What do you think of Wang Xianzhi s words? What is Wang Xianzhi s regular script masterpiece

Wang Xianzhi (344-386), Zijing, a native of Linyi, Langya, Eastern Jin Dynasty, calligrapher and poet, ancestral home of Linyi, Shandong, born in Huiji (now Shaoxing, Zhejiang), the seventh son of Wang Xizhi. The official to the Chinese calligraphy order, in order to distinguish it from the later calligrapher Wang Min, is called Wang Daling. Together with his father, he was called the "Two Kings".

Wang Xianzhi followed his father to practice calligraphy since he was a child, and he had great ambitions. He is known for his calligraphy and cursive script, but he also has a deep knowledge of regular script and official script. Because Tang Taizong did not appreciate his works very much, his works did not survive as much as his father's works.

The famous work "Luo Shen Fu Thirteen Lines" is also known as "Jade Edition Thirteen Lines".

Wang Xianzhi's calligraphy art is mainly to inherit the family law, but it is not conformist, but has made other breakthroughs. In his hand-me-down calligraphy works, it is not difficult to see his inheritance of family learning and his own traces of his own new path. The predecessors commented on Wang Xianzhi's calligraphy as "Danxue Phoenix Dance, Clear Spring Dragon Leap."

Sophisticated, ingenious, and intellectual." His pen has changed from "internal extension" to "external extension".

His cursive writing is even more praised. Yu Zhuo once said: "Cursive writing has been written from Zhang Zhi of the Han Dynasty, and there is only one official slave who is a wonderful person."

His hand-me-down cursive ink treasure has "Duck Head Pill Post", "Mid-Autumn Festival Post", etc., all of which are copies of the Tang Dynasty, and his "Duck Head Pill Post", line grass, a total of 15 characters, silk book. Wu Qizhen of the Qing Dynasty praised this post in the "Calligraphy and Painting Record", and said: "(This post) calligraphy is elegant, majestic and amazing, and it is natural and interesting, and it is the supreme divine product."

His "Mid-Autumn Festival" is a grass, a total of 22 characters, with a new look, a piece of feather auspiciousness, which is rare in the world. Emperor Qianlong of the Qing Dynasty included it in the "Three Xi Ti" and regarded it as a "national treasure". He also created the "one-stroke calligraphy", which changed the unconnected grass of his father into a connected grass, often a coherent number, because of his calligraphy heroic and magnificent, so it was valued by the world.

Luo Shen Fu Thirteen Lines" read shirt.

Luo Shen Fu Thirteen Lines".

Luo Shen Fu Thirteen Lines is a typical regular script masterpiece of Wang Xianzhi. When the original book was transmitted to the Northern Song Dynasty, it was damaged and lost, until the Southern Song Dynasty, when Jia Nidao collected thirteen volumes and engraved on the jade slab, so it is also called "the thirteen lines of the jade version". Luo Shenfu's style is elegant, and the brushwork is handsome and beautiful.

The glyph is developed from the horizontal trend of the traditional regular script like the vertical trend, and the knot is wide and powerful. Luo Shenfu is rich in content and extremely gorgeous. Whether it is in the font skills or Cong Gao Zao, it is very unique in terms of lyric expression.

Wang Xianzhi, from 344 A.D. to 386 A.D., was a native of Linyi, Shandong Province.

Wang Xianzhi. Wang Xianzhi was a famous calligrapher, politician and poet in China during the Eastern Jin Dynasty, and his father Wang Xizhi was called the "two kings". Wang Xianzhi is best at writing and cursive, but he is also admirable in terms of official script and regular script.

The regular calligraphy and painting of the king blind loss are charming, and the pen is sharp and thin and hard, the gesture is extended, the demeanor is sparse, and there is no tackiness. It can be said that the regular script has developed to the era of Wang Xianzhi and has become relatively pure.

Father-son relationship, Wang Xianzhi is the seventh son of Wang Xizhi.

Wang Xianzhi, a calligrapher in the Jin Dynasty, learned to write from his father Wang Xizhi since he was a child.

Once, when he asked his father to teach him the secret of learning calligraphy, Wang Xizhi did not answer directly, but pointed to the eighteen water tanks in the courtyard and said: The secret of comfun is in these water tanks, and you will know after writing the water in these water tanks. Earth.

Wang Xian was unconvinced, thinking that although he was small, he had already written very well, and he was determined to practice the basic skills again and show it in front of his father. He imitated his father's handwriting every day, practicing horizontal, vertical, dotted, apostrophe, and pinch, and practiced for two years before showing his father the words he wrote. The father smiled but did not speak, and the mother said on the side

It's a bit like an iron scratch. The king of the land Xianzhi practiced all kinds of hooks for two more years, and then showed it to his father, but his father was still silent, and his mother said: It's a bit like a silver hook on the ground.

Wang Xianzhi began to practice the complete handwriting, and it took another four years of practice before he showed the written words to his father. After Wang Xizhi saw it, he added a little bit below the character of the earth written by his son, and it became the character of the character of the earth, because he thought that the frame of the character of the earth written by his only son was tight at the top and loose at the bottom. The mother read the words written by Wang Xianzhi, sighed and said:

Tease my son to practice calligraphy for 3,000 days, and only this is like what your father wrote! The king of the earth listened to it, and then he was completely convinced. Since then, he has put more effort into practicing writing.

Wang Xizhi was very happy to see his son practicing calligraphy. One day, he quietly walked behind his son, and pulled out the pen he was holding in his hand, but did not pull it, so he praised his son and said: After teasing this son, he will have a great name again.

