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The Book of Poetry is the earliest collection of poetry in China, allowing people to understand the life of people at that time of labor, sacrifice, love and marriage, Chu Ci is a poetry genre created by Qu Yuan using the Chu dialect, and has become a literary work with romantic characteristics.
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The Book of Songs is the glorious starting point of Chinese realist literature. Because of its rich content and high intellectual and artistic achievements, it occupies an important position in the cultural history of China and the world.
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The Book of Songs has a lofty position and far-reaching influence in the history of Chinese literature, laying the fine tradition of Chinese poetry, and the national characteristics of Chinese poetry art have been formed from this.
The Book of Poetry is based on the real life of society, there is no vanity and grotesque, there are very few supernatural myths, the description of sacrifices, feasts, and agricultural affairs is the product of the social economy and ritual culture of the Zhou Dynasty, and the description of the current political style, war and servitude, marriage and love, shows the political situation, social life, customs and folk feelings of the Zhou Dynasty, and the spiritual tradition of "the hungry sing about their food, and the laborers sing about their affairs" has been inherited and carried forward by later generations.
Chu Ci has had an extremely profound and extensive impact on the development of Chinese literature, and it exists in almost every literary field and in different genres of literature to varying degrees.
Chu Ci is recognized as a monument of poetry alongside the Book of Songs, which creates a new poetic style and plays an extremely important role in the development of poetry. First of all, "Chu Ci" pioneered the four-word style of the "Book of Songs" and repeated chapters and rhymes; Secondly, "Chu Ci" enriches the subject matter of poetry and expands the field of expression of poetry.
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The production of the Book of Songs is closely related to the production of the ritual music culture of the Zhou people, and it is itself a product of the ritual music culture.
The cultural background of the Book of Songs is by no means as simple as compiling a collection of poems. Now we want to compile a collection of poems, so to speak, as fast as a week, as slow as a month or two, two or three months, and compile an anthology of poems, which is very easy to do.
But it was very difficult in that era, and in that era, compiling a collection of poems such as the Book of Songs was by no means simply for entertainment, but had political and cultural significance.
The Zhou people gave full play to the function of music, and used the Book of Songs as a medium to comprehensively publicize and promote the system of ritual music, and achieved success.
Later, the score was lost, but the Book of Songs was loved and passed down to future generations for its rich content, harmonious rhythm, touching images, and profound thoughts.
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1. Relevant information on the Book of Songs.
The Book of Songs is a collection of poems produced more than 2,500 years ago, at the end of China's slave society.
It is the beginning of ancient poetry in China, and it is a very important material for the study of the history of ancient literature and ancient history in China, especially the history of ancient poetry.
From the perspective of the history of the development of poetry in China, the Book of Songs is the earliest collection of poetry in China.
It collects poems from the 11th century BC to the 6th century BC, reflecting the social outlook of China from the beginning of the Western Zhou Dynasty to the middle of the Spring and Autumn Period for about 500 years.
The Book of Songs was finally compiled into a book in the 29th year of Lu Xianggong (544 BC), and the Book of Songs was originally called "Poems" or "Three Hundred Poems", and the name of "Jing" was added during the Warring States Period.
According to the records of the "Historical Records", there were more than 3,000 ancient poems before the compilation, and 305 of them were deleted by Confucius and left a frank and crude "can be applied to etiquette".
The Book of Poetry is the singing of the chorus, according to the different natures of the **, divided into three categories: "wind, elegance, and song", and there are three hundred and five articles.
2. Background knowledge of the Book of Songs.
The works in the Book of Songs were produced after King Wu of Zhou destroyed Shang (1066 BC).
The earliest era of "Song of Zhou", produced in the early years of the Western Zhou Dynasty, is a work of aristocratic literati, mainly in the music of the temple, the song of praise to the gods and the faith, and some of them describe agricultural production.
Daya is a product of the prosperous period of the Zhou Dynasty and is the only surviving epic in ancient China.
Xiao Ya was produced in the late years of the Western Zhou Dynasty and after the eastward migration.
Both Lu Song and Shang Song were produced after the eastward migration of the Zhou dynasty (770 BC).
It's all about Confucius, a folk song that he organized, and a folk song that he said, and a disciple who made him say it.
The Book of Poetry is divided into three categories: wind, elegance, and song according to the different tunes. The wind is a different region of the place**. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. >>>More
The Book of Poetry is divided into "Wind", "Ya", and "Song". >>>More
It seems a little boring. If this is the subject of the so-called national quintessence, I really feel a little sad. >>>More
What is the full text and translation of the Book of Songs? >>>More