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The first clip, picking up his ex-wife's ** at the airport. Everyone who watched the performance at that stage will be impressed. Heartfelt performances are always easy to impress, Geng Hao feels that his ex-wife's betrayal is only because the enemy is too strong, not because he is not in love.
The emotional point of his initiative is that I forgive you, you don't have to be afraid. But this emotion was immediately replaced by another emotion of despair. This alternation of emotions is heartbreaking.
And Ning Hao used a long shot here to express such emotions completely, without any sense of breakage.
In the second clip, Geng Hao and Hao Yi broke up. Sleepy eyes are more difficult to play than drunk, because it is not that he is not awake, he has just dealt with the whole world with an attitude of almost despair, and this emotion is difficult to express.
Another commendable advantage of the whole film is its unique narrative style, which is not just a technique for the sake of skill, but more often a skill for the sake of expression. The whole narrative structure seems to be a parallel space, but in fact, it is implied with a meaningful expression in it.
The occurrence of the story is actually the end of the story, and the protagonists of the story actually have the same mentality. <>
If it doesn't end, it doesn't matter if it begins, and if it doesn't start, it doesn't matter if it ends. Many people say that the past can only be forgotten if it starts over, but many people ignore how it can start again if it is not forgotten. What Ning Hao wants to tell us through a very complex parallel narrative is such a theme, what we are looking for is not a new beginning, but everything that has happened.
Only by looking for the past can we move towards the future. This is perhaps a must for everyone who has experienced a loss.
Of course, there is nothing to say about the soundtrack of this film, Hao Yun's ballad sounds as if people have long been sitting at the door of Dali, where there are girls, love and the life they want.
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They met at a café, but that was three years later, and they hadn't been in touch for three years. The memorous fragment at the end is that Guo Yang did not chase him out, and the scene in the end Fang Fang turned around and Guo Yang was imaginary, because there was no one in the square at that time.
The last scene of the movie gives an ideal ending, and a realistic ending has been given earlier. In reality,The female owner was angry because the male owner didn't return from watching the ball all night.,The second time she proposed to break up and left with her suitcase.,When you arrive at the railway station square and look back, the male owner didn't follow.,Finally, they really broke up.。
The heroine completely fell her entire attention into love, and she was not interested in anything during college, and the only thing she wanted to do was not to buy a ticket to return to her hometown to see the male protagonist, or to replace it temporarily, and even said to herself: "Even if you are together, you still don't feel enough." "The female protagonist who is so sticky can't stand the male protagonist doing anything else.
The general female protagonist of the prison visit is actually forcing the male protagonist to choose between freedom and love.,The first time the male protagonist's brother Zhiran chose to fall in love.,The second time the male protagonist chose freedom.。
The story consists of three sections: childhood, adolescence, and youth. The hazy affection between a childhood and a male partner turned into envy and mutual harm due to shyness and incomprehension; When I was a teenager, I was attracted to a boy who played the guitar, and I was in love alone, joyful and sad, but I didn't have the courage to face an intersection that I had been waiting for.
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Douban score, the box office of the year reached 1 billion+, as far as domestic movies are concerned, they can actually be watched.
In fact, it also conveys an attitude, an attitude about how to face life, face reality, and face love: face all the obstacles that have occurred, and be open-minded enough to let go of what has been lost.
And the acting skills of Xu Zheng and Huang Bo are impeccable, it's a pity not to watch it. Especially Huang Bo, he almost supported most of the whole film, which made people have to admire. The performance at the airport ** was directly abused to the depths of my heart, if the performance has the saying of "real acting", then this is real acting.
This also once again strongly illustrates a truth: a good actor is always good at heart, not under the appearance of fandel.
Always, it's a road comedy worth watching, after all, in addition to comedy, it also tries to tell you a little bit of truth.
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Remember "Crazy Alien", which was the second at the box office during this year's Spring Festival? Everyone thought that "Crazy Alien" was the first collaboration between Huang Bo, Xu Zheng and Shen Teng, but in fact, as early as the National Day file in 2014, they had already appeared on the big screen together. Ning Hao's works do not seem to disappoint, from "Crazy Stone" and "Crazy Racing", Ning Hao's film works have maintained his usual stability, I remember that someone commented on Ning Hao's stability "If you have to invest in movies but don't know who to invest in, then choose Ning Hao".
A good actor (Xu Zheng, Huang Bo) + a good director (Ning Hao) is a masterpiece. In fact, in addition to Huang Bo and Xu Zheng, the two leading actors are very good, although many supporting roles do not have many scenes, they also have a deep impact. Zhou Lijuan, the girl who "killed Matt" played by Zhou Dongyu, represents the post-90s generation of "pain literature" in that period, and the owner of the Dali bar played by Shen Teng is also quite pyrotechnic, and he can't imagine that Uncle Shen's ruffian is innate.
In general, "Heart Flower Road" is a domestic road movie masterpiece worth tasting, in addition to bringing jokes, the movie also brings the audience a lot of thoughts, such as the "shadow side" that seems to be emphasized in the movie, Geng Hao is relieved that he can't stay on the dark side all the time, and after erasing "Geng Hao is sorry Kang Xiaoyu" angrily, he finally understood the matter and walked out of the "shadow", and finally changed it to "Geng Hao blesses Kang Xiaoyu".
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I think this ** is still worth watching, maybe when you first watched it, you didn't think it was very good, but this movie needs you to watch it with your heart, but you can experience the truth that the language does not express.
This ** is mainly because the male owner's wife divorced him when someone was outside, but, he couldn't accept the blow all of a sudden, and wanted to cut the other party, but fortunately his buddies stopped him and enlightened him. Let him know that since he can't change it, it's better to let it go, only then can you get better.
You will find this in the play, this is the story of what happened in our real life, no one's life can be smooth sailing, and no one can always be at a low point, life is full of unknowns at every moment, there are happy and sad, all we can do is to have a balanced mentality that we can take it up and put it down.
And at the beginning of this play, you will feel a bit like a bad play, and you are not optimistic, but when you watch it with your heart, the more you watch it, the more you will find that the seemingly funny story actually hides another sad attitude, especially when people like us are middle-aged, we will get the feeling, sometimes, life is too unsatisfactory, only by trying to let go, you will find that you actually have quite a lot.
Therefore, this drama is still worth watching. You're going to get a different understanding from it.