The meaning of imagery in ancient poetry Imagery

The imagery of poetry usually refers to the image of nature, that is, the image taken from nature to convey feelings. The ancients thought that meaning is the inner abstract mind, and the image is the external concrete image; Meaning originates from the heart and is expressed with the help of images, which are actually the sustenance of meaning.

Traditional Chinese poetry actually refers to the artistic processing techniques of allegorical feelings, scenes, and scenes. The process of poetry creation is a process of observation, feeling, brewing, and expression, and a process of reproducing life.

Sometimes, the social things sung in the poem, the characters portrayed, the life scenes depicted, and the social life plots and historical facts laid out are also used to express feelings, which is also an image. That is, the image of things relative to the image of things, and the image of society relative to the image of nature. It is a term used in the analysis of poetry and prose, referring to the various things that constitute an artistic conception, which often carry the subjective emotions of the author, and the combination of these images constitutes the artistic conception.

Such as Ma Zhiyuan's "Autumn Thoughts".

In the sentence "withered vines and old trees faint crows, small bridges and flowing water", the interpretation is: At dusk, a group of crows landed on the old trees entwined with withered vines, making a terrible wail. The water under the small bridge is rattling, and the smoke of the villagers on the side of the small bridge curls on the ancient road.

Brave the west wind and make it hard.

Withered vines, old trees, faint crows, small bridges, flowing water, and people are the images in the poem, and these images are combined to become a bleak, sad, and desolate artistic conception, the image is a combination of specific things, and the artistic conception is the combination of the overall environment and feelings composed of specific things.

Origin of imagery:

The theory of imagery originated very early in China, and "Zhou Yi.

The "Dictionaries" has the saying of "looking at things and taking images" and "standing images with all intentions". However, the image of "Zhou Yi" is a hexagram.

It is manifested as two combination symbols of yang and yin, which are combined into sixty-four hexagrams, which were originally used to record all things in heaven and earth and their changing laws, and later developed into the category of history and philosophy.

Poetics borrows and extends that the principle of "standing up with all intentions" has not changed, but the "image" in the poem is no longer a hexagram, not an abstract symbol, but a concrete and perceptible image. This ability to create imagery is always the hallmark of the poet.

Metaphor is an important device in poetry (literature), and simile is in Homer.

poems abound. Aristotle.

It was first pointed out that metaphor is the foundation of poetry, and the so-called simile or metaphor, that is, figurative imagery, is called metaphor (the image produced by metaphor). Hegel.

The definition of beauty and art is also in line with the imagery theory of poetry: beauty is the perceptual manifestation of ideas. The content of art is the idea, and the form of art is the image that appeals to the senses, and art wants to reconcile these two aspects into a free and unified whole.

The image in ancient poetry refers to an artistic image created by an objective image through the unique emotional activity of the creative subject.

Imagery is the processing image of cognitive objects formed in the thinking space after the cognitive subject has been exposed to objective things, according to the representational information transmitted by the feeling, and the physical memory traces and the overall structural relationship left in the mind. This memory trace is the temporary connection between the feeling ** information and the new ** information.

Imagery

Imagery is the basic unit of mental activity, and imagery is used to refer to things in order to evoke corresponding feelings and stimulate ripples of mental activity. Thinking is based on the interaction of image units, and the images, words, and sounds in memory are just a form of information from the outside world stored in the subject with images, and the image is a spiritual body constructed by the information of the outside world within the subject, and it is a tool and element of thinking.

The neural basis of a single image is a cluster of neurons (groups), and an image is a physiological structure, a combination of valid information, or a combination between images and images. A group of neuronal clusters is equivalent to a set of information encoding bodies, which correspond to specific sensory information representations (connections), and it carries the connection relationship of related sensory information from top to bottom, which is a high-level information carrier.

The above content reference:Encyclopedia – Imagery

The images of cherry blossoms and hailstones in the poems include the imagery of trees, flowers and plants, and birds and beasts.

1. Imagery of trees.

1. Pine and cypress: The model of the Aoxue group is often used to imply integrity, loyalty, and tenacity.

2. Sycamore: a symbol of desolation and sadness.

3. Basho: often associated with loneliness and sorrow, and parting with sorrow.

4. Willow: farewell.

2. Imagery of flowers and plants.

1. Chrysanthemum: hermit, fighter; and sentimentality.

2. Plum blossoms: noble, not afraid of setbacks; and dare to be the first in the world and make trouble.

3. Lotus: out of the mud without staining; Noble.

4. Backwardness: cherish spring, hurt time; The melancholy of the shortness of life.

3. Imagery of birds and beasts.

1. Cuckoo (sub-regulation): desolate and sad.

2. Partridge: the sadness of parting or the longing for hometown.

3. Hongyan: The wanderer's homesickness and nostalgia and the sadness of the detention trip.