice is as follows:
1. The so-called "falsetto" refers to the sound produced by consciously controlling only part of the vocal cords to vibrate during singing.
2. The so-called "true voice", that is, the breath drives all the vocal cords to vibrate, and then causes resonance. The timbre of its pronunciation is basically the same as that of the singer's usual speech. Its vocal physiology is similar to"Chest"The characteristics of sound, large volume, overtones, close to the sound of living language, often used in the middle and low vocal areas.
3. Falsetto, also known as falsetto, is a kind of high-pitched sound that is higher than the normal vocal range or within an octave range of the upper limit of the normal vocal range by controlling the vocal cords.
4. The true voice is the vibration of all the vocal cords when people speak. If the vocal cords are all vibrating when singing, then you are singing with a true voice. The pronunciation of the true voice is natural, and the articulation is clear, but it is difficult to sing the high notes, and it is generally only between C1 in the group of small characters and F2 in the second group of small characters.
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