How to identify the authenticity of calligraphy How to identify the authenticity of calligraphy and

1. Whether the material is uniform;

Pirated and poor quality CDs will have a urine-like moire of uneven carbonate mixing, warping and other phenomena will occur after a long time, and the weight distribution is uneven, such CDs are mostly pirated, if it is genuine, do not buy, it will accelerate the aging of the CD player and even scratch the laser head;

2. Whether the side feet and plane are flat;

The CD of excellent quality will not pull hands and have raw edges, and the CD is a plane, which will not be warped not on a plane, and the thickness of the disc is also standard, which will not be too thin to cause the CD to rotate and not be clamped, accelerate the aging of the CD, and at the same time the CD is uneven will lead to the aging and damage of the click and the hinge, and do not buy the genuine CD when encountered;

3. Whether the printing and anti-counterfeiting marks are excellent;

Genuine CDs will put a lot of effort into packaging and anti-counterfeiting marks, remember to find a good one, look at it more can be easy to learn, while piracy usually uses the same anti-counterfeiting mark, different impressions of the company's anti-counterfeiting mark will not be the same;

4. Whether the packaging is complete and standard;

Piracy will also use a batch of CD boxes, genuine because of batches and other reasons, at least the style and quality of the CD box are very good and the styles are different, at the same time the box material is thicker, there will be no CD box cd** situation, see the plastic bag of 2 covers 1 piece of CD packaging, it must be piracy.

5 Now some CDs have opened anti-counterfeiting** and SMS services, you can try this way, of course, not all audio companies have this strength.

You mean identifying artifacts, right?

The identification of ancient calligraphy and painting can be based on the following methods:

1. Identification of paper and silk.

Calligraphy and painting are made on paper and silk, the life of silk is generally about 100 years, and the life of paper is about 1,000 years.

2. Seal identification.

Many calligraphy and painting works of the Song Dynasty are not sealed, some of them are stamped with copper seals and jade seals, and the color of the seal has a secret seal and the seal of the Yuan Dynasty of the water cherry blossom has wood, ivory, copper, jade, etc., and the color of the seal is the mimeograph and the stone seal of the Yuan Dynasty since the beginning of the crown. Stone seals in the Ming Dynasty were common, and the seal engraving method adopted the "hammer head type", and most of the seals used were oil cherry blossoms, and the shapes, fonts, and glyphs were diversified, and the printing color was oily. Identification of the clothes and living utensils of the characters in the painting The crown clothes of different eras are often different, and the living utensils are also different, which can be used to identify.

3. Inscription identification.

There are three types of inscriptions: the author's inscriptions, the inscriptions of contemporaries, and the inscriptions of later generations.

Ancient artwork production history is long, many styles, of course, the output is also one of the best, in addition to the heirlooms handed down from generation to generation, the underground unearthed is also endless, but due to the development of modern science and technology and also due to the first calligraphy and painting, so there are a large number of replicas and imitations in modern times, true and false, mixed with fish and eyes. In order to protect the cultural relics of the motherland, the evolution of calligraphy and painting is studied. Therefore, it is necessary for experts to study its authenticity and the quality of the artwork.

Look at the authenticity of the calligraphy and painting, mainly look at the style of the calligraphy and painting, the inscription, the payment, and the paper silk, as long as you find that there is a problem on one side, you can decide the trade-off in a short time.

Seal identification, many calligraphy and painting works of the Song Dynasty are not on the seal, some of them are stamped with copper seals and jade seals, the color of the seal has a secret seal and the seal material of the Yuan Dynasty of the water cherry blossom has wood, ivory, copper, jade, etc., and the color of the seal is the mimeograph and the stone seal of the Yuan Dynasty since the beginning of the crown. Stone seals in the Ming Dynasty were common, and the seal engraving method adopted the "hammer head type", and most of the seals used were oil cherry blossoms, and the shapes, fonts, and glyphs were diversified, and the printing color was oily. Identification of the clothes and living utensils of the characters in the painting The crown clothes of different eras are often different, and the living utensils are also different, which can be used to identify.

It's best to consult a professional, and if so. A more reliable professional can't just find a random person. Then find a few more people to take a look, it's better.

1. The artistic style of calligraphers and painters. The brushwork habits formed by a calligrapher and painter over the years, no matter how the subject matter of his works changes, can always see the trajectory and style characteristics of his brushwork. Therefore, it is necessary to be familiar with the art, the origin, the realm of the works, the unique creative brushwork, ink and color used by the main masters of calligraphy and painting, so that although some counterfeit products are extremely similar, you can see the flaws on a closer look.

Therefore, understanding and mastering the artistic styles and characteristics of the masters of calligraphy and painting is conducive to distinguishing the authenticity from the fake. 2. The style of calligraphy and painting. As a cultural art, calligraphy and painting not only have its own accumulation and inheritance, but also have its own development history, which is the result of historical and cultural evolution, and at the same time, it is also affected and restricted by the political, economic, cultural, material conditions and living customs of the society at that time.

