Wang Guowei said in Words of the World that into it, out of it , how to understand it?

Wang Guowei. The phrase "into the inside" means that the poet should go deep into life, deeply observe and understand the life of the universe, gain personal experience and feelings, increase life experience, and enrich life knowledge. At the same time, it is necessary to "go out of the ordinary", that is, after the poet goes deep into life, he must get rid of real life and not be confined to the specific things he sees, so that he can look at life from a higher perspective, grasp the essence and laws of things, and make correct judgments and comments, so as not to be overwhelmed by phenomena.

Therefore, those who are "out of the ordinary" are required to "have the intention of despising foreign objects" and "be able to live as a slave", to select, refine, and process the materials of daily life, to grasp the initiative in creation, and to be able to enter and exit. Wang Guowei believes that the dialectical unity of "entering the inside" and "going out of the outside" is dialectical.

In order to create works with "vitality" and "elegance".

Entering the world means entering the world, that is, entering and being in it; Beyond its external point to see it from afar, to see the world detachedly. The original sentence comes from the Qing Dynasty Chinese culture master Wang Guowei's "Seven Rules of Human Words".

Excerpt from the original text of "Seven Words in the World":

The poet's life in the universe must be both inside and out. It is within it, so it can be written. Out of the ordinary, so it can be observed.

In it, it is alive. Out of the ordinary, so there is elegance. Meicheng can get in but not out.

The white stone descended, and neither of these things was dreamed of.

Vernacular translation: The poet should enter the cosmic life in the face of life, and should also wander away. Get into it, so you can describe it. It's free, so you can observe it.

Get into it, so there is life. It is free from it, so it has an elegant feeling. Zhou Bangyan can get in but can't come out.

Since Jiang Kui, these two states have not been seen in dreams.

"Out of the outside, into the inside" is Wang Guowei's "Words in the World" about the poet's comment. The poet's life in the universe must be both inside and out. It is within it, so it can be written. Out of the ordinary, so it can be observed.

In it, it is alive. Out of the ordinary, so there is elegance. The meaning of this passage is that the poet must be able to go deep into life, so that he can have a tangible feeling and experience of life, and only then can he write about the fireworks of life. And out of the ordinary, detached, in order to treat life with the eyes of a bystander, show their elegant taste for life.

Extended Materials. Words in the World" famous sentences.

2. Those who write words do not lose their pure hearts. Therefore, born in the deep palace and grown in the hands of women, it is the shortcomings of the queen and the king, that is, the strengths of the lyricist.

3. The poet must have the meaning of despising external objects, so he can live as a slave. It must also have the meaning of attaching importance to external objects, so it can share sorrow and happiness with flowers and birds.

4. There is my realm, I look at things, so things are all my colors. In the realm of selflessness, we look at things with things, so we don't know what is me and what is things.

5. Everyone's work, its words will be refreshing, and its writing will also be open-minded. His words blurted out, without delicate makeup. Those who see it are true, and those who know it are deep. Poetry is the same.

6, the princes of the Tang Dynasty are only interested, and the antelope hangs its horns, and there is no trace to be sought. Therefore, its wonders, transparent and exquisite, can not be docked, such as the sound in the air, the color in the picture, the shadow in the water, the image in the mirror, the words are endless and the meaning is endless.

7. The word to the master and the vision began to be bigger, and the emotion was deep, so it became the word of the worker and the word of the doctor.

8. The words of Dongpo are empty, and the words of Jiaxuan are proud. There are no two people who have the mind to learn their words, and the effect of Yudong Shi is also heartfelt.

Wang Guowei's expression of artistic conception is mainly to create scenery and set feelings, so that people can be in it.

Wang Guowei's "Words in the World" is a collection of great achievements in Chinese classical aesthetics and literary theory, which proposes the first kind of slag sedan chair realm from the three different realms of literature: "Last night, the west wind withered the green trees, and I went up to the tall building alone, looking at the end of the world." The "second realm" gradually widened the belt and did not regret it, and it made people haggard and unscrupulous. The "Third Realm" looked for him thousands of times, and suddenly changed his early head, but the person was in the dim light.

These three realms are cleverly proposed and summarized, so Wang Guowei's "realm theory" can be said to be a vivid and incisive explanation of literature, aesthetics, life and creation, which is highly praised!

Wang Guowei's so-called three realms of bai, first.

DU is a way to get started.

In "Words in the World", Wang Guowei uses "du realm theory" to dominate other arguments