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Your situation is based on the feeling of bouncy.
In fact, it is called "playing the piano indiscriminately".
**If there is no rhythm, is it still called**?
Specific exercise steps:
First, in the climbing exercises, the feet are used to beat the beat.
You can start with one note at a time, then two notes at a time.
Four more beats.
The electric guitar is the most rhythmically demanding.
Second, for the modulation. You should read some books.
To put it simply. You find the note you played 1. Compare the guitar fretboard with whatever is the tune. Also pay attention to the relationship size key.
Actually, it's hard to say.
How to practice: Learn the types of scales in each key of the guitar.
Then according to the relationship, you will know what the tone is.
One last note: master the rhythm.
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You can understand some guitar playing methods, but you don't understand the principles.
Need to take a good look at the music theory book.
The rhythm is for the rhythm of a piece, and if you master the tempo well and play it in unison with the band, you can see at a glance whether you are playing your own beat or cooperating with everyone.
Notes are how each note is written and expressed, you can start by pondering the chords, see why some chords are formed the way they are, see what kind of notes are contained in each chord, and what kind of relationship each note has with each note.
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It is recommended that you go to see some guitar music theory, you don't need to buy a special music theory book, just look at the music theory on some guitar textbooks, add up a lot, have time or practice more basic skills, with Kobayashi's teaching materials to practice skills, I suggest you don't practice electric guitar like this, just play the simple notation down, look at the music theory more, and you will know how to practice in the future.
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I guess I didn't learn music theory.
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1. Cdefgab has its own corresponding scale, and you will definitely have the syllables in C key, right? It's the easiest. Reasoning backwards is naturally a syllable in the D tune, and the reason is the same as the reasoning of strong chords, since you play the electric guitar, you must know strong chords, right?
If you really don't know anything about it, then it is recommended that you find a teacher to study the best, or read books and learn by yourself, but it is very troublesome. It's so hard for me to tell you about it here.
2. The scales are the same.
3. The seven-tone scale is the 12345671 you play normally, and each key is seven tones and one is a lot. You have to understand this pentatonic scale, and if you use the pentatonic scale in future improvisational singing, the pentatonic scale is actually the two semitones of 4 tones and 7 tones have been removed, so you should pay attention when practicing the pentatonic scale of each key, and there can be no 4 tones and 7 tones.
4,Practice over and over again,The scale doesn't mean that you can not practice if you can play.,Even if you can quickly play the syllables of each key in one breath.、But if you don't know how to use it or in vain.,Those who can easily improvise solo are the scales in place.。
5. I'm sorry, I don't understand what you mean by debugging.
6. Time is decided according to your state, don't stop when you feel good in a good state! If you are not in a good state, the more you play, the more you don't feel it, stop practicing immediately, rest and adjust, and practice again. If you are not in a hurry to rehearse the tune and have patience, then you can re-sort out your thoughts, start from the practice of climbing the broad fingers, the basics of labor are like this, and then it is still the practice of scales, you first understand the scale of C key and then slowly understand it after you are proficient.
Practicing the right-hand sound of strong chords, the metal rhythm is the most rhythmic, followed by practicing the left and right hand skills of playing. Finger exercises and broad fingers should be performed for at least 10 minutes before each practice.
Finally, I wish you a speedy success, and if you have any other questions, please feel free to contact me.
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There are so many questions...
1. Music theory is of course useful, but you don't have to master it all now, you can learn to read music and rhythm first. Others can be taken slowly. Of course, it is a bit difficult to learn music theory on your own.
2.The paddles must be dialed up and down, otherwise you can't keep up. (Except when special needs apply).
3. You can find someone who understands the rhythm, and you can understand it when he tells you on the spot. For example, if you beat the rhythm with your feet, you will make a sound evenly with your feet up and down, just like when you clap your hands to the rhythm when you sing. A bar below the note is to divide a beat into two equal parts, and play it twice in a beat.
Two bars are 4 strokes.