The king of the earth, Xizhi, knew that his son had the strength to write, so he began to cultivate him carefully. Later, Wang Xianzhi really finished writing the water in these eighteen jars, and like his father, he became a famous calligrapher.

Wang Xizhi used 18 water tanks to explain to his son that there is nothing in the world that is not earned without hard work, and only by practicing the basic skills can we find out the basic laws from it, and calligraphy can also reach the realm of perfection. As the saying goes: Fairness comes naturally.

Children's learning is expensive, focused, and persevering, and when the child's accumulation reaches a certain level, it will naturally achieve good results. While educating their children, parents should not rush for quick success, but slowly cultivate their children's serious and down-to-earth character.

Wang Xian's words are generally better, although the Lanting collection preface is the first line of books in the world, but I feel that it is not all good words, and it also includes factors such as the content of the article. Yan Zhenqing's manuscript for his nephew in the world, the second line of the book mainly emphasizes the historical content and background of the article. It's not just that the word comes second.

The words of Wuxizhi have a soul and give people the beauty of strength. Wang Xianzhi's words are tangible, giving people a beautiful but insufficient soul.

The right army is called the saint of history, although the great order book is wonderful, it is still inferior to the father, the dedication of the prime of life and the death of the young, the world to make the pen is not as long as the father, so the history of its calligraphy and art is not as good as the father, it is a positive comment, and the ancient and modern folk talkers, mostly biased opinions.

Each has its own merits, but the father is in front, giving people a preconceived feeling, so everyone thinks that the father is superior, and it depends on everyone's preferences.

Wu'er wasted three jars of water, only a little like Xizhi.

Needless to say, it is definitely good to be less, and the book saint is not to compare with each other, and some people are sad that they don't learn.

No one is the same, I like Wang Xianzhi.

Before Tang, Xiao Wang was more famous.

The king of Kaixing is the first, and the cursive king is the crown.

There is no first! That's not what you should have asked!

I haven't seen the real thing, so I can't evaluate it objectively!

Of course, Wang Yizhi is even better, Wang Yizhi's words are vigorous and upright, restrained and introverted

What is the question, which is better, the sun or the moon?

Whether it's about style or technology, you have to give an angle, right?

If you ask about the great calligraphers of ancient times, the first person who comes to mind in the 90s must be Wang Xizhi. Wang Xizhi, as a famous calligrapher of the Eastern Jin Dynasty, has a calligraphy that is good at both li, grass, Kai, and line, and carefully studies the posture, absorbs the strengths of others, and finally refines a furnace to form a peaceful and natural, noisy and subtle pen trend, and a beautiful and healthy self-style.

The "Orchid Pavilion Preface" written by him is known as "the first line of books in the world", because of his outstanding calligraphy, he was called "the saint of calligraphy" by later generations. There is no doubt that Wang Xizhi's achievements in calligraphy are high, but if he is the first in calligraphy, the first to stand up against it is his son.

Wang Xizhi's seventh son, Wang Xianzhi, is also a great calligrapher, and his achievements in calligraphy are no less than his father's. He and Wang Xizhi are collectively known as the "two kings", and Zhang Zhi, Zhong Xuan, and Wang Xizhi are called the "four sages in the book".

In fact, to a certain extent, Wang Xianzhi's achievements in calligraphy had a greater influence than Wang Xizhi in the half century from the end of the Jin Dynasty to the Liang Dynasty. Zhang Huai rated his calligraphy as the first class in "Book Evaluation".

Wang Xianzhili wrote well, and later Qi Mo also changed the right military law for his own use, forming his own book style, which was wonderful and famous, as famous as his father.

Wang Xizhi and Wang Xianzhi's father and son are both good at writing, so it is inevitable that they will be compared by people at the time. Once, a man of humanity said, "Is your father's calligraphy better than yours?" ”

Wang Xianzhi replied: "I can't judge." ”

Someone ran to ask Wang Xizhi again: "The world says that your calligraphy is not as good as your son Wang Xianzhi?" ”

Wang Xizhi: "Let's leave it at that! ”

When he arrived at Wang Xianzhi, he asked, "Others say that your calligraphy is not as good as your father." ”

Wang Xianzhi said neatly: "What do others know? ”

In this way, it seems that in Wang Xianzhi's heart, he has always thought that his calligraphy is stronger than his father's, otherwise he would not refute it so neatly.

Dedicated to learning from his father, extremely talented, keen to innovate, transferred to Zhang Zhi, and created a cursive script connected to the top and bottom, Mei Yan even surpassed his father, poor and holy, and his father was called the "two kings". ”

Wang Xianzhi's calligraphy at the beginning was taught by his father, and later he learned from his father's strengths, and finally formed his own calligraphy style.

You have to ask Wang Xianzhi, since he has always been more respected by the contemporary than his father before, why is it that in the end it is far less famous than his father in later generations? This is about a feudal emperor.

During the period of Taizong of the Tang Dynasty, Wang Xizhi's promotion of repentance was strongly promoted, and the situation changed. After all, the monarchy was supreme at that time, and the emperor said so, whether it was the cultural world or the art world, it was natural to echo it. Therefore, Wang Xizhi's reputation was stronger than Wang Xianzhi's, and he eventually became a well-known "book saint" in later generations.

Wang Xianzhi and Wang Xizhi are both great calligraphers in the Eastern Jin Dynasty, each with their own strengths, and are called "two kings". If you really want to divide the highs and lows, who are you more optimistic about?