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Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
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Liu Yuxi's "Waves and Sands".
It is a Yuefu song, monotonous four sentences, and a seven-character quatrain.
Liu Yu's brother Qi Xi has written many poems "Waves and Sands", among which "Rizhao Chengzhou River Fog and Late Dust Change" is the most famous, and the full poem is as follows:
The sunshine Chengzhou River fog opens, and the gold rush women are full of Jiangkuma. The beauty jewelry Hou Wang printed and judged, all of which came from the bottom of the waves in the sand.
The whole poem writes about the scene of gold panning, which is very suitable for the title of the poem.
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1.The meaning of the full text is: The Yellow River is twisting and twisting with sediment, and the waves are rolling like a huge wind from the end of the world.
2.Now we can go straight up the Yellow River to the Milky Way, and let's go to the home of the Cowherd and Weaver Girl together.
3."Waves and Sands, Nine Songs of the Yellow River" [Author] Liu Yuxi [Dynasty] Tang Jiuqu Yellow River Ten Thousand Miles of Sand, the waves and winds from the end of the world.
4.Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
5.Appreciation: This quatrain imitates the tone of the gold diggers, showing their disgust with the gold panning career and their yearning for a better life.
6.The same lives by the river, the Tianhe where the Cowherd and the Weaver Girl live is quiet and beautiful, but the gold diggers by the Yellow River are begging for a living in the wind, waves, mud and sand all day long.
7.Straight up to the Milky Way, visiting the Cowherd and Weaver Girl together, they entrust their longing for a quiet idyllic life in their hearts.
8.This romantic ideal, poured out in heroic colloquial language, has a simple and unpretentious beauty.
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Meaning of the waves.
Meaning, don't say that gossip is as deep as a rushing wave that makes it impossible to get out, and don't say that the degraded person sinks forever like mud and sand. Gold panning has to be filtered thousands of times, although it is hard, but only when the sediment is exhausted, will the shiny ** be revealed.
The poet has been repeatedly belittled, experienced ups and downs, but the fighting spirit is unwavering, the spirit is optimistic, open-minded, heroic, although the remote debasement has gone through a lot of hardships, in the end can finally show that he is not a useless waste sand, but a bright **. Through concrete metaphors, the poem summarizes the deep feelings gained from self-experience, and firmly believes that those who have been victimized by slander will one day be revealed and cleared of their crimes. The last two sentences can also be used as a metaphor for the need to carefully screen and remove the dross in order to extract its essence.
Waves of the sand Tang. Liu Yuxi, Jiuqu Yellow River is thousands of miles of sand, and the waves are blowing from the end of the world. Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Notes] 1 Lang Tao Sha: The name of a song in the Tang Dynasty. 2 Waves:
The Yellow River is rolled with mud and sand, and the wind and waves are rolling. The end of the world: the edge of the sky.
3 Milky Way: The ancients thought that the Yellow River and the Milky Way were connected. 4 Morning Glory:
That is, the legendary cowherd. He and the Weaver Girl were separated on both sides of the galaxy because they angered the Emperor, and they were only allowed to meet once a year on the seventh day of the seventh lunar month. The winding Yellow River is a long river with a large amount of yellow sand, and the Yellow River is turbulent and surging, coming from the sky.
Now I want to face the wind and waves and go straight to the Milky Way, and walk to the door of the Cowherd and the Weaver Girl. 【Appreciation】 This poem was written in Kuizhou, which is a political lyrical poem in the style of folk songs, and is the first poem of "Nine Songs of Waves and Sands". The first two lines of the poem depict a magnificent picture of thousands of miles from the horizon in white strokes.
"Nine Songs" uses exaggerated techniques to write the twists and turns of the Yellow River. "From the end of the world" writes the long history of the Yellow River in a magical way, which is similar to the sentence "The water of the Yellow River comes up from the sky, rushes to the sea and does not return" in Li Bai's "Will Enter the Wine". The last two sentences adopt the allusion of Zhang Qian for Emperor Wu to find the source of the river and the Cowherd and the Weaver Girl across the Milky Way, galloping imagination, indicating that he wants to face the wind and waves, against thousands of miles of yellow sand, and go up the river until the home of the Morning Glory and the Weaver Girl, showing the poet's heroic spirit.
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One of the meanings of the waves and sand: the bend of the Yellow River carries the mud and sand, and the waves roll like a huge wind from the end of the world. Today, we can follow the Yellow River path to the Milky Way, and we will visit the home of the Cowherd and Weaver Girl together.
Surfing the sand. Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Translation. The Yellow River bends and twists with sediment, and the waves roll like a huge wind from the end of the world. Today, we can follow the Yellow River path to the Milky Way, and we will visit the home of the Cowherd and Weaver Girl together.
About the Author: Liu Yuxi (772 842) was a literary and philosopher of the Tang Dynasty. The word Mengde, a native of Luoyang (now Henan), said that he was hail and Zhongshan (now Dingxian County, Hebei).
Holding the rent of Zhenyuan (Tang Dezong year, 785 805 AD) was promoted to the rank of Shidi, and he was erudite and learned the macro resignation. Granted the Inspector of Imperial History. He once participated in the Wang Shuwen group, opposed the eunuchs and the separatist forces of the feudal towns, was demoted to Sima of Langzhou, and moved to Lianzhou to assassinate the history.
Later, he was strongly recommended by Pei Du, appointed as the prince's guest, and inspected the school etiquette department. Known as Liu Guest. His poems are popular and fresh, and he makes good use of metaphors to convey political content.
Bamboo Branch Words", "Willow Branch Words" and "Plugging Field Songs" and other group poems, rich in folk song characteristics, are unique works in Tang poetry. There is "Liu Mengde's Anthology".
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