4. The electric guitar climbing lattice is the foundation, and it must be practiced for no less than 30 minutes a day. As long as you practice climbing the lattice, you won't stand still, you don't waste time just climbing the lattice for a year, but you have to pay attention to the rhythm (this seems to be in vain...). You don't know the rhythm) keeps increasing the speed while keeping the notes full.
Press horizontally and try to press the string with the second joint of your index finger.
5. As mentioned above, you don't need to be in a hurry to understand these first, you can take your time, and you will understand after reading and listening more. I'm also completely self-taught, so you have to think about it to understand.
6. Music theory is universal, not only for guitars, but also for all musical instruments. But you can't play electric guitar in March. You need to have a good textbook, such as the Little Link and Joey series. Textbooks are important, especially if you are studying on your own.
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'1,2,3,4,5,6,7' is the scale. The key is the position of the '1' in the guitar fret in each song, provided that the guitar is tuned to the standard note ('do' is 1 g in 1 string and 3 frets, 1 string and 2 frets are 1 f, bg, and 1 string and 1 fret is 1 f).
The pentatonic scale is 1, 2, 3, 5, 6. The seven-tone scale is 1, 2, 3, 4, 5, 6, 7. The difference is evident at a glance on the guitar.
I am an amateur, not a professional, so I may not explain it very accurately. Based on the principle that beginners can understand, the emphasis is on understanding, and in addition, learning the guitar is very hard, and you have to persevere. It's best to keep a fixed practice time of about 2 hours a day, and it's not a problem to press horizontally for a week (when you press it, it's a little bit, it's strange, you won't just practice hard) There is no shortcut, but there is a way.
I won't say much here, there are many books on the **, but you still have to experience it yourself!
I wish you a happy guitar dream!
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On the third floor, you still go to learn music theory knowledge first, and you think you are a master with two textbooks in your schoolbag, don't mistake people's children.
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The guitar range has more than 3 8 degrees, from the E string of the lowest note of the open string to the 12th fret of the first string is exactly 3 8 degrees, which is the most commonly used range of the guitar, in this range, there are many different bits to play the same scale, you must be familiar with the corresponding note position of each bits and the contrast between the notes of the staff, as well as the staff position of each string note vertically through the change of strings, the best way is to train the fast scale, and then play the monophonic main melody of **, After getting familiar with it, you can see the notes of the staff and immediately know how to play them, you can play them in one position, or you can play them by changing them, which is as if it were learning the violin, which is very important. 1. Start in C major, gradually learn G, F, D, A, B... Study in major keys.
2. Divide the scale into different rhythms, which can be combined with the change of handles to train together. 3. Use the metronome to gradually increase the speed, provided that the speed of playing the scale is increased on the basis of ensuring that it is correct... In this way, you learn the staff first, and after you know the staff, you can compare the notes in the first position of the guitar with the staff.
For example, adding a line under the staff is 1, then the position of the 3rd fret corresponding to the 5th string on the guitar is 1, and learning the scale in comparison with the staff may be slower at the beginning, and then it will be very fast, which is the only way to learn the guitar professionally. It is better to systematically learn the 24 major and minor scales of Segovia, and those who have been using 6-line notation will always be outsiders to classical guitar and laymen to **. You don't go astray.
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No, it's important to be able to find notes on the fretboard, but it's not a scale; If you are self-taught, it is recommended that you buy a "Guitar Self-taught March Pass" to take a look, which is not bad.
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When playing the scale, you should read the note you played. It's almost time to practice scale touching. In fact, as long as you introduce a few types of scales in the key of C, you can also introduce other keys.
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I'm ashamed to say: I don't know staves, because I learned it late. So in general, it's all about watching guitar tabs and txt notation.
Like the guy upstairs said. It's okay to climb the lattice, it doesn't matter much if it will be a stave or not. As for the syllable training you mentioned.
