What is the artistic achievement of the Rantei Jixu

Does the Lanting set preface have the idea of cherishing youth.

Whether it is expressive, or writing, or the difficulty of writing, it has reached a very high relative height. With the continuous progress and depth of practicing calligraphy, the more you can feel or dissect"Orchid Pavilion Preface".The ingenuity of the people. Or it can also be said that the connoisseurship of the "Orchid Pavilion Preface" can judge the normative limit of a person's calligraphy art level.

For example, take the content of the article "Lanting Preface", the first point of the first word"Yongzi"。As far as the simplicity is concerned, it seems simple, but the specific twists and turns are not carefully read the post, learning and training, and it is really difficult to understand it. Look closely, Wang Xizhi.

is a point that is similar"z"The long prism of the font **. Generally, the point that everyone writes is a simple one"One tick at a time"of triangles.

Therefore, it looks ordinary, without meaning and charm.

The Preface to the Lanting Collection is known as the first book in the world.

It was Tang Taizong Li Shimin.

Favorite, it is rumored that after the death of Li Shimin, Taizong of the Tang Dynasty, the handwriting of Lanting was also buried with it, and then it was stolen and reduced to folk customs, and was personally collected by Emperor Qianlong of the Qing Dynasty. Emperor Qianlong.

After the emperor's death, the legendary handwriting has been stored in Zhaoling.

The sample that everyone is in front of now is a facsimile of Feng Chengsu. Artistic aesthetics are not unchanged for thousands of years, and it was a beautiful plastic art at that time, but it has been 1,000 and 500 years since then. The appreciation of calligraphy produces aesthetic fatigue, and in the original thought, it was already a "vulgar book".

In Yu's opinion, "The Preface to the Lanting Collection" is already a common book. For a long time, I can't write words, just write a handscroll, big characters are fun, and there is not much creativity.

To say that "Orchid Pavilion Preface" was praised is really an illogical groundlessness. It is a fact that "Orchid Pavilion Preface" is favored, and it is also a fact that Wang Xizhi's calligraphy is favored, on the contrary, let's think about it, why Wang Xizhi's calligraphy and "Orchid Pavilion Preface" are favored? Isn't it just because they have a certain artistic value?

If it does not have a certain artistic value, why has it been favored for nearly 2,000 years? From ancient times to the present, the authenticity and validity of "Orchid Pavilion Preface" have indeed been doubted, Guo Jianruo.

In the seventies of the last century, he put forward the view that the "Lanting Preface" was originally a forgery, which caused a protracted "Lanting Debate Technique". However, as a calligraphy and painting, the expressiveness of "Orchid Pavilion Preface" has never been doubted, even if it is Guo Weiruo.

The ancients felt that the art of calligraphy is not only writing, but also reflecting the calligrapher's knowledge, cultivation, affection, etc. according to this grinding wire frame, which is the "brilliance" of calligraphy and painting. If a work has a good "look" and the "shape" of the ink pen and wireframe is good, this is a good work, which can completely surpass the ancients. But this kind of work is rare, to achieve this level, we must do "the heart forgets the pen, the hand forgets the book, the heart and the hand reach the love, the book does not forget to think", this kind of life realm can be said to be "ask but can't".

And "Orchid Pavilion Preface" is the quintessence of this kind of "life realm" of the book, Xi Zhi wrote "Orchid Pavilion Preface", his mood was smooth, and a little drunk.

It's really beautiful. It is said that "Orchid Pavilion Preface" is praised because many people on the Internet in modern times do not understand calligraphy and are angry, so it is said that Wang Xizhi's calligraphy is purely praised by Li Shimin.

I think Lan Tingxu is really beautiful, and some of the scenes he describes in it are very beautiful and vivid.

It's truly beautiful. The authenticity is very shocking and invaluable.

Orchid Pavilion Preface is known as "the first book in the world". The real relics are buried in Zhaoling, there is a copy of the loss of the group of vertical books, or the loss of this is handed down, with the "Shenlong Ben" is the best. This pin post with the pen to the center-based, between the flanks, between the strokes of the lingering belt, slender and light, or the pen is broken and the intention is connected, the press to frustrate a natural, the overall layout of the sky is scattered, with a beautiful and moving infinite charm.

