Li Shangyin s flowers are drunk, and he even holds a red candle to appreciate the remaining flowers,

The love for flowers, even if it is dark and the flowers are left, do not affect the author's love for flowers.

This poem was written in the sixth year of Huichang (846 AD), and the author was living in Yongye. At that time, Li Shangyin was caught in the Niu Li party dispute, the situation was not good, and the mood was depressed, so this poem revealed a sense of hatred and resentment.

The first couplet is written directly on the falling flowers. The last sentence is a narrative, and the next sentence is a scene. Although the falling flowers have long existed, the guests are not aware of it, and the people go to the empty building, the guests are scattered in the garden, the poet's lonely and melancholy feelings suddenly come to his heart, and the poet only then noticed the colorful falling flowers in the garden, and the heart has the feeling of sympathy, and the language is ingenious.

The jaw couplet writes the specific situation of falling flowers from different angles. The last sentence focuses on space, writing that the falling flowers are fluttering and flying, connecting Qu Mo; The next sentence is written from time, and the falling flowers are continuous, endless. The dotted dyeing of "slanting light" reveals the poet's inner unrest.

The whole picture is shrouded in heavy and bleak tones, showing the poet's sadness and sorrow.

The neck couplets are directly lyrical. Spring goes to the flowers, "the intestines are broken and they can't bear to sweep", which expresses not only the general pity for the flowers, but the sadness of the broken intestines and the falling flowers. "Eyes are still scarce", which writes the poet's infatuation and persistence in the face of falling flowers.

Tail couplet pun. Flowers decorate spring with life, and end up withered and stained; The poet has great ambitions, but he has suffered repeated setbacks, and he has also ended up with a life experience of sadness and disappointment, tears and clothes, low back desolation, and infinite emotion.

The whole poem sings about things hurting oneself, using things as metaphors for oneself, and the sentimentality is endless.

Mo Dao does not kill the soul. The curtain rolls in the west wind, and people are thinner than yellow flowers.

Question 1: The poet is drunk with both the mellow wine and the beautiful flowers.

Question 2: White poems, the poet forgets to return under the flowers at dusk, and when the flowers have not been blown away by the wind, he gets up at night to see the flowers, highlighting the poet's feelings of cherishing flowers. Li Shi, in the hazy night, the red candle flickered, making the withered remnants more colorful, however, the sadness of the Xi Sanren suddenly increased, adding a sense of confusion and melancholy.

Question 1: Test question analysis: The first sentence "looking for fragrance does not feel drunk Liuxia", write the process from "searching" to "drunk".

Because I love flowers, I have a strong interest and an ardent mood, and I go to "find Fang" alone; Both "seeking" and really happy; I was deeply attracted by the beauty of flowers, lingered and appreciated, and couldn't help myself; After lingering and appreciating, he was unconsciously "drunk", which is a double drunkness.

Comments: To analyze the content of the poem, it is necessary to combine the meaning of the poem and the author's interest in life, and analyze it from multiple angles, and the answer will be comprehensive.

Question 2: Test question analysis: Bai Juyi's poems and Li Bai's poems have different emphasis, mainly in the expression of emotions, the former expresses the emotion of cherishing flowers, and the latter expresses melancholy.

Comment: To answer this question, you must make a specific analysis based on the content of the poem and the requirements of the topic. For example, in this question, it is necessary to combine the content of the poem to analyze the emotions expressed in the poem "After the guests wake up late at night, they hold red candles to appreciate the residual flowers", and then analyze the emotions of the poem "The red peony before the melancholy steps, and there are only two remnants in the evening", and then compare and analyze the results to produce the results.

The whole word begins with "sorrow" and ends with "thin". "Sorrow" is the cause of "thinness", and "thinness" is the result of "sorrow". The melancholy that runs through the whole word has been the most concentrated and vivid embodiment of "thinness".

It can be said that the whole article draws the dragon, the ending sentence is the finishing touch, the "dragon" is skillfully drawn, the "eye" is wonderful, the ingenious combination, the contrast is bright, and the situation of "deep love and deep sorrow" is created. In this poem, although it is written about missing relatives, there is no sentence of missing relatives or lovesickness, but using a narrative to express the deep sorrow of missing relatives. It's very heavy and elegant.

In ancient poems, it is not uncommon to see works that use flowers as a metaphor for thinness. For example, "people and green poplars are thin" (Song Anonymous's "Like a Dream Order"), people are also thin, how much thinner than plum blossoms? (Song Chengyi's "Breaking the River City"), the sky still knows, and the sky is also thin.

Qin Guan "Water Dragon Yin") and so on. But in comparison, none of them are as successful as Li Qingzhao's writing. The reason is that the metaphor of this poem is very closely combined with the overall image of the whole word, and the metaphor is ingenious, which is very suitable for the identity and feelings of the female lyricist, and it reads intimately.

The artistic conception of the words describes the scene of the author enjoying the chrysanthemums during the Double Ninth Festival, which sets off a bleak and lonely atmosphere, and expresses the author's loneliness and loneliness in missing her husband.

Drunken Flower Yin, Li Qingzhao, misty clouds, sorrowful eternal day, Rui brain gold beast. The festive season is chongyang, the jade pillow yarn kitchen, the middle of the night is cool and the beginning is penetrating. After dusk, there is a dark fragrance on the sleeves.

Mo Dao does not kill the soul, the curtain is swept by the west wind, and people are thinner than yellow flowers. People are thinner than yellow flowers" is an epigram. The word "thin" is also the word for words.

The eye of the word is like the eye of the people, and it is the place where the spirit of the whole word is concentrated. In poetry, as an epigram, it is generally not easy to take out. The reason why this sentence "people are thinner than yellow flowers" can give people a deep impression is that in addition to its own use of metaphors to describe distinct characters, the proper arrangement of sentences is also one of the reasons.

In front of this concluding sentence, she first used a sentence of "Mo Dao does not kill the soul" to drive the tone of the down, and then added a dynamic sentence of "curtain scroll west wind", and then came up with the epigram "People are thinner than yellow flowers". The characters don't appear until the end. This epigram is not isolated, the three sentences are connected into one, and the first two sentences surround the next sentence, playing the role of green leaves and red flowers.

After the author's careful arrangement, it is like a close-up shot in the movie, which is very vivid. At the end of this poem, there is a word "thin", which boils down to the affection of the whole word, and the description of various scenes above is to express this spirit, so it can indeed be called "the eye".In terms of refining words, Li Qingzhao also has the sentence "green, fat, red and thin" in "Like a Dream Order", which is recited by people.

The sentence "people are thinner than yellow flowers" she said here is also something that has never been said before, and it has its outstanding creativity. (Xia Chengtao).

The literature of the Song Dynasty mainly covers the words, poems, prose, scripts, opera scripts, etc. of the Song Dynasty, among which the creation of words is the highest, followed by poetry and prose, and then the script. The literary works of the Song Dynasty inherited the style of the late Tang Dynasty in the early Northern Song Dynasty, and the words were used in flashy words, often used for singing and rewarding.