Paintings of different eras have different stylistic characteristics, and if a painting does not correspond to the characteristics of the era, it is likely to be a fake. 3. Inscription and seal of calligraphy and painting. Counterfeiters of calligraphy and painting often use unpaid calligraphy and painting or broken calligraphy and painting to manipulate the payment and seal, some forge signatures, and some forge seals.

To identify the authenticity of a signature, one is to identify it from the penmanship and calligraphy skills; The second is to identify the names and signatures of calligraphers and painters. The identification of seals can also be seen from two aspects: one is to look at seals.

The shape, engraving, seal inscription and material texture of seals in different eras are different. The second is to look at the ink. In addition, it is also necessary to pay attention to whether the date of payment is consistent with the author's date of birth, and whether there is any discrepancy with the facts.

It is necessary to have a certain amount of knowledge accumulation, and now the market is mixed, and those who have no experience are still cautious.

Identification of the authenticity of calligraphy is very fake, which is divided into the following steps;

1. The core of the identification of calligraphy and painting is the seal, because the seal cannot be imitated, and there are no two exactly the same seals. If, we want to buy a piece of Qigong now, then we go to ** to find the seal of Qigong, we haven't seen it, we haven't touched it, and we don't know if it's true or false. The method is very simple, open it, and then click **, and enter the Qigong seal in it.

Then it came out, there are no two exactly the same seals, the banks on the Internet are rubbing, all are standard editions, a comparison can be seen that the seal you want to buy this word or painting is real or fake, the seal is fake, the word cannot be real. When we are looking for some physical patterns, or when we need a certain **, the first thing that comes to mind is the **search engine.

2. Calligraphy and painting should be more homogeneous. For example, the word we want to buy is "Tianhai Yise" written by the old man Qigong, then we have to search for Qigong's works in the ** search, and then find out the sky, sea, and color he wrote in the work, and compare it to know whether it is true or false, because when a person writes the same word, the strength, angle, and fluency are almost the same.

3. Calligraphy and painting should look at the value of the calendar and the collector. At the expert appraisal site, there was a young man who said that he had a calligraphy and painting of Tang Bohu at home, the expert asked, what did your father do, he said that he was a farmer, he said that your ancestors had a big official, he said that my ancestors had been farming for generations, this expert said, I can tell you with certainty that your painting is a fake, because Tang Bohu's calligraphy and painting belonged to the top grade at that time, no matter the war years or what era, they have been collected in the hands of some dignitaries and nobles.

When we buy calligraphy and paintings, we also need to look at the overall strength of the other party.

4. Calligraphy and painting should look at the whole. If you look at Shen Peng's words, everyone must say that it is rubbish, and the writing is very crooked, but if you want to look at it as a whole, it is very imposing, which is why he is a master of calligraphy.

5. Don't trust the appraisal report. More than half of the appraisal reports are fake, because ordinary people will not study the authenticity of the appraisal report.

Come and consult.

Summary. One, look at the paper.

Hand-painted and hand-written paintings and calligraphy works are made of rice paper. Although there are raw xuan, cooked xuan and sandwich raw xuan, all the rice paper feels relatively soft and easy to tear.

The paper used for calligraphy and painting in printed matter is generally not rice paper. Although it looks like rice paper, the surface is smooth, the tensile force is strong, and it is not easy to tear.

Second, look at the painters.

Hand-painted and handwritten calligraphy and painting works, especially landscape Chinese paintings, painters will paint several layers in painting, or the Chinese painting pigments are left on the paper with a convex feeling. It feels uneven to the touch. Whereas, the surface of the printed matter is very flat.

How to identify the authenticity of calligraphy works.

First, to see paper hand-painted and handwritten calligraphy and painting works, all of them are on rice paper. Although there are raw xuan, cooked xuan and sandwich raw xuan, all the rice paper feels relatively soft and easy to tear. The paper used for calligraphy and painting in printed matter is generally not rice paper.

Although it looks like rice paper, the surface is smooth, the tensile force is strong, and it is not easy to tear. Second, looking at the hand-painted and handwritten calligraphy and painting works of the painters, especially the landscape Chinese painting, the painter will paint several layers in the painting, or the Chinese painting pigment left on the paper has a convex feeling. It feels uneven to the touch.

Whereas, the surface of the printed matter is very flat.

Third, color testingFor hand-painted Chinese paintings, the paint on the picture can fade by dipping your fingers in water or saliva. The description is a hand-painted work, otherwise it is a print.

Fourth, look at the overall hand-painted and handwritten calligraphy and painting works The edges look untidy, and the printed calligraphy and painting works are generally very neat and look very dull.

Can calligraphy and painting be valued?

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Hello, I am happy to answer for you, to verify the authenticity of a calligraphy work, it is necessary to carry out a multi-faceted investigation and analysis of Zheng Gai. Here are some ways to judge your ability:1

Examine the style and brushwork of the work: For a certain calligrapher's work, their style and brushwork are unique. If the style and brushwork of the work do not match the calligrapher's other works, then it may be a forgery.

2.Check for ink and paper: Counterfeits often use different ink and paper.

If the work has a detailed history and records, and can be traced back to the calligrapher's handwriting, then it may be genuine. If these records are not available, then more investigation and analysis are needed. 4.