The first line of books in the world. Loved by people. He was written by Wang Xizhi. According to Feng Chengsu's facsimile.

Dear, hello, "Lanting Collection Preface" is a calligraphy appreciation preface written by Wang Xizhi in the Eastern Jin Dynasty (353 AD), this preface has a series of artistic characteristics, including: 1Stand-alone article:

The Preface to the Lanting Collection is a complete chapter written by Wang Xizhi, with the theme of calligraphy appreciation, which can be written into an independent chapter. 2.Superb calligraphy:

Wang Xizhi is one of the calligraphers in the history of Chinese calligraphy art, his penmanship is smooth and tactful, the rhyme is vivid, the glyphs are simple and beautiful, the whole text is solemn and upright, and the characters are fine and rigorous, and he is known as "the first line of books in the world". 3.The cultural connotation of the unity of nature and man:

The Preface to the Lanting Collection is not only a calligraphy appreciation, but also reflects Wang Xizhi's conscious expression of Confucian culture and his keen grasp of the trend of the times. His text is full of Confucian culture's ideas of etiquette, music, benevolence, and righteousness, and forms the connotation of the unity of nature and man in terms of artistic aesthetics and character cultivation. 4.

Self-cultivation and far-reaching pursuit of life: Wang Xizhi advocated in the article "Lanting Collection Preface" the attitude of "middle way and self-confidence, virtue but not excellence", "cautious and independent, stagnant but not flowing", so that we can understand his pursuit of "I will use this to show myself to future generations", "solemn and light, wonderful", "to the beauty of the image" and other ideas, and then strive to explore their own life in the two directions of moral cultivation and artistic pursuit.

First of all, the whole calligraphy article is beautiful, from micro to macro narration, from far to near writing, which makes people stunning. The second is that the chapter in the "Orchid Pavilion Preface" is good, and its words are all reflected and born, small or large, whatever you want, all into the law. The third point is the beauty of the pen, the whole use of the pen is also the peak, there are open front, with the front horizontal, hanging head horizontal, down the horizontal, up the horizontal, juxtaposed horizontal, etc., with the hand to adapt.

The article starts with the Lanting assembly, first using concise words to point out the time, place, reason and participants of the rally, and then using a lyrical tone to depict the elegant and beautiful mountains, water, forests, bamboos and other natural scenes, and it is these natural scenery that cause the participants to drink and have fun, and write poems on the stream. The end of the paragraph ends with the word "music", revealing the participants' interest in immersing themselves in the beautiful natural and cultural environment to get aesthetic pleasure and temporarily forget their troubles.

In the second paragraph, the author closely follows the words "leaning" and "elevating" and the words "letter and cola" above, and transcribes the changes in the world and the changes in love. Circumstance. Whether it is the quiet person who is "in the room" or the restless person who is "outside the wandering wreckage", although they are all "happy and self-sufficient" in one thing at a time, but these beautiful scenery in front of them and the joy of the world, "between the pitches, have been obsolete", happy and sad, they have to face the harsh reality:

Old age is coming", "the end is at the end", life is short. At this point, the author naturally put forward the theme of "death and life are also important". At the end of this paragraph, the word "pain" is cross-examined, which not only echoes the "joy" in the previous paragraph, but also causes readers to think deeply about "death and life", the most important issue in life.

In the third paragraph, the author grasps the issue of life and death, and further expresses his view of life and death. The author first uses the ancient theory to explain that from ancient times to the present, people have always attached importance to the issue of death and life, and he himself is no exception. Then, in view of the social atmosphere of scholars and doctors at that time, who were clean and practical, and had no economic strategy, the author denounced the Lao Zhuang doctrine of "one death and life" and "Qi Peng's death" as "illusory" and "vain", thus showing the author's positive and enterprising outlook on life and death, which is the purpose of the author's "Lanting Collection" and the purpose of the preface to it.

The first two paragraphs of the article end with "happiness" and "pain" respectively, and the last paragraph ends with the word "feeling", which shows that the author firmly believes that future readers will feel the same way from Swen (this preface): to understand the importance of the issue of life and death, and to establish a correct view of life and death.