I recommend a book to you, "The New Version of Guitar Playing and Singing Quick and Easy Pass" edited by Sun Xun, which has special training on scales. If it's not convenient to buy a book, I'll send you a GTP4 version of the scale training score.
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Draw the positions on the paper, marking the positions of the individual notes, as well as the scales of each major key (you can draw several tables.) If you contact every day, be sure to practice more!!
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Just climb the lattice, you don't need to know the staff.
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1.Most scales are used with all 8 fingers of the left and right hands, and practicing scales can train finger balance.
2.Scale practice can familiarize yourself with the fretboard phonemes, all of which are composed of 24 major and minor scales, and almost all of the European ** that we are in contact with the most belong to these keys, and if you are familiar with the scales, you are generally familiar with these keys.
3.In fact, ** is made up of complete or incomplete scales, especially melodic voices.
4.Scales may seem simple, but they are hard to do well if they are uniform, fast, and grainy.
5.Add different rhythms, accents, and dynamics to the scale exercises, using all imaginable combinations of right fingers.
6.Scale exercises are very useful for the training of left-handed coordination.
Basic essentials of scale practice:
1.The fingers rise and fall vertically, and the height when lifting should not be too high, about one centimeter is appropriate.
2.For consistency, the next finger should be pressed forward, and the previous finger should not be raised.
3.The left hand should always maintain a proper arc and should not be out of shape due to changing strings.
4.The left finger is as perpendicular to the fretboard as possible, pressing the string with the fingertips.
5.The force is based on the actual strings, not too much. The left finger movements should be coherent, soft, and natural.
6.The speed should not be fast, but should be able to play clearly, coherently and evenly, and gradually improve.
7.Pay attention to the sound control in the high position, not "virtual", and the right finger is appropriately strengthened.
8.The lowest and highest notes are best emphasized.
9.Each finger of the right hand must complete each plucking action independently, paying attention to the unity of the timbre and the dynamics of the adjacent sounds.
10.It is better to add different beats, dynamics exercises.
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This method of practice uses only 4 strings: 3, 4, 5, and 6.
First: First look at the exercises of picking up the fingers and middle fingers of the left hand.
6 strings 1, 2 (fret), 5 strings 1 2, 4 strings 1 2, 5 strings 1 2, 4 strings 1 2, 3 strings 1 2, 4 strings 1 2, 5 strings 1 2, and that's how to play, then 6 strings 2 3, 5 strings 2 3 ...Repeat this pattern until the 15th grade is retired.
Later exercises are all in this mode, just with a change of fingers.
You can learn this in a minute.
Counter exercises: 6 strings 2 1, 5 strings 2 1....
It's also like this to play to the 15th fret, so that you can finish picking up your fingers and middle fingers.
Do you understand? It's easy to learn, I teach people on QQ, and they can do it at once.
Keep this pattern in mind.
Second: Pick up fingers and ring fingers.
6 strings 1 3, 5 strings 1 3 ,..The mode is the same as the above, and it is also practiced until the 15th grade is retreated, and I believe that many people will know how to play it below when they see this.
Third: Pick up the finger and little finger.
6 strings 1 4, 5 strings 1 4, same as above!
Practice Essentials: Slow practice works best, then again, it's hard to play fast. If you practice all the speeds to 130 (4 legalet), you can play 200 solo. Make sure that each fingertip falls correctly (finger up).
There are too many things that you can't practice at first, and you can practice each of the 12 kinds once, and it's easy to hurt your hands. When I made it up, I practiced 5 times a day and scolded my mother, which was a bit bitter! I told them it was a very bad exercise, but it worked very well!
Hehe, I believe that many people will scold me when they practice, and the one on the Internet said: You are very good at practicing! My hands are shaking!
After 10 days of practice, you will find that you have improved a lot, and the advanced practice is the first sound play, and the second with a hook.
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Five tones, seven tones, blues, more practice molding, mainly these, and many others, I will talk about it later.
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The most important point.
Be sure to use a metronome!
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