The meaning of the threefold realm of Wang Guowei

Updated on culture 2024-03-07
3 answers
  1. Anonymous users2024-02-06

    Last night, the west wind withered the green trees, went up to the tall building alone, and looked at the end of the world', this first realm also;'The belt gradually widens and does not regret it, and makes people haggard for Yi', this second realm is also;'The crowd looked for him, and when they turned around, they saw that the man was in the lamplight', and this third realm is also. None of these words are big words, and people can't say them. However, if you interpret the words in this sense, I am afraid that Yan and the European princes will not allow it.

    The first realm" was originally from Yan Shu's "Butterfly Love Flower": "The threshold chrysanthemum is sorrowful, the smoke and orchid are crying, the curtain is light and cold, and the swallows are flying away." Mingyue does not know how to leave hatred and bitterness, and the oblique light penetrates Zhu Hu.

    Last night, the west wind withered the green trees, and went up to the tall building alone, looking at the end of the world. If you want to send color notes and rulers, you know where the mountains and rivers are. Wang Guowei used this sentence to describe the boundless sea of learning, only those who have the courage to climb high and look far can find the goal they want to achieve, and only those who are not afraid of loneliness and loneliness can explore and succeed.

    The second realm" two sentences were originally from Liu Yong's "Fengqiwu": "Leaning on the dangerous building and the wind is fine. Looking forward to the extreme spring sorrow, gloomy sky.

    In the afterglow of grass-colored smoke. Speechless, who will rely on will. I plan to get drunk with a crazy picture.

    When it comes to wine, strong music is still tasteless. The belt gradually widened, and I never regretted it. For the sake of Iraq, the people are haggard.

    Wang Guowei used this sentence as a metaphor for seeking truth or pursuing his own ideals, forgetting to sleep and eating, working day and night, even if he was tired and thin, he did not regret it.

    The Third Realm" originally came from Xin Qiji's "Qingyu Case": "Thousands of trees bloom on the night of the east wind." More blows down, stars like rain.

    BMW carved cars are full of incense, the sound of the phoenix flute moves, the jade pot turns brightly, and the fish and dragon dance all night. Moth snow willow ** wisps. The laughter is full of dark fragrance.

    The crowd is looking for it. Suddenly looking back, the man was there, and the lights were dim. Wang Guowei used this sentence as a metaphor for the feeling of sudden success after a long period of hard work and no gain, just when the confusion is difficult to extricate himself.

    There is nowhere to find the iron shoes, and it takes no effort to get it, but suddenly from disappointment to the joy of wishing fulfillment.

  2. Anonymous users2024-02-05

    Last night, the west wind withered the green trees, went up to the tall building alone, looked at the end of the world--- had a clear goal, and could endure loneliness.

    The belt gradually widened and never regretted it, and he insisted on his goal ---and devoted himself wholeheartedly to the sake of Yi Xiao, who was haggard and haggard.

    The crowd looked for him, and suddenly looked back, but the person was there, in the dim light--- to solve the problem and sum up the experience.

    It is equivalent to the PDCA cycle of quality management.

  3. Anonymous users2024-02-04

    The first realm means that those who become great in learning must first have persistent pursuit, clear goals and directions, and understand the general picture of things. The second realm means that those who have a great career and ask questions in universities are not easy and can be obtained casually, but must be unswerving and forget to sleep and eat. The third realm means that we must have a spirit of concentration, repeated pursuit, research, discovery, judgment, and invention, so that we can enter the kingdom of freedom from the kingdom of necessity.

    Wang Guowei (December 3, 1877, June 2, 1927), the first name Guozhen, the word Jing'an, also the word Boyu, the first number of the auditorium, the evening number of the Guantang, also known as the Yongguan, the loyalty of the people. Han nationality, Haining Prefecture, Zhejiang Province (now Haining, Jiaxing City, Zhejiang Province). Wang Guowei is a well-known scholar with international reputation at the intersection of modern and modern China.

    In his early years, Wang Guowei pursued new learning, accepted the influence of bourgeois reformist thought, integrated Western philosophy and aesthetic thought with Chinese classical philosophy and hunger reform aesthetics, studied philosophy and aesthetics, and formed a unique aesthetic ideological system.

    As an outstanding scholar and internationally renowned scholar in the history of modern Chinese academia, Wang Guowei has been engaged in literature, history and philosophy for decades, and is the first pioneer in modern China to use Western philosophy, aesthetics, and literary views and methods to analyze and comment on the rotten classical Chinese literature, and is also the pioneer of combining history and archaeology in the history of Chinese historiography, and has established a more systematic modern standard and method.

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