Ask a professional to get it done: The most reliable way is to have it done by a professional. They can analyze the authenticity of the work through a variety of methods, such as X-ray, infrared and other technologies.

Summary. Hello, glad for your question. <>

To verify the authenticity of a calligraphy work, it is necessary to apply some professional knowledge and skills. Here are a few commonly used methods to verify the authenticity of calligraphy works:1

Observe the font style: By analyzing the characteristics of the size, shape, strokes, etc., and comparing the historical works of the calligrapher, we can determine whether the font style of the work matches the characteristics of the calligrapher. 2.

Consult the biographies and historical materials of the calligrapher: You can learn about the calligrapher's life and artistic experience from the documentary materials, and judge the authenticity of the work by combining factors such as the appearance time, subject matter, and size of the work. 3.

Identification of handwriting and seals: Carefully observe the strokes, tracing strength, and ink depth on the work to determine whether the work is the authentic work of the calligrapher. At the same time, it is also necessary to verify whether the seal and signature on the work are genuine.

4.The use of scientific technology, such as X-ray and ultraviolet detection, can reveal some information about the work itself to determine whether the work is a later forgery or restoration.

How to check the authenticity of calligraphy.

Hello, glad for your question. <>

To verify the authenticity of a calligraphy work, it is necessary to apply some professional knowledge and skills. Here are a few commonly used methods to verify the authenticity of calligraphy works:1

Observe the font style: By analyzing the size, shape, strokes and other characteristics, and comparing the works of the calligrapher in history, we can judge whether the font style of this bad piece is consistent with the characteristics of the calligrapher. 2.

Consult the biographies and historical materials of the calligrapher: You can learn about the life and artistic experience of the calligrapher from the documentary materials, and judge the authenticity of the work by combining factors such as the time of appearance, subject matter, and size of the work. 3.

Identification of handwriting and seals: Carefully observe the strokes, tracing strength, and ink depth on the work to determine whether the work is the authentic work of the calligrapher. At the same time, it is also necessary to verify whether the seal and signature on the work are genuine.

4.The use of scientific technology, such as X-ray and ultraviolet detection, can reveal some information about the work itself to determine whether the work is a later forgery or restoration.

In short, verifying the authenticity of calligraphy works requires certain professional knowledge and experience, if you are not sure about the authenticity of the work, it is recommended to consult a professional appraisal agency or person, so as to avoid property damage caused by the wrong judgment of the mold jujube bend.

Calligraphy is the traditional art form of our country, calligraphy is different from writing an important difference lies in the sense of art, there are many contemporary calligraphers have resisted "pseudo-calligraphy", so what kind of calligraphy is pseudo-calligraphy? And how to distinguish between "pseudo-calligraphy" and real good calligraphy?

We modern people learn calligraphy, the first step is also a lifelong task is to post, not only to write the image, but also to restore the pen action of the ancient calligrapher, so the first element to distinguish pseudo-calligraphy is to use the pen action.

Observing the gestures of the calligrapher, including the penmanship, the handling of the knots, and even the small action of dipping the ink, can distinguish the authenticity of the calligraphy. Some people may not understand, why can you see the authenticity of calligraphy from the ink?

Calligraphy pays attention to a pen before and after, ink method is also a part of calligraphy creation, how much ink slip in a stroke, how many words can be written, are the standard for identifying the level of calligraphy art, and pseudo-calligraphy only reproduces the beauty of calligraphy in writing, and does not really reproduce the action and artistic sense of the ancients when creating, so it is called pseudo-calligraphy.

In modern life, with the acceleration of people's life and work, people have less and less time to learn calligraphy, most people think that as long as the words are written well, why bother how much he can write in one breath, so how many words can be written in one stroke, we can not see from the regular script, because if the calligrapher has a failure in the middle of the house can be slightly changed, which can not be seen, then we should start from other book styles.

We can start from the cursive side, because there are more cursive pens, there should be no broken pen in the middle, if there are too many broken pens, then the soul and spirit of this article will be dispelled, there is no sufficient breath, after being seen, you will feel that this cursive looks like a very weak person, who will like a weak person, then the spirit of this article will be gone, so it is very important to keep writing, and it is also very difficult, A person who can write cursive clearly shows that this person's calligraphy skills must be very profound. The contrast is stark.

The cursive script of the great calligrapher can more intuitively see how many words he has written, usually starting with the first stroke, and the more strokes are written, the thinner and thinner strokes, until the next bold character appears. This is a licking pen Zhou Qi, from here we can see how many words a calligrapher can write in one stroke, the more we can see a calligrapher's calligraphy level is high.

We all know that the famous calligrapher Huaisu's "Our Lady of the Post" is very famous, we can observe the "Our Lady of the Post", which has a lot of pen, which is between 3 and 10 words, and the often appeared even pen for 7 words, and these even pens do not appear to break the pen, and there is no phenomenon of mending the pen, so we can see the height of Huaisu's calligraphy art level, a pencil to write at least 5 to 7 words, such a level, and the pen is firmly in it, not scattered, gather energy, And there is no wrong pen, dry pen, which is even more commendable.