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There is a sentence in the "Moonlight Sailing" section of the article "Social Drama", which uses metaphor and anthropomorphic rhetorical devices.
Comparing "Lianshan" to "Beast's Spine", turning stillness into movement, showing that "I" am still "afraid of the ship", and sets off my eagerness to go to the play.
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The main purpose is to show the innocent and childlike cultural life experience of "me" in the water towns in the south of the Yangtze River through the description of the plots of "me" and the young friends sailing on a summer night, watching a play on the bow of the boat, and returning home under the moon, portraying the image of a group of peasant teenagers, and showing the beautiful character of the working people who are simple, kind, friendly and selfless.
Appreciation 11 paragraphs The author writes about the natural beauty of Pingqiao Village through the sense of smell, sight and hearing, which is full of poetry and picturesqueness, expressing the author's love for the natural scenery of the countryside and his yearning for a free life.
Fragrance: Writes about the beauty of the smell of beans, wheat and aquatic plants.
Hazy: Writes about the color beauty of the moonlight.
Light black: The color of the mountain is written, and the beauty of the mountain stove is written.
Ups and downs, enthusiastic Qiaobi: wrote the dynamic beauty of the distant mountains, metaphors, side descriptions, turning stillness into movement.
Slow Boat: Shows my urgency.
Turning, melodious: the beauty of the flute is written.
Quiet: It shows the anxiety and calm feelings of "I" teasing Kuan.
Self-loss, diffusion: It expresses the intoxication of "me".
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Writing technique: combination of scenes, lyrical scenes; The words and sentences are accurate, vivid and vivid, combined with words and actions, and accurately reflect the children's mental activities. "Social Drama" depicts the past of watching social drama when he was a child, expressing the memories of a beautiful life in childhood and the mood of nostalgia.
The Social Drama was written in October 1922. When the work wrote about watching a play in Beijing, it was said that it was a trembling affair of "counting down to the last 20 years". From the time of the publication of the work, the last 20 years are about ten years before the Xinhai Revolution.
The October Revolution gave a strong shock to Lu Xun, who was pondering and exploring, and enabled him to see the "dawn of the new century" and the hope of the people's revolution.
The outbreak of the May Fourth Patriotic Movement made Lu Xun's revolutionary spirit even more invigorated, so he ruthlessly exposed the cannibalistic nature of the feudal system and the way of Confucius and Mencius, and issued a call to "save the children" and overthrow the feudal "iron house".
From then on, he "could not be retracted" and threw daggers and machine guns at the enemy one after another with a thoroughly anti-feudal ideology, showing a clear revolutionary stand. It was under such circumstances that he published ** "Social Drama".
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"Social Drama" expresses the author's deep feelings for the working people and his yearning for a better life, as well as his nostalgia for childhood friendship.
I "was the son of a wealthy family, and I was usually bound by feudal education in the city. Compared with Double Happiness, Ah Fa, etc., it is inevitable that there are some shortcomings, they will only study hard, they will not work, and they will "cry in a hurry" when they can't see the play; But "I" am still a child after all. Innocent-hearted, extremely disgusted with feudal education, and taking "free reading poetry and books" as a pleasure, so he yearns for rural life even more.
Double Happiness is the "smartest" among the little friends, the little leader is general, he is as careful as a hair, smart and clever, when "I" can't see the play, "anxious to cry", Double Happiness can immediately come up with a "good idea", and can cite reasons for "grandmother and mother also believe"; The iron-headed old student didn't turn his head at night, "I" was very disappointed, and Shuangxi comforted "me" with "who is willing to show his skills to Bai Di", showing his kindness and thoughtfulness.
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In our established impression, Lu Xun seems to have always been brave and perceptive. In the tyrannical social environment and harsh living conditions at that time, Lu Xun resolutely decided to abandon medicine and follow literature, and used pen and ink as the most powerful **, hoping to awaken the sleeping soul of the Chinese. Therefore, we clearly remember that the society that imprisons freedom in "The Scream" exudes the horror of cannibalism everywhere; I remember Kong Yiji, who was poor but insisted on learning, and finally broke his legs for stealing books; Remember the diligent man who carved on the table three early writings from pools reflecting the moon.
As time goes by, people may gradually forget that Mr. Lu Xun once had a gentle and quiet childhood. At that time, like most children, he had a curious eye to explore the world, and he seemed gentle and cute. "Social Drama" is such a rare article by Lu Xun, which records the story of childhood.
In fact, the story of social drama is not complicated, mainly because Lu Xun recalled a drama he watched in Zhaozhuang when he was a child. When Lu Xun was introduced in Beijing, he watched two dramas, but for various reasons, he didn't sit down to enjoy them, and then he missed this drama. However, the scene of social drama expressing childhood is deeply imprinted in his mind, so much so that years later, Lu Xun will sigh when he looks back and never saw a drama like that night again.
When he was young, he went to the theater in his hometown, and when summer came, Lu Xun looked forward to the lively social drama. It's a pity that when the day of anticipation came, because of the negligence of adults, Lu Xun couldn't go to Zhaozhuang. At that time, what he revealed in his heart was just the loss that a child should have.
Between the lines of praising the feelings of rural people, they are all tired and dissatisfied with the current life. Through the back of the article, it seems that Lu Xun's melancholy eyes full of nostalgia can be seen. This kind of nostalgia inherited from "Social Opera", no matter how long it lasts, can arouse the resonance in the hearts of Chinese people.
