The grass house summarizes about 50 words!!!!!!!!!!!!!

The ending of "Grass House" is a bit sad, but it should also be a doomed tragedy. The protagonist Sangsang left the grass house, forever and forever, and seemed to have lost his joy, innocence, and beautiful ......

The Grass House - I treasure it. Because the grass house in my heart has not disappeared—that place of eternal happiness.

The grass house feels 50 words after reading.

Lu He is a bald child, often teased, Lu He is very distressed, lonely, often sitting by the river and crying secretly, trying his best to hide his flaws. The grass house feels 50 words after reading. But he never gave up the protection of his dignity, bravely assumed the bald role of the school to participate in the show, and completed the task excellently, so that his classmates and teachers were impressed by him.

He also understood that only by paying can everyone change their way of looking at him, as long as the soul is beautiful, no matter how ugly the image is, it will exude a moving light.

The work writes about the unforgettable and unforgettable six years of primary school life of the boy Sangsang. In the past six years, he has witnessed or directly participated in a series of seemingly ordinary but tear-jerking and touching stories: the flawless innocence between young boys and girls, the pathos and grace of unfortunate teenagers when they fight against doom, the brilliance of personality shining in the last moments of the dying old man, the deep and beautiful understanding of life in the experience of death, and the confusing and poetic emotional entanglement between adults......All this is both clearly and dimly displayed in the world of the young Sangsang.

These six years are the six years when he received enlightenment education in life.

The Grass House is elegant, showing in many aspects: a poetic theme, some clean and beautiful words, a female image with a holy heart, a different spiritual realm, but the main aspect is the landscape. For example, "Yau Ma Tei Primary School is a grass house of Ischishi.

More than a dozen grass houses seem to be connected by rules, but they also seem to be connected without rules. They are used as classrooms, offices, teachers' dormitories, activity rooms, warehouses, etc. There is always some arrangement in front of or between these grass houses, or one or two clumps of bamboo, or three or two roses, or a canna with colorful flowers, or simply a small patch of grass mixed with small flowers.

These arrangements, without a trace of deliberateness, seem to be the original existence of this campus, and they are originally like this......The grass houses were not made of ordinary straw or wheat straw, but were built with thatch from the beach 300 miles away. The thatch that grows on the beach is blown by the sea breeze and the unsheltered sun, and one by one grows very resilient ......This house, under the pure sky of the countryside, reveals a style of simplicity. And when the sun shone in the sky, the roof of the house shone with gold, and it showed a sense of luxury.

The grass houses in Yau Ma Tei are exquisitely beautiful and pure." It is indeed like a landscape painted by the writer with words embedded in the story, exuding a pure, tranquil, and magical light, which makes people can't help but fall into a relaxed and pleasant emotional atmosphere. Another example is "the Immersion Moon Temple hidden in the deep courtyard, the four corners are warped, there are a few bamboo forests behind the temple, a few tall trees, there is an ancient acacia in front of the temple, and the wind chimes hanging in the four corners when the wind rises."

Hidden in it is a young and handsome Confucian monk, and a bleak and beautiful love legend. There is a girl named Paper Moon who often comes here and follows this monk to learn words and recite poems", such feelings and scenes, how to say that they are a picture of intoxicating poetry and painting.

The landscape description of "Grass House" is not only a concoction of beauty, but also a natural Bible.

Since Liang Zhengran and human beings fundamentally have the homogeneity of life, even higher than human life, it contains great wisdom about survival and spirituality, and many of people's thoughts and actions are generated by the inspiration of nature. The essence of China's ancient art is all related to nature: the spring and white snow in the poems and songs, the small bridges and flowing waters, pavilions and pavilions in the gardens in the south of the Yangtze River, the light ink and clear bamboos and the freehand landscapes of Chinese paintings; Many of the best artists in ancient and modern China and abroad are also masters of landscape painting:

Chekov. Bunin, Turgenev, Yasunari Kawabata.

Shen Congwen, abolished names, Wang Zengqi.

etc.". In addition to creating an atmosphere and nurturing beauty, the role of scenery has always played an important role in the process of participating in the spiritual construction of the world. "The sun shines on a persimmon tree in the yard, and the leaves cast shadows on the yard, and when there is no wind, the shadows of the branches and leaves are very clear, and a gust of wind shakes the shadows so that the eyes are dazzling.

The wind swept through the branches, always with that monotonous rustle. ”

Who would you think would write this for you at this moment?