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The criteria of literary criticism should always be linked to the definition of literature.
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Artistic Criteria for Literary Criticism (1) Vividness.
The artistic form of the DU people.
Zhi elephant, art typical. (dao2) true and dedicated and sincere thoughts and feelings. (3) Perfect and original art form.
Ideological Criteria for Literary Criticism 1Authenticity, that is, the unity of the truth of the essence of history with the truth of the phenomena of life 2The second is tendency, that is, affirming and advocating that literary works should have a tendency to progress and have a positive impact on social life 3
The third is emotionality, that is, to infect people and cultivate people's hearts with healthy and rich emotions.
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Literary criticism needs to be able to clarify the origin of this concept theoretically before establishing the scale and standard of criticism. Literary criticism should not avoid specific and profound historical conditions and social contexts, but should look at people in real life from the perspective of development, especially people with historical subjectivity and practical initiative. Therefore, on the one hand, literary criticism should regard the question of who to represent as an important matter, and should pay more attention to the "silent majority".
But on the other hand, it is also necessary to pay attention to the uniqueness of the way literature looks at reality: language, image, emotion, structure, etc. Therefore, just because it writes about the low-level, the commoners, the weak, and the peasants, it cannot be called realism and people's nature; Nor can the moral superiority of the subject matter negate the aesthetic authenticity of literature.
Here we need a historical, dialectical vision, and more importantly, an aesthetic vision. Times have changed dramatically, the meaning of "people" has changed, realist literature has changed, and I am more of a neo-realism that is open and incorporates a pluralistic approach, and even some postmodern elements.
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Literary criticism is a socio-historical phenomenon. It was born and developed under certain social and historical conditions, and therefore it inevitably has principles and standards that are compatible with this social and historical phenomenon. Generally speaking, there are several principles and criteria for literary criticism:
1.Social Effectiveness Criteria. The fundamental purpose of literary criticism is to reveal the social significance of the work and evaluate the social effect of the work.
2.Artistic standards. Literary criticism cannot exist apart from artistic standards.
3.Formal standards. Literary criticism must take a certain form as its own external representation, and realize its own specific social function through this form.
4.Aesthetic standards. Literary criticism must take aesthetic standards as its own highest standard, and use this standard to measure the value and status of a work.
5.Acceptance criteria. The acceptance criterion is the ultimate criterion of literary criticism.
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Belingis believes that criticism is the "aesthetics of movement", and literary criticism is a practical activity with a strong theoretical color, and it is a practical activity that uses literary and artistic theory to evaluate the phenomenon of art. Literary criticism is a science that studies aesthetic judgments and is aesthetic. The scientific nature of literary criticism is based on a deep understanding of the laws and aesthetic characteristics of art, and is an objective reflection of the aesthetic laws of literary criticism.