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This **, with a full of affectionate tone, writes about Lu Xun's childhood experience of sailing to Zhaozhuang to Zhaozhuang at night in Pingqiao Village, portraying the image of a group of peasant children, showing the beautiful qualities of working people's simplicity, kindness, friendship and selflessness, showing the poetic and picturesque children's life in the vast land of the countryside, and expressing the author's deep feelings for the working people and the yearning for a free life free from feudal shackles.
The main content of "Social Drama".
This ** is based on the author's life experience in his youth, and writes in the first person about "I" experience of watching the opera three times in the past 20 years: two were watching Peking Opera in Beijing after the Xinhai Revolution, and one was watching social opera in the countryside of Shaoxing, Zhejiang Province when he was a teenager. The author portrays the image of a group of peasant boys with affectionate pen and ink, showing the simple and kind, friendly and selfless good character of the working people, and expressing the author's nostalgia for the life of his youth, especially the sincere friendship of peasant friends.
Social Drama" is introduced by the author.
Lu Xun (1881-1936) was the founder of modern Chinese literature. Originally known as Zhou Shuren, the word Yushan, Yuting, later renamed Yucai, Shaoxing, Zhejiang. In May 1918, under the pseudonym "Lu Xun" for the first time, he published the first vernacular ** "Diary of a Madman" in the history of Chinese literature.
His works are mainly ** and essays, and his representative works include: ** collection "Scream", "Hesitation", "New Story"; a collection of essays "Morning Flowers and Sunset"; literary treatise "A Brief History of China"; a collection of prose poems "Wild Grass"; There are 18 essay collections, including "Tomb", "Hot Wind Collection", and "Huagai Collection".
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The article takes "social drama" as a clue, vividly recounts the experience of "me" watching social drama in the countryside in my childhood, portrays the image of a group of kind and simple rural friends, expresses the nostalgia for the poetic life of children in the rural free world and the nostalgia for the beautiful friendship of rural friends, and reflects the author's love for the working people and the yearning for a better life.
Part 1 (paragraphs 1-4): Looking forward to watching social dramas. Write about "me" life in Pingqiao Village with my mother to the province, highlighting "I" expectations for social drama.
Part 2: (paragraphs 5-30): Go to see a social drama. Write about the whole process of "me" and my friends going to Zhaozhuang to watch the social drama.
Part 3: (paragraphs 31-40): The aftermath of the play. It highlights the generosity and simplicity of the father-in-law of Liuyi, emphasizes the "good beans" and "good plays", and expresses "me" nostalgia for the experience of that night.
Lu Xun (1881-1936), formerly known as Zhou Shuren, was born in Shaoxing, Zhejiang, a famous writer, thinker, and fighter for democracy, an important participant in the May Fourth New Culture Movement, and the founder of modern Chinese literature. "Lu Xun" was the pen name he used when he published Diary of a Madman in 1918, and it was also his most influential pen name. He is the author of the ** collection "Scream" and "Hesitation", etc., the prose collection "Morning Flowers and Sunset", the prose poetry collection "Wild Grass" and the essay collection "Huagai Collection".
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The text is excerpted from the latter part, describing the author's childhood memories of watching social opera, expressing his memories of a beautiful childhood life and nostalgia.
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The writing ideas of "Social Drama" are:
Looking forward to watching social dramas - going to see social dramas - missing social dramas.
**The title is "Social Drama", which points out that its central event is "Watching Social Drama", and the author is using "Social Drama" as a clue to conceive the full text in accordance with the idea of "looking forward to social drama - going to see social drama - missing social drama".
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The author takes "social drama" as a clue throughout the whole text, so he conceives the whole text according to the idea of looking forward to watching social drama (1-4), going to see social drama (5-30), and nostalgic for social drama (31-40).
Through what I heard and witnessed in the process of watching the play, "Social Drama" shows that if the people cannot be rescued from the shackles of feudal ideology and culture, and the people are still in a state of numbness, then all innovations will be empty reading. But where is the hope?
The children who lived on the "Promised Land" were not bound by feudal ideology and culture because they had a beautiful spiritual world. In order that our descendants will no longer live a "toiling life", or a "hard and numb life", ......And to live a "new life, for what we have not lived", then we must fight. If this is not the case, "if we blindly tolerate it, then the current state of chaos can be endless."
That's what this work was written about.
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Writing ideas.
Looking forward to watching social dramas - going to see social dramas - missing social dramas.
**The title is "Social Drama", which points out that its central event is "Watching Social Drama", and the author is using "Social Drama" as a clue to conceive the full text in accordance with the idea of "looking forward to social drama - going to see social drama - missing social drama".
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Looking forward to watching social dramas - going to see social dramas - missing social dramas.
**The title is "Social Drama", which points out that its central event is "Watching Social Drama", and the author is using "Social Drama" as a clue to conceive the full text in accordance with the idea of "looking forward to social drama - going to see social drama - missing social drama".
Hope it helps!!
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1 3: Flat Bridge Paradise.
4 30: Zhao Zhuang watched the play.
31 40: Aftermath.
The article takes social drama as a clue
What the teacher said was accurate.
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Sailing on a moonlit night, watching a play on the bow of the boat, and returning home under the moon. Excellent!
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