What is In the Mood for Love about?

The film tells a love story about migration.

The film is set in Hong Kong in the 60s of the 20th century, and tells the story of Su Lizhen and Zhou Muyun after discovering that their respective spouses had extramarital affairs, and the two began to contact each other and developed feelings for each other.

Detailed Synopsis:

In Hong Kong in 1962, two young white-collar couples became neighbors, but Mrs. Chow and Mr. Chan hooked up and became adulterous, while Chow Mo-wan (Tony Leung) and Mr. Chan's wife Su Lizhen (Maggie Cheung) were kept in the dark. Later, Zhou Muyun and Su Lizhen discover the secrets of their respective spouses, and the two people who have been abandoned by their spouses begin to meet and discuss what may happen in the future.

Time passed uneventfully, but the gossip of others made the two discover the secret they wanted to discover the most they wanted to discover: they were deeply in love with each other. Later, Zhou Muyun left Hong Kong.

Many years later, Zhou Muyun returned to his old home, but heard that his neighbor had been replaced by a merchant's wife, so Zhou Muyun left the old place melancholy.

In the Mood for Love: Behind the scenes

1. During the filming of the film, Tony Leung couldn't bear the appearance of combing his oily hair. Once, Tony Leung's oily hair couldn't be washed off after three days, and he later used dishwashing detergent to wash his hair.

2, Originally, all the roles in the film were played by Maggie Cheung and Tony Leung, including the other half of the male and female protagonists, the landlord, and passers-by A and B, but it was too difficult to shoot like this, so director Wong Kar-wai gave up.

3. Because some scenes in the film were supplemented, the cheongsam prepared for Maggie Cheung at the beginning of filming was not suitable, so the crew picked a suitable cloth and made it again, so Maggie Cheung wore more and more cheongsams, and finally exceeded 20 sets.

4, the scene in Angkor Wat originally did not have Maggie Cheung's role, but Maggie Cheung still followed the crew to the filming location in order to see Angkor Wat.

The film tells a love story about migration.

The analysis of the movie "In the Mood for Love" is as follows: Wong Kar-wai's film style attaches great importance to the transmission of emotions, and often "what you see is not the plot, but the emotions; It's not a story, it's about humanity. Because the two leading actors are very charismatic, many people are easily attracted by Maggie Cheung's curvaceous cheongsam or Tony Leung's melancholy temperament, and ignore the message of the film itself and the content of the plot.

pwd=4ncm

Extraction code: 4ncm In Hong Kong in the 1960s, the newspaper Zhou Muyun (played by Tony Leung) and his wife moved into an apartment with mostly Shanghainese, and became neighbors with Mr. Chen, the ** representative of a Japanese-funded company, and his wife Su Lizhen (played by Maggie Cheung). Because they found out that their spouses who were working outside the home had an extramarital affair behind their backs, Zhou Muyun and Su Lizhen began to meet to discuss what might happen in the future and what to do.

The two didn't end up together. Mr. Chow went to Singapore.

When Mr. Zhou came back later, he heard that there was a woman with a child living next door, and he hesitated and finally did not knock on the door next door, and it was Chen and Songtai who lived next door.

Mr. Chow went to Angkor Wat, confided in the ancient Shu Nin Chun Cave, buried his 1962 secret, and left alone.

Video reviews. In the Mood for Love, with its unique cinematic language and narrative mode, as well as stylistic features with Wong Kar-wai's distinctive mark, achieves a perfect combination of form and content. Through the unique narrative mode of the film, the film radiates an unearthly temperament and a long connotation.

Wong Kar-wai filmed the simple story in the film euphemistically and movingly.

There is no redundancy in the story of the film from beginning to end, and the pictures and editing of the film are also clean and tidy. In dealing with the narration of the story, Wong Kar-wai cut out the trivial details and transitional plots, and only explained the results of the plot to the audience through emotional pictures and the language of the characters, so as to give the audience more space for imagination and thinking.

In terms of character processing, there are only ten characters in the whole movie, and this simplified character processing method can make up for the lack of actors' performances, and at the same time, it can also highlight the performance of the leading actor and the focus of the character image, so that the leading actor can get more attention from the audience.